Madame est servie

I love Who's the Boss, and I would absolutely rate it as one of the best sit-coms ever, even though I have rarely if ever seen it actually given this credit. Maybe I am biased because its my favorite show. Or maybe because I spent my childhood watching it, and for me, this show encompasses so many memories of the 80's, along with Cyndi Lauper, Garbage Pail Kids and Jelly shoes. But, actually, even though I am biased in a sense, I could still be right. I have never seen another sit-com that has had me on the edge of my seat, so awaiting the next episode. I have been lucky enough to see Who's the Boss on cable recently to refresh my mind, and it is only better now that I am old enough to appreciate the relationship between Tony and Angela. I can also appreciate the characters more in-depth, and I can analyze why Tony and Angela are the way they are, why it is so hard for them to admit their love to each other, and I can finally appreciate it when they DO declare their love for each other... If you are a romantic, you'll love this show! It has sweetness, laughter, romance, goofiness and much much more. There are a lot of very good sit-coms that can offer one or a few of the aspects that Who's the Boss offers, but only WTB has it all. To top it off, the acting of mostly everyone on the show is excellent, especially Judith Light and Tony Danza. If you love to watch great couples and you're sick of the sappy soap operas (which were only good when Judith Light was on OLTL, LOL:-) then you have to give WTB a chance. You'll get hooked. And this show definitely should have gotten MUCH more recognition!

I am so glad to see reruns of this show again. It is so much fun to watch, and it's nostalgic. I like all the characters except for Danny (when he was older his voice sounds....well we won't go there) As the seasons go on, though, Angela and Tony are the main focus of the show anyway. I don't get the whole Billy thing, why do shows always do that? It's almost a guarantee that it's going to be dead in its track within a year or two. Anyway it did run for a long time, and I love the final episode. You get to decide how they end. They need to do a reunion show.

It is an amazing serie. Not for nostalgia reason but because the chemistry between Tony Danza and Judith Light remains fascinating today , too. Because the humor is iressistible and because the show is seductive scene by scene, episode by episode. And, sure, for many other serious reasons who must be discovered, step by step. Kids, family, crazy situations, Katherine Helmond and a refreshing entire, unique universe. Enough for love it.

This show is one of my favorites to watch in re-runs. The quality of acting among the main characters elevated this to a level close to that of a good stage play, rather than that of the throwaway sitcoms that are so prevalent in prime time nowadays. The writers and actors together did a wonderful job of creating and maintaining emotional and sexual tension between Angela and Tony. It's so effective that in certain parts of some episodes I can feel the heart-pounding, did-he-mean-what-I-thought-he-meant, oh-my-gosh-I-think-he-really-likes-me tension right along with the characters in the show. And that kind of emotional effect just doesn't happen often with TV shows. It shows especial skill that they were able to maintain the chemistry and tension over an eight-year period, without it wearing thin or becoming too predictable.

Judith Light is a wonderful actress. It is a mystery to me why she has been stuck in the realm of made-for-TV movies and infomercials since the end of this series. I think she belongs on the stage, personally. And to me, Tony Danza will always be Tony "oh hey, hey oh!" Micelli.

They never should have brought in Billy, though. He was a cute kid, but at that point the show foundered for a while. It did recover in the last season and the final episode actually leaves me in tears when I see it.

This is an incredibly entertaining sitcom, one of the best ever of the family comedy genre. Actually, there are two families here who sort of merge into one, both physically (sharing the same house) and emotionally (sibling spats and so on, but genuine care & concern).

The series revolves around a fairly affluent, divorced New York City advertising executive, Angela Bauer, who lives in a lovely colonial home in Connecticut with her rather shy & insecure young son, Jonathan. There are frequent visits from her man hungry mother, Mona, who eventually moves into an apartment over the garage. In the meantime, Angela hires an unusual, macho appearing Italian housekeeper hunk from Brooklyn, Tony Micelli, who is anxious to give his teenage daughter, Samantha, the greater opportunities that accompany a suburban life. Tony & Sam move in and the two families combine, so to speak.

The relationship between Angela and Tony makes this series. Angela, the serious career woman, begins to rely heavily on Tony not only for domestic management, but also as a surrogate dad for son Jonathan. In the process Tony and Angela become best friends, share both laughs and tears, and exchange advice on everything from clothing styles to parenting to love interests. Naturally, romantic feelings develop between Angela and Tony and the chemistry & sexual tension of this unconsummated relationship are at the heart of the ongoing story. There are some pretty funny situations...Angela & Tony kissing after becoming a bit tipsy, Tony inadvertently walking in on Angela as she's just getting out of the shower, a scenario where the pair are forced to sleep in the same bed. Are you getting the picture? This ongoing situation is just so much more entertaining than modern sitcoms where everyone hops into bed straight away.

Judith Light and Tony Danza are both magnificent in their roles. Light plays the workaholic, uptight Angela to perfection and no one could possibly impart more charisma to housekeeper Tony than Danza does. Katherine Helmond is brilliantly cast as the vixen mother, Mona. Danny Pintauro plays the cute Jonathan and Alyssa Milano puts real pizazz into her portrayal of Sam, a pretty & very social teenager who, typical of her age, is constantly on an emotional roller coaster and keeps the household in a state of continuous uproar.

This is a brilliant and hilarious series with a clever, unique take on the employer / employee relationship.