Beat Street

The Harry Belafonte-produced "Beat Street" captured a slice of hip-hop back when it was dancing, graffiti, DJing and rapping not just rapping. The story line is hokey but the music performances and dancing are great. Afrika Bambaataa, Kool Herc, Kool Moe Dee and Melle Mel are among the artists that make an appearance. A decent way to check out hip-hop before NWA spoiled it all.

When released in 1984, Beat Street was one of the best hip hop themed films released at the time. The movie gets a 10 just for combining all of the elements of hip hop which are the mc,dj, graff and b-boy. The soundtrack is one of the best I've ever heard.

Cinematically, this film stinks. So does a lot of the acting. But I

don't care. If there is a strong representation of what the 80's were

like(For a lot of us in the innercity anyways) and what hip-hop, Zulu

nation, and break dancing were really like.Great music, great

dancing! It almost seems like a documentary of a time now past

when hip-hop was a way of life. It's also interesting to see New

York looking like ground zero from a nuclear attack. Some viewers

may be too young to remember that It was a poor, run down city

during the 70's and 80's. This is the best of all the hip-hop/break

dancing movies that came out around that period. Of course the

80's are considered a joke now with all the bad tv shows and

movies, but those of us who lived through it will always remember

it fondly for a time when music, dancing, and graffiti were fresh, yo!

Being that I am a true product of the hip-hop and electronic dance music generation, this is without a doubt one of my favorite movies of all time. Beat Street, although not as "authentic" in some respects as Wild Style, is a film that is guaranteed to tug the heart strings of anyone who takes pride in the culture of urban sample/DJ-based music and electro-club culture.

Although I will admit that at times the dialogue is somewhat cheesy, you can't help but feel for the characters, and ultimately "wish you were there" for the beginnings of hip-hop culture in New York City in the early eighties. The b-boy battle scene at the Roxy nightclub (a real-life, real-time competition between the legendary Rock Steady Crew and the NYC Breakers) is just as essential to a hip-hop fan's archives as any classic album. Watch some of the breakers' moves in slow-motion if possible to truly appreciate the athletic and stylistic expertise of a seasoned B-boy/B-girl. All praises due to the Zulu Nation!!!

In the Bronx, a group of friends perform and enjoy the street culture. Kenny Kirkland is the MC, his brother Lee is a break-dancer in a group called Beat Street Breakers, and their friend Ramon is a graffiti artist. The boys go to popular nightclub Roxy where Beat Street battles a rival dance crew. Kenny is taken with music student Tracy Carlson (Rae Dawn Chong). Ramon's dream is a white subway car.

These are not professional actors. The amateur acting does give the movie its own authenticity which adds to the film's street value. It's of its time and presents its cultural world. It would be great to have more on Ramon's rivalry. The friends have good friendship chemistry but there is little chemistry with Tracy. It would be great to have more charismatic actors. It's the early world of hip-hop. It's a cultural time capsule. It's a cult classic.