Sang pour sang

As far as directorial debuts go, few are as ambitious and inventive as the Coen brothers' first film, Blood Simple, as it mixes genres and moods in a way that anticipated Tarantino's similar experiments by a decade, while still retaining an apparent simplicity, both narratively and formally, that few people originally saw as the beginning of one of American cinema's most extraordinary careers.

Set in a stark Texas landscape, Blood Simple opens on a premise that seems to be borrowed from the likes of Double Indemnity or The Postman Always Rings Twice: someone steals another man's wife. However, the two adulterous lovers (Jamie Getz and Frances McDormand) do not plan to assassinate the betrayed husband (Dan Hedaya). On the contrary, he hires a sleazy PI (M. Emmett Walsh) to spy on them to carry out some twisted plan of his own. That is, until the investigator goes rogue and the situation escalates in the most grotesque of ways.

This escalation is matched by the Coens' constant shifts between genres, achieved through lighting, music and camera movements. Noir, straightforward thriller, horror, black comedy: Blood Simple is each of these and all of them at once, but the transition is never forced or unnatural; in fact, these transitions occur because somehow the story itself demands that they happen. In a way, this is a film that is aware of its own fictitious nature and toys with it as much as possible - because it can. This has since become a trademark of the two brothers, and it is as fresh and original now as it was back in 1984.

The same can be said of the four main actors: Getz and McDormand (soon to be Mrs. Joel Coen) form a solid leading couple, thoroughly menaced by the sudden ferocity of Hedaya, then best known for playing Rhea Perlman's dim-witted ex-husband on Cheers (an image he gladly, and expertly, reverses here). And then there's Walsh, who takes his practically identical role in Blade Runner and increases the character's unlikability, turning in one of the most brutally charming villainous performances of the '80s (and of the Coen canon).

Joel and Ethan Coen had a very clear idea of what they wanted to achieve in the movie business from the get-go, and Blood Simple is one of the best examples of this: for 90 minutes, it takes you to a whole new world, one that most people are happy to revisit as often as they can.

I think this film, probably more than any other, causes me to talk to the characters on the screen in an exasperated way--something akin to the way you want to yell at the characters in a slasher movie not to run outside to investigate sounds.

The only difference is that this film is fantastic, whereas cheap slasher movies are not. Blood Simple is emotionally involving and the suspense is played to perfection. While the characters are completely clueless as to what has gone on around them, we know everything. What we don't know is what the characters are going to do next.

As in every Coen film, things quickly get out of control. Some people have commented that the characters here acted unbelievably, but I'd have to say that when you think about their situations, the reactions are completely compatible with the way the characters are set up. The problem is that nobody knows what's going on except the viewers.

Coen fans will notice many recurring themes from their other films (especially Fargo and The Big Lebowski) such as the use of headlights, passing motorists witnessing a crime, shower curtains and bathroom windows, detectives driving VW beetles, husbands hiring the wrong people to carry out a crime... I had a longer list in mind earlier while watching it but I've forgotten some. It's almost like these films all go together as a series of films depicting how similar situations would end up in different locations in America.

The Coen Brothers first commercial film tells a noirish tale of murder, double-cross, and betrayal in small town America. A greasy small-town Texas saloon owner discovers his wife is having an affair with one of his bartenders. He hires the private detective that documented the affair to kill the couple. But the PI has different plans, and then everything starts going wrong, very wrong. The acting is great especially M. Emmett Walsh as the double-crossing PI. The direction and camera work presage the Coens subsequent work.

This movie is a treat of a rental if you can find it. It's worth looking for.

The Coen brothers' debut feature is a sign of what was to come in their careers. Smart uses of tension, outlandish situations, and camerawork are on full display here and set the tone for their unique style. The story is pretty simple, but it's the viewer's perspective of all the misunderstandings between characters that make this film interesting to watch. Great suspense makes Blood Simple a worthy watch and debut for the Coens.

Blood Simple is pure Coens. There are the usual bag of cinematic tricks, the twisting storyline, the seamy characters, and the occasional droplet of dark humor. The story concerns a bar owner who thinks his wife is cheating on him. He hires a sleazy private investigator to find out, and when he learns the truth, he wants them dead. Trouble is, things get kind of complicated when a murder occurs. The film creates a palpable feeling of tension, where you don't know what to expect next. Half the fun of this film is trying to figure out what will happen. A true testament of the well sturctured nature of the film, is the fact that there are only four main characters, and they hold your attention till the very end. And in traditional film noir fanfare, all of these characters have some sort of sordid business to attend to. The Coens drew on their experiences on Blood Simple and made the similar, but very different, Fargo. Watch Blood Simple for a good old fashioned film noir that will keep you guessing.