Pavillons lointains

This miniseries came hot on the heels of 'The Jewel in the Crown', 'A Passage to India' and a fascination with all things Indian.

Ash (played by Ben Cross, best known for 'Chariots of Fire') and Wally (played by Benedict Taylor, who had featured in children's TV series 'Barriers') were the main players in this drama. Ash had been brought up to think of himself as Indian rather than officer class, and so falls in love with the sultry Anjuli (played by Amy Irving, at that time I think Mrs Steven Spielberg).

it was not a bad plot and had some brilliant dialogs i would say good acting overall

I saw this one on television shortly after it was made, in the 80s, and I was happily surprised when it appeared on DVD. Like the book, the series doesn't have any deeply intellectual hidden layers (as far as I know), but it's a quality product in its kind and a great romantic story with some action too. The English are played by top English actors and the Subcontintent people by Indians or people who could more or less pass of for them, which is a nice change if you're used to seeing ancient Greeks or early Christians played by surf dudes. The odd one out seems to be blue-eyed Amy Irving as the Indian Princess Anjuli, but if you pay attention, you'll know she's supposed to be half-Russian in the series and she looks splendid in a saree anyway. Looking at British costume-dramas I often get the feeling that they enjoy making them even if it's only for the fun of walking up and down a muddy street in a silly 19th-century costume, and this movie has some of the same gusto. Throw in the breathtaking Rajastan scenery and you have a feast for the eyes.

The Far Pavillions is not a series cut down in size to get a movie, but a miniseries, period. Like India itself, it takes its time. Don't expect to sit through it in one evening but relax, settle down with a chai or a whisky and who knows, you might find yourself watching the end credits at 3 AM anyway.

I agree with the previous comment. When the miniseries aired, I was dating an Indian girl, and with her whole family we would watch every episode. I read the book years later, and was impressed at how accurately the miniseries followed the book. When it came out on video, it had been years since I saw the original, but I knew something was missing. I hope it is re-released in its entire length.

While it is hard to believe Amy Irving as an Indian princess, the acting is superb, the sets are magnificent and the camera work captures it all. This set a standard for TV-miniseries that has never been equaled.

The Far Pavilions is a very long movie made for a mini series (I expect) and its length is the one major drawback to the film. The acting, especially of the principals and more particularly of Ben Cross, is quite fine all around. The cinematography is beautiful of the Indian countryside. This is one of the better mini series made.

I recommend it to you.

This miniseries came hot on the heels of 'The Jewel in the Crown', 'A Passage to India' and a fascination with all things Indian.

Ash (played by Ben Cross, best known for 'Chariots of Fire') and Wally (played by Benedict Taylor, who had featured in children's TV series 'Barriers') were the main players in this drama. Ash had been brought up to think of himself as Indian rather than officer class, and so falls in love with the sultry Anjuli (played by Amy Irving, at that time I think Mrs Steven Spielberg).

The other characters are stock faces from the glory days of the British Raj - while big name actors appear in the more adventurous parts (Christopher Lee, Omar Sharif, Rossano Brazzi). Look out for a young Rupert Everett (post-Another Country) in the cast as well.

Bits of the The Far Pavillions will stay in your mind. The futility of war. The ceremony of suttee (the burning of a living widow on her husband's funeral pyre). The forbidden love across castes and classes.

Recently revitalised as a big budget West End musical, The Far Pavillions is well worth your time. Brilliantly cast, scripted, and directed, it was a definite plus point of 1980s British TV.