Le Bounty

Not only is the story of Bligh and Christian the most famous mutiny in history, it is also the most filmed. It started with an Australian silent movie in 1916. The Aussies took another shot at filming the Bounty mutiny in 1933, providing a young Errol Flynn (as Fletcher Christian) with his first movie role. That was followed only two years later by the first American try with Charles Laughton in a tour-de-force performance as a sadistic Captain Bligh. Nearly thirty years passed before another movie attempted the story. The 1962 production remains controversial, as does Marlon Brando's affected turn as Christian. These earlier movies were based on the books by Charles Nordhoff and James Norman Hall that portrayed the Bounty's commander, William Bligh, as a brutal disciplinarian and the second in command, Fletcher Christian, as a hero. The actual story is not so black and white. In Captain Bligh and Mister Christian: The Men and the Mutiny (1972), Richard Hough presented a more balanced account of the famous mutiny that is meticulously researched and shows keen psychological insight into the characters of the men involved. It is on Hough's book that The Bounty is based.

The Bounty has a lot going for it. It is based on Hough's book, perhaps the best account of the mutiny. The screenplay was written by Robert Bolt, who also wrote such classics as Lawrence of Arabia, Doctor Zhivago, A Man for All Seasons, and Ryan's Daughter. His work shows in the complex, fully realized characters that are the center of this story. And those characters are brought to life by an amazingly strong cast - Anthony Hopkins (an Oscar for Silence of the Lambs) as William Bligh, Mel Gibson (an Oscar for directing Braveheart) as Fletcher Christian, Daniel Day-Lewis (an Oscar for My Left Foot) as John Fryer, and Liam Neeson (nominated for an Oscar for Schindler's List) as Churchill. Of course, none of these actors were famous yet when they performed in The Bounty. Two film giants, Laurence Olivier and James Fox, make cameo appearances as Admiral Hood and Captain Greenham, respectively, members of the Court Martial that tries Bligh on his return to Britain. The rest of the cast is not so well known, but they are all excellent.

Anthony Hopkins' Bligh is definitely not a villain, but he is at best a flawed hero. Hopkins, as he always does, makes the character of Bligh completely believable. He is a superb seaman and a man of unquestioned courage. He is also a very capable leader in the right circumstances, but he has a quick temper and a tendency to shift responsibility from himself to others. And he is an ambitious man with no connections or influence in a society where those weigh as heavily as skill and competency. When the chance to make a name for himself seems to be drifting from his grasp, his frustration and anger is turned on those around him. Hopkins never seems to be acting. He becomes Bligh.

Mel Gibson was a bigger name actor than Hopkins even when this movie was made, but it is obvious that he is not quite in the same league. His is the weakest performance of the primary actors, but that's still not bad considering the caliber of this cast. He does a nice job of letting Fletcher Christian evolve from a rather shallow, genial fop into a tortured leader of a mutiny. He seems to work a little too hard at being the tormented soul during the mutiny but it's a good overall performance and does not detract from the story.

The Bounty does an especially fine job of showing the Tahitians as real people. The costumes and behavior feel completely authentic. Wi Kuki Kaa as King Tynah, although not on screen for very long, manages to create a fully realized and sympathetic character. Tevaite Vernette as Mauatua, Christian's Tahitian wife, is lovely but a bit bland at first. Once the mutineers have left Tahiti on the Bounty, she develops into a stronger character who backs Christian when the other mutineers turn against him.

Roger Donaldson's direction is deliberate. He builds the story slowly and purposefully, piling small scenes one atop another to build a foundation for the intense, emotion-laden scenes of the mutiny and its consequences. The pace may be too slow for modern viewers grown accustomed to the quick-cut editing of contemporary action/adventure movies, but the pay-off is worth the effort for those with some patience.

The Bounty is a beautiful movie. Wonderful cinematography by Arthur Ibbetson makes full use of the sea and tropical islands. There's nothing quite like the appeal of a full rigged ship under sail and we get plenty of the Bounty - brilliant, sun-drenched shots, towering waves and howling winds around the Horn, silhouettes of the ship against color saturated evening skies, and more.

Of the three movies I've seen based on the story of the mutiny on the Bounty, this is my favorite. It is more historically accurate in its presentation of the events, the characters, the ship, and the Tahitian people and culture. A brilliant screen play and fine performances from an exceptional cast are the core of the movie. It is well crafted and beautifully filmed. The pacing may be slow for some, but for anyone interested in this famous mutiny or sea stories, in general, it is highly recommended.

Lieutenant William Bligh (Anthony Hopkins) is brought before a trial for the mutiny on his ship HMS Bounty. He recounts the events of his voyage to take breadfruit from Tahiti to Jamaica. He recruits his friend Fletcher Christian (Mel Gibson) to join him. Bligh vows to not lose a man and institute unconventional methods. Seaman Charles Churchill (Liam Neeson) is a violent brute and often gets into conflicts. Bad weather prevents the ship from rounding Cape Horn and Bligh's hope to circumnavigating the globe. Fryer (Daniel Day-Lewis) had argued against Cape Horn and Bligh replaces him with Christian as second in command. In Tahiti, Churchill agitates to leave the Bounty and stay on the islands. Christian gets the chief's daughter pregnant and is conflicted about leaving. The Bounty leaves Tahiti with Bligh growing tyrannical as a reaction to Christian's laissez-faire. Then Bligh vows to try Cape Horn once again.

This is filled with great actors. They are all good. The older versions have Bligh as the villain and Christian as the hero. This one isn't quite so simplistic. Christian is more of a blank for the most part while Bligh tries to be sympathetic as much as he's allowed. Hopkins isn't doing a crazed dictator as usual but a needy outsider. I'm not sure about the constant back and forth between the time periods. The later time period adds very little to the movie. It is far too long already. The movie needs to get to Tahiti earlier. The turn in Tahiti is terrific with Hopkins finding another gear. The film looks beautiful. If Roger Donaldson could push the pace more and reduce the over 2 hour running time, this could be an even better film.

Being a fan of British naval history, and also a fan of Anthony Hopkins, I love this film. I think it is severely under-rated. The acting (particularly by Hopkins) is superb, and the cinematography and realism are stunning.

Unlike some of the previous comments for this film I think it is pretty loyal to the true historical facts of the real mutiny. Alright, there are a few minor changes to fact, but nothing that radically alters the story. Basically Bligh was a very able and fair captain, who was let down by incompetent officers. Bligh was no more a monster than any other Royal Navy captains, the difference was other Royal Navy Captains had able commissioned officers and a squad of marines to back up their authority. Bligh was on his own, because the admiralty insisted on saving money on the bread-fruit expedition by giving Bligh a small ship and no officers. (All the officers on board were non-commissioned warrant officers, who were not employed by the Royal Navy but were in it for their own advancement, Blight was the only Royal Navy officer). This is what ultimately led to the mutiny. Bligh had no one he could rely on to back up his orders from the Admiralty. Bligh was actually an exponent of modern thinking, and treated his men with much more humanity than other Royal Navy Captains. He had learnt his trade from sailing under Captain Cook.

I think Hopkins manages to capture this in his performance. Bligh was a professional man, who grew increasingly frustrated by the incompetence and laziness of his officers. Hopkins manages to convey this sense of increasing irritation brilliantly. He felt particularly let down by Fletcher Christian, who was his friend and whom he had personally advanced up the ranks. He expected Fletcher to back up his orders, but Fletcher was more interested in his own pleasure with the Tahitian women.

On the journey out the crew were actually very happy and contented, but the trouble began when the crew began to experience the liberties and freedoms of Tahitian life, and they did not want to leave it. Bligh had to force the men to go back to their duty, and instead of having officers to back him up, the officers took the side of the men.

I think the script of this film captures the true story quite well. I saw the Clark Gable version of the story many years ago, and the only thing I remember is the portrayal of Bligh as an irrational monster, with none of the reasons behind his anger explained. In this version I feel Hopkins is more like the real Bligh. An able commander trying to carry out his orders, but let down by those around him.

The confrontation between Bligh and Christian in the captain's cabin the day before the mutiny is one of my favourite movie scenes of all time. Hopkins performance of the captain at the end of his patience is just outstanding. `Oh there are rumblings are there?'. Superb!

The only down side to this film is Mel Gibson. I can't stand the sight of him! Mind you, even he manages to pull of a good performance.

The film ends quite abruptly, with a lot of loose ends. The most fascinating parts of the true story come after the end of the film. I guess the time constraints of the film mean they had to concentrate on just the story of the mutiny.

The mutineers set up a colony on Pitcairn, and ended up all murdering each other until only one survived (Jack Adams). Those that stayed on Tahiti were captured two years later by HMS Pandora which had been dispatched after Bligh got back to England. This ship rounded up about 16 mutineers, and on the way home the Pandora hit a reef off Australia and sunk. The crew had to make an open boat journey to Coupang, the same port that Bligh's life boat had arrived at two years earlier!!

Meanwhile Bligh was promoted and sent off on another Breadfruit exhibition to Tahiti, this time the Admiralty gave him commissioned officers and a squad of marines. This mission succeeded.

When the Breadfruit plants finally reached the slave colonies in the West Indies, the slaves refused to eat the fruit as they disliked the taste. That's irony for you!

If William Bligh could return to this earth his lawyers would be handing out writs and summons left, right and centre for all the appalling things that have been said about him.

Bligh was a very good seaman, an excellent navigator, and a firm but fair ship's captain. There were far worse than him in the Royal Navy. His 3,500+ mile voyage in a small open boat with his loyal crew members has never been bettered.

After the slander of the two previous films in the 30's and 60's, this film gives a far more accurate and sympathetic portrayal of Bligh, and Anthony Hopkins is excellent as always.

I will admit, I thought I'd seen it all when I first saw Charles Laughton bring the snivelling and maniacal Captain Bligh to life. I was dead wrong. Anthony Hopkins, whom I place on the highest rank of accomplished actors, recreates the memorable role with incredible flair and complexity. He shows us not just an insane seaman bent on ultimate subordination, but a man with real concern for maintaining order, knowing the consequences of anything less. "The Bounty", yet another retelling of the classic tale, is actually an amazing recreation of the sea fable, pumped with real emotion and drama. The writers really understand the characters in this story, especially in Bligh's case, but also in Fletcher Christian's as well. Mel Gibson reigns over the role this time, still fresh from his Australian beginnings, and undoubtedly one of the best at perfecting the challenged and affected hero. I proudly rave this version of the famous mutiny, and probably will place this among 1984's best films. Rating: Three stars and a half.