IMDb RATING
5.2/10
5.1K
YOUR RATING
A developer tries to bulldoze a community recreation center. The local breakdancers try to stop it.A developer tries to bulldoze a community recreation center. The local breakdancers try to stop it.A developer tries to bulldoze a community recreation center. The local breakdancers try to stop it.
- Awards
- 1 nomination total
Adolfo Quinones
- Ozone
- (as Adolfo 'Shabba-Doo' Quinones)
Michael Chambers
- Turbo
- (as Michael 'Boogaloo Shrimp' Chambers)
Susie Coelho
- Rhonda
- (as Susie Bono)
Steve Notario
- Strobe
- (as Steve 'Sugarfoot' Notario)
- …
William Cort
- Howard Howard
- (as Bill Cort)
Vidal Rodriguez
- Coco
- (as Vidal 'Coco' Rodriquez)
Featured reviews
If for no other reason, watch the film to see poor Ice-T delivering what may be the most badly written rap lyrics of all time! This is an unintentionally very funny film. Funnier if you were a teenager in the 80's, because you remember it all. The kids do dance well. The 'gang members' are so un-menacing, it's just precious. The dance number in the hospital is breathtakingly ridiculous. Have Fun!
Let me start by acknowledging that Breakin 2 (the sequel to 1984's Breakin, which was a box office hit) IS NOT a great movie. The acting is weak, the plot very "Andy Hardy," and the dialog, well let just say, it wouldn't have been any better if Golan/Globus would have gotten Denzel Washington and Meryl Streep to star in this film. That being said, let me now state that Breakin 2 IS NOT a "bad movie" either. It is what it is, mindless entertainment. The dancing, while not as riveting as it's predecessor, is enjoyable. The clothes (remember this is the 80's), well they're a laugh in themselves. The cast are all attractive (Lucinda Dickey looks hot as hell in this one, and check out Sonny Bono's sexy ex-wife Susie Coelho playing Kelly's rival).
The thinly written plot of Breakin 2: Electric Boogaloo takes up where Breakin left off. Kelly (Dickey), Ozone (Aldolfo "Shabba Doo" Quinones) and Turbo (the phenomenal Michael "Boogalo Shrimp" Chambers have finished up what appears to have been a short run of their musical "Street People." Having gone their separate ways, Kelly is finding life in the chorus line a dead end. Unlike Ozone and Turbo, Kelly is not a product of the streets, and must also deal with her stereotypically written "rich parents," who want her to stop wasting her life dancing and go to Princeton. Needing a break from the lifestyle of the rich and famous, she goes to visit her "boyz in the hood" buds Ozone and Turbo, who seem to have found a better niche in life, teaching kids at a community center in East Los Angeles.
Enter bad guy real estate developer Mr. Douglas (character actor Peter MacLean), who wants to buy the land where the rec center sits and build a shopping mall. Kelly rejoins her ghetto comrades to stand against Douglas, and the city, who holds the lease on the building. The city does gives the trio one month to raise $150,000 to get the old center up to building standards or lose it to Douglas. How will they do it? How else, by putting on a street carnival (I told you this wasn't Pulp Fiction). Sub-plots include Kelly's racist parent attempting to bribe her by offering to bail out the center(only if she denounces her street friends and goes to college), and Kelly and Ozone's phantom romance (they never seriously kiss or get romantic in either film, which was the norm for interracial affairs in the 80's).
As stated earlier, where this movie shines is in the dancing. Ozone's rooftop number and Turbo's dancing on the ceiling are very enjoyable. The soundtrack wasn't as ripping as the original, but it's listenable without being annoying. The one other redeemable trait of Breakin 2, is it's attempt (no matter how lame an attempt) to portray a part of American culture that few people outside of major cities such as Los Angeles and New York knew anything about. In the eighties, you could count the number of minority themed films on one hand, so given it's very low budget, Breakin 2 at least served up a decent laugh and some head bobbin "make you smile" hoofin'.
Bottom line, if you're looking for Academy Award performances, solid acting, excellent writing and a thought provoking storyline, AVOID THIS FILM. However, if you want a look (albeit a somewhat watered down, white bread look) at a phenomenal eighties American fad called Break Dancing, check it out and enjoy the music and the dancing. That's all Golan/Globus was trying to make, and that's all this movie has to offer.
The thinly written plot of Breakin 2: Electric Boogaloo takes up where Breakin left off. Kelly (Dickey), Ozone (Aldolfo "Shabba Doo" Quinones) and Turbo (the phenomenal Michael "Boogalo Shrimp" Chambers have finished up what appears to have been a short run of their musical "Street People." Having gone their separate ways, Kelly is finding life in the chorus line a dead end. Unlike Ozone and Turbo, Kelly is not a product of the streets, and must also deal with her stereotypically written "rich parents," who want her to stop wasting her life dancing and go to Princeton. Needing a break from the lifestyle of the rich and famous, she goes to visit her "boyz in the hood" buds Ozone and Turbo, who seem to have found a better niche in life, teaching kids at a community center in East Los Angeles.
Enter bad guy real estate developer Mr. Douglas (character actor Peter MacLean), who wants to buy the land where the rec center sits and build a shopping mall. Kelly rejoins her ghetto comrades to stand against Douglas, and the city, who holds the lease on the building. The city does gives the trio one month to raise $150,000 to get the old center up to building standards or lose it to Douglas. How will they do it? How else, by putting on a street carnival (I told you this wasn't Pulp Fiction). Sub-plots include Kelly's racist parent attempting to bribe her by offering to bail out the center(only if she denounces her street friends and goes to college), and Kelly and Ozone's phantom romance (they never seriously kiss or get romantic in either film, which was the norm for interracial affairs in the 80's).
As stated earlier, where this movie shines is in the dancing. Ozone's rooftop number and Turbo's dancing on the ceiling are very enjoyable. The soundtrack wasn't as ripping as the original, but it's listenable without being annoying. The one other redeemable trait of Breakin 2, is it's attempt (no matter how lame an attempt) to portray a part of American culture that few people outside of major cities such as Los Angeles and New York knew anything about. In the eighties, you could count the number of minority themed films on one hand, so given it's very low budget, Breakin 2 at least served up a decent laugh and some head bobbin "make you smile" hoofin'.
Bottom line, if you're looking for Academy Award performances, solid acting, excellent writing and a thought provoking storyline, AVOID THIS FILM. However, if you want a look (albeit a somewhat watered down, white bread look) at a phenomenal eighties American fad called Break Dancing, check it out and enjoy the music and the dancing. That's all Golan/Globus was trying to make, and that's all this movie has to offer.
For all the B-Boy and all the B-Girls.... This movie represents! I wouldn't expect anyone who didn't live the breaker life to appreciate it. I get just as excited watching this film as I did when I was little. It's a classic!
Nothing in the world can prepare you for Breakin 2: Electric Boogaloo. No description does it justice, no warning truly gives you an idea of what you are in store for. Few movies are as bizarre, yet oddly compelling at the same time.
Because one movie wasn't enough to contain these people; Breakin 2 picks up where the first movie picks off. Or so I assume, I haven't seen Breakin, but the three main characters Kelly (Lucinda Dickey), Ozone (Adolfo Quinones) and Turbo (Michael Chambers) are the same. In this installment the trio try to save a youth center named Miracles from the clutches of evil (read: white and unhip) government bigwigs who want to bulldoze the unsafe building and make way for a new shopping center.
It's fortunate that the trio live in an alternate universe in which breakdancing can solve all of society's ills. No exaggeration here; over the course of ninety-four boogie filled minutes, dancing stops bulldozers, pays bills, ends gang wars, and even cures the ill and the infirm (One person bounds out of the wheelchair in jubilation; apparently they simply forgot they could walk). There is so much dancing in this movie that it frequently appears that the plot is intruding on it, and not the other way around. These are people who work a hard day's living dancing then go home and blow off some steam by, what else, dancing.
This isn't a poorly made movie in the traditional sense; it isn't full of continuity holes or bad special effects. For all its silliness, it probably succeeds in exactly the way it wanted to; as a movie about people who love breakdancing so much they'd rather do that than say, eat, sleep, converse, or share meaningful human contact. More than fifteen years later, it's terribly quaint, and hilariously dated. But it has a city-wide dance party, a hospital-wide dance party, a dance-filled climax (a shock, I know) and two performances by Ice-T. What more do you want? Do yourself a favor and rent this movie. By the end, you'll be dancing too.
Because one movie wasn't enough to contain these people; Breakin 2 picks up where the first movie picks off. Or so I assume, I haven't seen Breakin, but the three main characters Kelly (Lucinda Dickey), Ozone (Adolfo Quinones) and Turbo (Michael Chambers) are the same. In this installment the trio try to save a youth center named Miracles from the clutches of evil (read: white and unhip) government bigwigs who want to bulldoze the unsafe building and make way for a new shopping center.
It's fortunate that the trio live in an alternate universe in which breakdancing can solve all of society's ills. No exaggeration here; over the course of ninety-four boogie filled minutes, dancing stops bulldozers, pays bills, ends gang wars, and even cures the ill and the infirm (One person bounds out of the wheelchair in jubilation; apparently they simply forgot they could walk). There is so much dancing in this movie that it frequently appears that the plot is intruding on it, and not the other way around. These are people who work a hard day's living dancing then go home and blow off some steam by, what else, dancing.
This isn't a poorly made movie in the traditional sense; it isn't full of continuity holes or bad special effects. For all its silliness, it probably succeeds in exactly the way it wanted to; as a movie about people who love breakdancing so much they'd rather do that than say, eat, sleep, converse, or share meaningful human contact. More than fifteen years later, it's terribly quaint, and hilariously dated. But it has a city-wide dance party, a hospital-wide dance party, a dance-filled climax (a shock, I know) and two performances by Ice-T. What more do you want? Do yourself a favor and rent this movie. By the end, you'll be dancing too.
Sequel to the '80s "classic" Breakin' with an old Mickey Rooney/Judy Garland plot about putting on a show to save a community center. The same main characters are back and haven't changed any. Turbo (Michael 'Boogaloo Shrimp' Chambers) is still the fun and likable one with the best dance moves. Ozone (Adolfo 'Shabba-Doo' Quinones) is still kind of a downer with a huge chip on his shoulder. He's also the weakest dancer in the movie. Kelly aka Special K (Lucinda Dickey) is still the rich girl who has big decisions to make about her career and her love life. Her dancing has significantly improved from the first movie. Lucinda is as pretty as ever but she has competition now from Turbo's girlfriend, played by the lovely Sabrina Garcia (whose Spanish-speaking voice sounds like it was dubbed by a child). The epic rivalry with Electro Rock continues and we get a fun dance-off out of it. There's more dancing this time around with Turbo's gravity-defying dance scene a highlight. As with the first movie, it's pretty cheesy but amusing in its way. It certainly has nostalgic value for people of my generation. If you don't take it seriously you'll probably enjoy it more.
Did you know
- TriviaThe phrase "Electric Boogaloo" has become a common unofficial sub-title for any unnecessary sequel.
- GoofsIn the scene where Turbo dances all around the room, there is a hole in the ceiling (close to the skylight) through which one can see the movement as they spin the room around to create the illusion.
- SoundtracksOye Mamacita
Performed by Rags and Riches
Written by Jeff Barry and Nino Tempo
Produced by Bobby Ragona, Steve Loeb, Rick Bleiweiss
Courtesy of PolyGram Records
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Breakstreet 2 Electric Boogaloo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $15,101,131
- Opening weekend US & Canada
- $2,921,030
- Dec 25, 1984
- Gross worldwide
- $15,101,131
- Runtime1 hour 34 minutes
- Sound mix
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