A gangster hires an ex-football player to find his estranged girlfriend. When he finds her, they fall in love and things get complicated.A gangster hires an ex-football player to find his estranged girlfriend. When he finds her, they fall in love and things get complicated.A gangster hires an ex-football player to find his estranged girlfriend. When he finds her, they fall in love and things get complicated.
- Nominated for 1 Oscar
- 3 wins & 3 nominations total
Featured reviews
"Against all Odds" is a 1974 moody remake of the noir classic "Out of the Past" and ultimately less successful. This time around, it's not Robert Mitchum and Jane Greer (though Greer appears in this films as the owner of a football team) but Jeff Bridges and Rachel Ward. The film also stars James Woods, Alex Karras, Swoozie Kurtz and Richard Widmark. Ward plays Greer's daughter, who runs away from her boyfriend (Woods). When Bridges is cut from the football team, bookie Wood hires him to find his girlfriend. Trouble follows.
Somewhere post-Thornbirds, the beautiful Ward started playing bad girls. Here she's not so much bad, as Greer's character was in the original, but more of a brat and an ingrate. Totally unlikable. The cast is very good, but too much to type so that there were no surprises in the story. Ward usually plays a user, Woods someone snarky, Widmark bad guys, Greer cold as ice. So after meeting everyone, it wasn't hard to figure out that Bridges was asking for trouble. Oh, and did I mention that Saul Rubinek often plays slime and Pat Corley is usually a crooked politician? It was almost paint by numbers.
Despite some beautiful scenery, some good scenes and good acting, Against All Odds left me disappointed. The plot, as in Out of the Past, is a little convoluted, which would be okay if, at the end, you cared. I didn't.
Somewhere post-Thornbirds, the beautiful Ward started playing bad girls. Here she's not so much bad, as Greer's character was in the original, but more of a brat and an ingrate. Totally unlikable. The cast is very good, but too much to type so that there were no surprises in the story. Ward usually plays a user, Woods someone snarky, Widmark bad guys, Greer cold as ice. So after meeting everyone, it wasn't hard to figure out that Bridges was asking for trouble. Oh, and did I mention that Saul Rubinek often plays slime and Pat Corley is usually a crooked politician? It was almost paint by numbers.
Despite some beautiful scenery, some good scenes and good acting, Against All Odds left me disappointed. The plot, as in Out of the Past, is a little convoluted, which would be okay if, at the end, you cared. I didn't.
Against All Odds is an less than effective remake of Out of the Past that RKO noir classic that starred Robert Mitchum, Jane Greer, Kirk Douglas and Rhonda Fleming. Not that the players in this film are bad, far from it. But the whole basic structure of the story was completely changed.
What made Out of the Past the classic it is, is the moody tension and overwhelming sadness surrounding the leading characters. Most of all Jane Greer who is an evil temptress beyond description bringing death and destruction to all around her.
Jane Greer is in this film, but as the mother of Rachel Ward who plays the part Greer had in the original. Ward in this one is just a spoiled young woman who runs off with bookie James Woods to upset mom and then runs off with him.
Greer is the owner of a professional football team in Los Angeles which she runs with her high priced fixer of a lawyer Richard Widmark. I think they're characters are modeled on Joan Payson who was the original owner of the New York Mets and M. Donald Grant who was reputed to be the hard character Widmark portrays.
Anyway Jeff Bridges gets into the act when he's cut from Greer's team and goes to work for Woods trying to locate Ward. The rest of the film is pretty much following the plot of Out of the Past until the ending which is completely different. Remember how everyone ended up in the RKO film and the same doesn't happen to most of them.
Still it's not a bad film, but Against All Odds just won't be a classic.
What made Out of the Past the classic it is, is the moody tension and overwhelming sadness surrounding the leading characters. Most of all Jane Greer who is an evil temptress beyond description bringing death and destruction to all around her.
Jane Greer is in this film, but as the mother of Rachel Ward who plays the part Greer had in the original. Ward in this one is just a spoiled young woman who runs off with bookie James Woods to upset mom and then runs off with him.
Greer is the owner of a professional football team in Los Angeles which she runs with her high priced fixer of a lawyer Richard Widmark. I think they're characters are modeled on Joan Payson who was the original owner of the New York Mets and M. Donald Grant who was reputed to be the hard character Widmark portrays.
Anyway Jeff Bridges gets into the act when he's cut from Greer's team and goes to work for Woods trying to locate Ward. The rest of the film is pretty much following the plot of Out of the Past until the ending which is completely different. Remember how everyone ended up in the RKO film and the same doesn't happen to most of them.
Still it's not a bad film, but Against All Odds just won't be a classic.
Ex football player Terry Brogran (Jeff Bridges) takes a job from sleazy friend Jake Wise (James Woods)--to find his ex girlfriend Jessie Wyler (Rachel Ward) who shot him and ran away with a large amount of his cash. Terry tracks Jessie to Mexico...and immediately they fall in love. That's the first hour--the second hour becomes very convoluted with murders and double crosses all over the place.
Interesting movie which is a semi-remake of "Out of the Past". In fact Jane Greer from the original plays the mother of her character here! The original was a strong, well-written film noir. This is not film noir--it's a combination romance/mystery/melodrama. Also Greer played a totally amoral woman in the original--here Ward isn't amoral, just misunderstood. Also Bridges is all pumped up and him and Ward work wonderfully together. Their frequent very R rated sex scenes really work. And it looks great--a portion of the film takes place in Mexico. Still there are definite problems here.
One character, Edie (Swoosie Kurtz) is introduced to provide some REAL clumsy exposition...and doesn't pop up again until a HOUR later. I had forgotten who she was! Alex Karras is incredibly bad in his role. The plot gets way too confused. And the movie isn't sure what it wants to be. It switches gears so much I thought I was gonna get whiplash! The best part of the movie--an incredible car race down Sunset Blvd. Has NOTHING to do with anything in the movie! The acting is pretty good. Bridges (in one of his few commercial films) and Ward LOOK fantastic, have great bodies and are both good in their roles. Woods is, surprisingly, pretty wooden. Greer isn't in much but she IS very good. And Richard Widmark hams it up in his small role.
Also the film has a surprisingly somewhat downbeat ending. And there's a wonderful title song by Phil Collins (nominated for an Academy Award).
A very interesting movie. I give it a 6. A sizable hit in its day--but that's because of the steamy sex scenes between Ward and Bridges.
Interesting movie which is a semi-remake of "Out of the Past". In fact Jane Greer from the original plays the mother of her character here! The original was a strong, well-written film noir. This is not film noir--it's a combination romance/mystery/melodrama. Also Greer played a totally amoral woman in the original--here Ward isn't amoral, just misunderstood. Also Bridges is all pumped up and him and Ward work wonderfully together. Their frequent very R rated sex scenes really work. And it looks great--a portion of the film takes place in Mexico. Still there are definite problems here.
One character, Edie (Swoosie Kurtz) is introduced to provide some REAL clumsy exposition...and doesn't pop up again until a HOUR later. I had forgotten who she was! Alex Karras is incredibly bad in his role. The plot gets way too confused. And the movie isn't sure what it wants to be. It switches gears so much I thought I was gonna get whiplash! The best part of the movie--an incredible car race down Sunset Blvd. Has NOTHING to do with anything in the movie! The acting is pretty good. Bridges (in one of his few commercial films) and Ward LOOK fantastic, have great bodies and are both good in their roles. Woods is, surprisingly, pretty wooden. Greer isn't in much but she IS very good. And Richard Widmark hams it up in his small role.
Also the film has a surprisingly somewhat downbeat ending. And there's a wonderful title song by Phil Collins (nominated for an Academy Award).
A very interesting movie. I give it a 6. A sizable hit in its day--but that's because of the steamy sex scenes between Ward and Bridges.
Parts of "Against All Odds" are absolutely magnificent. The Mexican location photography is terrific. Rachel Ward looks great as does Jeff Bridges. The chemistry between them is mostly believable. I liked James Wood's smarmy, pompous, character. Alex Karras seemed miscast, as did Richard Widmark. The story piles on a thickening plot that occasionally wanders off course, and is probably more complex than necessary. No police are involved, and bodies too conveniently disappear. The ending seems especially forced, with an outcome that is less than satisfying.
The film is beautiful, however the characters are mostly unlikeable, including Rachel Ward's. Nevertheless, I still enjoyed this partially flawed movie. - MERK
The film is beautiful, however the characters are mostly unlikeable, including Rachel Ward's. Nevertheless, I still enjoyed this partially flawed movie. - MERK
Loosely based on a 1947 film noir, "Out of the Past," Taylor Hackford's "Against All Odds" has strong performances in all but the most critical role. Jessie, a confused disoriented heiress, is the romantic obsession of two men and the crux of the film's action. However, Rachel Ward fails to convince that Jessie could obsess anyone with her flat delivery and phoned-in performance. Jessie runs off to Mexico to snorkel and shop, and her gangster boyfriend hires an injured football player to find her. Sending a handsome hunky athlete off to find your girlfriend at the beach is not an inspired idea, and both the expected and the unexpected ensue. The twisted convoluted tale occasionally meanders, and the pacing falters at times. However, when the sweaty romantic scenes are over, the plot manages to re-energize and re-capture attention towards the fade out.
Despite her physical beauty, Ward is the black hole at the film's center. However, her two co-stars are more captivating. James Woods can play slimy gangsters in his sleep, and his Jake Wise is appropriately chilling and creepy, which makes Jessie's attraction to him even less convincing. Evidently Jake had a brain fart when he decided to hire Terry Brogan to search for the girl who deserted him, because Jake and Terry are worlds apart in the looks and charm departments. Jeff Bridges's athletic Terry, who has history with Jake, is unwittingly drawn into a vortex of corruption during his search for Jessie. Although always watchable, Jeff Bridges has had better and more demanding roles than an injured jock playing private eye. Despite a decent script adapted by Eric Hughes from Daniel Mainwaring's original, the film's central mystery is why Jake and Terry would be hopelessly drawn to a shallow drifter like Jessie. Ward received top billing over Bridges and Woods, another mystery as baffling as any in the plot.
Experienced veterans provide solid supporting performances, led by a still-handsome Richard Widmark, who, at age 70, remained a commanding presence. In a nod to film buffs, Jane Greer, star of the 1947 version, appears as Ward's cold distant mother. Location work in the Mayan temples of Mexico's Yucatan is travel-log appealing, and the end credits feature an Oscar-nominated title song by Phil Collins. An exciting car race through Los Angeles traffic is thrilling, if pointlessly reckless. Although "Against All Odds" runs more than 20 minutes longer than the 1947 original, Bridges and especially Woods are compelling enough to hold attention even when the tricky plot wanders.
Despite her physical beauty, Ward is the black hole at the film's center. However, her two co-stars are more captivating. James Woods can play slimy gangsters in his sleep, and his Jake Wise is appropriately chilling and creepy, which makes Jessie's attraction to him even less convincing. Evidently Jake had a brain fart when he decided to hire Terry Brogan to search for the girl who deserted him, because Jake and Terry are worlds apart in the looks and charm departments. Jeff Bridges's athletic Terry, who has history with Jake, is unwittingly drawn into a vortex of corruption during his search for Jessie. Although always watchable, Jeff Bridges has had better and more demanding roles than an injured jock playing private eye. Despite a decent script adapted by Eric Hughes from Daniel Mainwaring's original, the film's central mystery is why Jake and Terry would be hopelessly drawn to a shallow drifter like Jessie. Ward received top billing over Bridges and Woods, another mystery as baffling as any in the plot.
Experienced veterans provide solid supporting performances, led by a still-handsome Richard Widmark, who, at age 70, remained a commanding presence. In a nod to film buffs, Jane Greer, star of the 1947 version, appears as Ward's cold distant mother. Location work in the Mayan temples of Mexico's Yucatan is travel-log appealing, and the end credits feature an Oscar-nominated title song by Phil Collins. An exciting car race through Los Angeles traffic is thrilling, if pointlessly reckless. Although "Against All Odds" runs more than 20 minutes longer than the 1947 original, Bridges and especially Woods are compelling enough to hold attention even when the tricky plot wanders.
Did you know
- TriviaJames Woods and Jeff Bridges both loved working with Richard Widmark, and fondly remembered the late actor's love of pancakes. He used to have a plate waiting for him while shooting a scene, and Woods and Bridges would often hide it. Widmark refused to go back to shooting before the cakes had been recovered.
- GoofsA dog could never ride untethered in any seat, especially a front bucket seat, of a car racing through traffic and steering and accelerating and braking as violently as happened in Jake Wise's (James Woods') car in the racing scene, without being violently thrown around inside the car, hurt, and/or thrown from the car..
- Quotes
[last lines]
Terry Brogan: Look, when you need me in court, I'll be there for her.
Ben Caxton: But forget anything else. Remember, Brogan - you're out of her life.
Terry Brogan: Figure that's up to her. You're not going to control us forever. Believe me.
- Alternate versionsCBS edited 9 minutes from this film for its 1986 network television premiere.
- SoundtracksAgainst All Odds (Take a Look at Me Now)
Written and Performed by Phil Collins
Produced by Arif Mardin
Courtesy of Atlantic Records / Virgin Records
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- El poder y la pasión
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $13,000,000 (estimated)
- Gross US & Canada
- $21,689,062
- Opening weekend US & Canada
- $3,766,128
- Mar 4, 1984
- Gross worldwide
- $21,689,062
- Runtime2 hours 8 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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