Le Bounty

Not only is the story of Bligh and Christian the most famous mutiny in history, it is also the most filmed. It started with an Australian silent movie in 1916. The Aussies took another shot at filming the Bounty mutiny in 1933, providing a young Errol Flynn (as Fletcher Christian) with his first movie role. That was followed only two years later by the first American try with Charles Laughton in a tour-de-force performance as a sadistic Captain Bligh. Nearly thirty years passed before another movie attempted the story. The 1962 production remains controversial, as does Marlon Brando's affected turn as Christian. These earlier movies were based on the books by Charles Nordhoff and James Norman Hall that portrayed the Bounty's commander, William Bligh, as a brutal disciplinarian and the second in command, Fletcher Christian, as a hero. The actual story is not so black and white. In Captain Bligh and Mister Christian: The Men and the Mutiny (1972), Richard Hough presented a more balanced account of the famous mutiny that is meticulously researched and shows keen psychological insight into the characters of the men involved. It is on Hough's book that The Bounty is based.

The Bounty has a lot going for it. It is based on Hough's book, perhaps the best account of the mutiny. The screenplay was written by Robert Bolt, who also wrote such classics as Lawrence of Arabia, Doctor Zhivago, A Man for All Seasons, and Ryan's Daughter. His work shows in the complex, fully realized characters that are the center of this story. And those characters are brought to life by an amazingly strong cast - Anthony Hopkins (an Oscar for Silence of the Lambs) as William Bligh, Mel Gibson (an Oscar for directing Braveheart) as Fletcher Christian, Daniel Day-Lewis (an Oscar for My Left Foot) as John Fryer, and Liam Neeson (nominated for an Oscar for Schindler's List) as Churchill. Of course, none of these actors were famous yet when they performed in The Bounty. Two film giants, Laurence Olivier and James Fox, make cameo appearances as Admiral Hood and Captain Greenham, respectively, members of the Court Martial that tries Bligh on his return to Britain. The rest of the cast is not so well known, but they are all excellent.

Anthony Hopkins' Bligh is definitely not a villain, but he is at best a flawed hero. Hopkins, as he always does, makes the character of Bligh completely believable. He is a superb seaman and a man of unquestioned courage. He is also a very capable leader in the right circumstances, but he has a quick temper and a tendency to shift responsibility from himself to others. And he is an ambitious man with no connections or influence in a society where those weigh as heavily as skill and competency. When the chance to make a name for himself seems to be drifting from his grasp, his frustration and anger is turned on those around him. Hopkins never seems to be acting. He becomes Bligh.

Mel Gibson was a bigger name actor than Hopkins even when this movie was made, but it is obvious that he is not quite in the same league. His is the weakest performance of the primary actors, but that's still not bad considering the caliber of this cast. He does a nice job of letting Fletcher Christian evolve from a rather shallow, genial fop into a tortured leader of a mutiny. He seems to work a little too hard at being the tormented soul during the mutiny but it's a good overall performance and does not detract from the story.

The Bounty does an especially fine job of showing the Tahitians as real people. The costumes and behavior feel completely authentic. Wi Kuki Kaa as King Tynah, although not on screen for very long, manages to create a fully realized and sympathetic character. Tevaite Vernette as Mauatua, Christian's Tahitian wife, is lovely but a bit bland at first. Once the mutineers have left Tahiti on the Bounty, she develops into a stronger character who backs Christian when the other mutineers turn against him.

Roger Donaldson's direction is deliberate. He builds the story slowly and purposefully, piling small scenes one atop another to build a foundation for the intense, emotion-laden scenes of the mutiny and its consequences. The pace may be too slow for modern viewers grown accustomed to the quick-cut editing of contemporary action/adventure movies, but the pay-off is worth the effort for those with some patience.

The Bounty is a beautiful movie. Wonderful cinematography by Arthur Ibbetson makes full use of the sea and tropical islands. There's nothing quite like the appeal of a full rigged ship under sail and we get plenty of the Bounty - brilliant, sun-drenched shots, towering waves and howling winds around the Horn, silhouettes of the ship against color saturated evening skies, and more.

Of the three movies I've seen based on the story of the mutiny on the Bounty, this is my favorite. It is more historically accurate in its presentation of the events, the characters, the ship, and the Tahitian people and culture. A brilliant screen play and fine performances from an exceptional cast are the core of the movie. It is well crafted and beautifully filmed. The pacing may be slow for some, but for anyone interested in this famous mutiny or sea stories, in general, it is highly recommended.

If William Bligh could return to this earth his lawyers would be handing out writs and summons left, right and centre for all the appalling things that have been said about him.

Bligh was a very good seaman, an excellent navigator, and a firm but fair ship's captain. There were far worse than him in the Royal Navy. His 3,500+ mile voyage in a small open boat with his loyal crew members has never been bettered.

After the slander of the two previous films in the 30's and 60's, this film gives a far more accurate and sympathetic portrayal of Bligh, and Anthony Hopkins is excellent as always.

I'm only giving this film 8 stars, because as good as it is "the Bounty" still leaves some undeserved blots on the reputation of a great and courageous man. A bit more truth and this film would get a TEN from me.

There have been many film treatments of this amazing story, but only "The Bounty" gets it even halfway right. The 1935 Lawton/Gable "Mutiny on the Bounty" is 49% balderdash and 51% falsehood. The Trevor Howard/Marlon Bando stinker is even less factual. "The Bounty", however is pretty good history in many places, especially Bligh's court-martial and the actual mutiny sequence, which is almost word-for-word what Bligh recorded in his own writings on the matter. The ship itself is correctly represented, right down to the figurehead – a woman in a blue riding habit, which makes no sense until one realizes that HMAV Bounty was originally a merchant ship called the Bethia.

The movie does take liberties with history. Some characters are composites and some important figures are absent entirely. In the plot Bligh seeks out Christian to be his second officer. In reality Christian was a friend of Bligh's wife's family, and it was he who sought a posting on Bounty; Bligh didn't solicit his participation. In fact Bligh jiggered the ship's roster to make room for Christian.

But the worst departure from fact is the business about Cape Horn and circumnavigation. The movie wants us to believe that Bligh chose the route for his own glory. Not true. Bligh complained to the Admiralty about the chosen course before they set sail from England, thinking it too dangerous for such a small vessel. But he was overruled. The return trip was never intended to go by way of Cape Horn. The cargo was breadfruit seedlings, a tropical plant that can't endure the kind of temperatures encountered in the Drake Passage or the Straits of Magellan. Bligh was forbidden to return via this route. Even if he wanted to such a course of action would have ruined his career. Also the mutiny occurred near Tofua, about 1300 miles west of Tahiti, the wrong direction to sail if you're bound for Cape Horn.

Bligh was a man and a professional. Christian was a silly, overwrought upper class schoolboy who committed a vile crime over puppy love of a Polynesian girl. He got away with attempted mass murder, and 200 years later people still praise him. Bligh was a true hero who hasn't got justice yet.

I will admit, I thought I'd seen it all when I first saw Charles Laughton bring the snivelling and maniacal Captain Bligh to life. I was dead wrong. Anthony Hopkins, whom I place on the highest rank of accomplished actors, recreates the memorable role with incredible flair and complexity. He shows us not just an insane seaman bent on ultimate subordination, but a man with real concern for maintaining order, knowing the consequences of anything less. "The Bounty", yet another retelling of the classic tale, is actually an amazing recreation of the sea fable, pumped with real emotion and drama. The writers really understand the characters in this story, especially in Bligh's case, but also in Fletcher Christian's as well. Mel Gibson reigns over the role this time, still fresh from his Australian beginnings, and undoubtedly one of the best at perfecting the challenged and affected hero. I proudly rave this version of the famous mutiny, and probably will place this among 1984's best films. Rating: Three stars and a half.

No cast can beat the one in the Bounty. Just look at the list, Anthony Hopkins, Mel Gibson, Bernard Hill, Daniel Day Lewis, Liam Neeson, Laurence Oliver and even a young Neil Morrissey who puts in a good performance. I have seen three versions of The Bounty, the one with Clark Gable, the one with Brando and this and this version directed by Roger Donaldson is by far my favourite because it is so much more darker than the others. For one we have Anthony Hopkins as a caring but ruthless Captain Bligh who is hell bent on his ship sailing around Cape Town or something like that and the shipmen believe that doing it once was bad enough but doing it twice is suicide and that is where the film really kicks off but there are moments of tension between Bligh and Fletcher played by Mel Gibson and that's what makes this film all the more special than its predecessors.

If this film was made today with the same cast then it would not have had the same effect because it would have tried to win over it's audience with it's cast but the likes of Day Lewis, Liam Neeson and Mel Gibson were still unknowns in most countries and it was like an older version of the rat pack as they were the fresh faces coming up in the movies in 80's Hollywood especially for Gibson who just made action in the 80's apart from The Bounty and Gallipoli. What makes this movie all the more better was it's haunting soundtrack by Vangelis. Every scene in the film which contains a piece from the soundtrack is just spine tingling and the scene where Fletcher takes over the ship and the men are gathering together to mutiny is just fantastic.

It's not the best film ever but it feels like it when you watch it but then you take it in and you think of some of the scenes they could have included. A few more scenes between Bligh and Fletcher wouldn't have gone a miss and a bit more on Laurence Oliver's character but what we did see of him was more than enough and I shouldn't complain.