Alphabet City

Alphabet City does have a cool style about it, with Spano, so good in this, mirroring a kind of younger Pacino (watch the way his eyes move in this) as 19 young street smart Johnny who controls the drug market for the big guys. But what AC scarcely makes up for in style, it lacks in it's prolonged and insufficient story. When asked by his boss to torch the building his parents reside, he's stuck between a rock and a hard place, literally, cause there's no way in hell, his folks are gonna split. He implores little sis (Jamie Gertz) to be the one to talk some sense into him, but like her parents will be, she's against it too. The movie is basically set over one night, with Johnny now wanting out, running back and forth, trying to figure a way out of this nightmare, first trying to collect his doe. You don't really have to be Einstein to figure out where the story goes from here. Yet still, with it's flashy appeal in a tame R rated movie, almost void or gore or bad language (I don't see how it earned this, like a few other movies of these 80's) this still manages to be an okay drama, on a bit of a flat running level. But honestly, this flick with some cool hip music, is worth watching, just for Spano's performance. Where the hell is this impressive 80's actor these days. Love Spano's boss's young floozy, Karen, in the red dress.

Young Italian-American drug dealer, Johnny (Vincent Spano) is trying to make it in the world. He gets double crossed and has to rethink his plans.

Amos Poe is a fine director who so far has never got his big break. This film is a true independent film, but it lacks the panache of other directors who made it big in the 80s such as Spike Lee and Joe Dante. Vincent Spano has sadly never been an A-lister, but he looks the part and is decent. After playing tough guys in films like Rumble Fish this isn't a departure for him in terms of character. The real star of the show is the cinematography by Oliver Wood. A lot of attention has been paid to the lighting, set design and camera work. The film has a neon look to it reminiscent of films like Blade Runner, Thief and Manhunter. It is style over substance and the derivative plot, one dimensional characterisation and corny dialogue make for a mediocre viewing experience.

The film is not widely remembered or respected, and it falls way short compared to similar hood thrillers like those by Walter Hill (Streets of Fire was released the same year) .

I thought the movie was very realistic and could have been based on a friend of mine and my own rise and fall in the drug trade ('78 &'79). The fast cars, condemned buildings that we used to deal out of, the "shooting" galleries. Making sure your runners are always in pocket. Huge amounts of money trading hands daily. Seeing friends turn into junkies and not being able to help nor trust them once they crossed that line. Although the movie takes place over a 24 hour period, it was a 2 year experience for me and this movie captured it all,the highest highs and the lowest lows.

What started out as fun turned into a nightmare. I was able to get out and live to tell about it but so many of my friends and associates weren't so lucky.

I came to this site in search of the soundtrack and one song in particular, "Lady Luck". Like someone said earlier the soundtrack is awesome and Lady Luck was on my side.

Overlooked movie from 1984. As a movie I give it a 7 but as a 1980's "street drama" I give it a 10. excellent performance by a young Jamie Gertz as the whiny little sister coming of age in the cement Jungles of NY. Vince Spano I thought gave a realistic performance as the young street hustler who was actually a nice guy underneath.

Michael Windslow, the human sound effects guy who made his fame in the "Police Academy" movies was really good as drug house leader who is slowly spinning into a life as a junkie.

The Music....Now the music was just amazing. It was written by Nile Rogers from the disco era Chic. There is music on there that I have never been able to find anywhere. Look for a song called "Lady Luck"

Anyone who was a young adult in the 80's will see a blast from the past especially if they were around the big cities. It has its cheesy moments but all in all a decent flick.

Rent it from Net Flix.

Passable urban action / crime flick starring Vincent Spano as Johnny, a young thug who gets into big trouble when his mobster bosses order him to torch a building, and because this is the same building in which his mom (Zohra Lampert) and sister (Jami Gertz) reside, he stalls and then ultimately defies them. If anything, "Alphabet City" is certainly a very slick affair, and it's no surprise that the director, Amos Poe, had music video experience. On the plus side, it is incredibly fast paced, and stylish, but in the end it's quite unmemorable. It's just too hard to care very much about any of these characters. The acting is generally competent but the performers are all basically playing archetypes, existing in a pretty standard story of people trying to rise above their meagre surroundings. It IS a treat to see the interesting Ms. Lampert; cult horror fans will recognize her from the 1971 favourite "Let's Scare Jessica to Death". Spano exerts a respectable amount of "cool" in the lead, with amusing support from Michael Winslow, best known as Jones from the "Police Academy" franchise who does have some dramatic moments here but also the opportunity to do some more of the sound effects shtick for which he's famous. Gorgeous Kate Vernon (daughter of the legendary John Vernon) is pleasing to look at, if not terribly convincing, in her first major role, and the same goes for the young Gertz. Familiar folk in smaller roles include Raymond Serra as the mob boss Gino, Tom Mardirosian as Benny, Tom Wright as a chauffeur, Clifton Powell as Ramon, and Miguel Pinero, creator of the stage play "Short Eyes", as a dealer. The dated pop soundtrack is good for some amusement, if also rather repetitive; the main music score is by industry great Nile Rodgers. The NYC location filming is a big, big asset. The climactic action, however, ends up descending into silliness. Overall, a fairly entertaining melodramatic little flick. Five out of 10.