Jouer c'est tuer

I fondly remember this movie and watch it to this day. Its amazing how, as kids, we saw this movie in the 80s where a child is being chased, shot at, almost stabbed, threaten to have his knee caps blown off and shot in the gut, kill 3 guys (2 not by him but caused by him)and be held hostage...and it was a family film rated PG! Still this movie didn't dumb down the dangers of real violence, international terrorism, espionage, and dangerous people. A movie made like this today would make the kid a genius and the bad guys clumsy and stupid. I do miss serious films like this for kids. They never dumbed it down and took the audience seriously. Movies like Poltergeist, Raiders of the Lost Ark, Dark Crystal (Which scared me to death), The Neverending Story, and more always played to the intelligence of the audience. Now all we have is fart jokes and one-note slapstick. When my kids get old enough I do want them to watch these 80s film and learned to appreciate good film-making, something lacking in the 21st century, and by box-office results, the audience notices it too.

I first saw Cloak and Dagger when a substitute teacher showed it to our 6th grade class. It was the coolest movie I'd ever seen because it was an action movie about kids who solve a mystery and save the day.

Henry Thomas is Davey Osbourne. His entire life is an imaginary world of secret spies. And to aid in his games of eluding spies and dodging secret plans of assasination, Davey defers to his wartime hero, Jack Flack, an action hero that he has turned into an imaginary playmate as well as a father figure guidance to make up for an absentee father.

But Davey soons finds himself in trouble as the imaginary world becomes a reality when he witnesses a shooting in a stairwell. But, before the victim draws his last breath, he hands Davey a Cloak & Dagger video cartridge that contains top secret plans. And, while the adults think he is just playing another game, Davey and his sassy friend Kim and Jack Flack all try to solve the crime.

It is a great movie in part because you get a peak at the imagination of a twelve-year-old-boy and, once again, because a few clever kids get to save the day. It definitely looked like a fun movie to make.

Short and sweet: I loved this movie as a kid--now I'm an adult and I still love it. Yes, the computers and games are horribly dated. Heck, my computer from two years ago is horribly dated. That doesn't change the fact that this is a solid, exciting movie which is appropriate for most school-age children without being dumb or talking down to them. I know there's nostalgia involved in this, but kids movies have gone downhill since the '80's. We had The NeverEnding Story, Labyrinth, The Dark Crystal, The Secret of Nimh, The Goonies, Cloak & Dagger...what do kids today have? See Spot Run. ANYWAY, this is a good movie, your kids will probably like it (if only to see what video games were like in the dark ages) and you'll like it, too.

Henry Thomas (E.T., The Extra-Terrestrial) made this film two years after that incredible hit. Dabney Coleman ('Tootsie') stars as his father who is a military officer. Thomas' mother has died and his father is busy with his career. In the face of this, Thomas turns to an imaginary friend in the form of a spy. With visions of his imaginary friend, he becomes involved in an espionage plot involving government defence secrets.

Children will embrace this film as all of us at that age have had imaginary friends. The movie is evenly paced and builds up to an exciting climax the way an adult thriller would say in the form of a James Bond movie but while doing this the film doesn't insult the intelligence of children --- a lot of whom are more intelligent than we give them credit for.

It's quite an experience watching a movie that you haven't seen since childhood. Your memories of the film are filtered through an innocent perspective you no longer possess, and as you watch the film again you're struck by how different it looks to you now, even as the memories flood back.

Some of my favorite films from childhood, like "The Neverending Story," have not stood up well as I've grown older. Others, I've found, have been enhanced by my adult perspective. "Cloak & Dagger" falls in the latter category. Interestingly, my overall opinion of the film has not changed. Back in 1984, I perceived it as a good but not great film. I still perceive it that way.

At age seven, I enjoyed how the movie blurred the line between fantasy and reality. That's one of the techniques that make for good children's movies, the recognition that a child's fantasy life can feel as real as anything else happening around him. And movies in which the child's fantasies literally come true seem like vindication to young viewers.

Henry Thomas of "E.T." fame plays a youngster mourning his mother's death by escaping into a fantasy world of adventure games. He has an imaginary friend called Jack Flack, a suave super-spy with a passing resemblance to the boy's father (Dabney Coleman, in a wonderful dual role). The father, a hardened Air Force pilot, loves his son but wants him to grow up, telling him that real heroes are those who put food on the table, not those who go around shooting people. That may seem a harsh thing to say to a child, but the boy does appear to be having psychological problems, unable to distinguish between fantasy and reality even though he's old enough to know the difference. So when he witnesses the actual murder of an FBI agent, who slips him a video game cartridge right before dying, the boy is the last person anyone will believe. He knows the murderers will be after him next, but how will he get his dad to believe him soon enough to stay home from work the next day?

What's nice about the film is the seamless way it combines the conventions of adult thrillers and children's adventures. The child as the murder witness whom no one will believe is a setup that would have made Hitchcock proud. I'm sure the filmmakers realized the connection, for there are many nods to Hitchcock, including a visual allusion to "Vertigo" as the murder victim plummets down a long stairway, and a plot that combines elements of "Rear Window" and "North by Northwest." Like the latter, the movie greatly exploits its locale. Viewers who have been to San Antonio will recognize many of the places, including the River Walk, the setting for a unique chase scene.

Then there is the MacGuffin of the "Cloak & Dagger" cartridge itself, a special copy containing information important to the bad guys (whom the kid perceives to be spies, but who may simply be mobsters). The Atari game looks quite primitive today, and the scenes in which the boy calls upon his geek friend (William Forsythe) to crack the code will probably not impress those who take interest in computer espionage. But that hardly matters. The filmmakers understand, as Hitchcock did, that the MacGuffin is there only to move the plot along, and is not independently important.

As the boy evades the villains, Jack Flack keeps appearing and giving him kernels of advice. Although we realize that Flack won't say anything the boy doesn't already know, he helps the boy keep his calm and use his ingenuity to defeat some dangerous men, while gradually learning he doesn't need an imaginary friend. This isn't like "Home Alone" where the villains are portrayed as cartoon idiots. The movie takes its relatively uncomplicated plot seriously and manages to make some sense, without feeling manufactured. While it doesn't pretend to be realistic, it does grow out of the basic truth that adults don't take kids as seriously as they should.

The movie also confirms, once again, that Henry Thomas was one of the best child actors of all time. A lesser actor could have easily sunk this movie, as indeed Christina Nigra, playing the girl next door, almost does. She is cute, but can't act to save her life. Thomas never feels like he's acting, and as a result we almost can believe in the absurd events even when we watch the movie as adults, long having set aside our own childhood fantasies.