Ever Decreasing Circles
- TV Series
- 1984–1989
- 30m
IMDb RATING
7.3/10
1.4K
YOUR RATING
Martin Bryce lives in a quiet suburban close with his wife Anne. He does his best to "organise" the leisure time of all of the other inhabitants of the close, running umpteen societies and d... Read allMartin Bryce lives in a quiet suburban close with his wife Anne. He does his best to "organise" the leisure time of all of the other inhabitants of the close, running umpteen societies and doing "good works".Martin Bryce lives in a quiet suburban close with his wife Anne. He does his best to "organise" the leisure time of all of the other inhabitants of the close, running umpteen societies and doing "good works".
- Nominated for 2 BAFTA Awards
- 2 nominations total
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Very popular on first airing (1984 ish) but now fairly unheard of and rarely repeated on UK terestrial television. Great Sit-com, not a huge classic but very watchable, especially for the ridiculously smooth Peter Egan and wound too tight Richard Briers.
Martin Bryce is a man going in ever decreasing circles. His long suffering wife Ann loves Martin, but he drives her mad most of the time, particularly when he takes his obsessive behaviour to extremes (such as oiling the bed in the middle of the night because it squeaks!) Martin runs all the clubs and activities in the local area (of which there are many). Then Paul Ryeman moves in next door to Ann and Martin and is instantly popular. He is likable and easy going, everything Martin is not, except that he, like Martin, is a leader rather than a follower. Many of the residents (most of which are rather pathetic) now see Paul as their guiding light. This drives Martin mad and he soon develops a strong dislike to Paul which, though mellows, never entirely goes away.
Paul does become quite fond of Martin and gets on very well with Ann. They have a similar outlook and sense of humour and Paul helps Ann cope with life amongst the narrow minded bores of the Close. If Martin had the courage to step outside his comfort zone he would see these people for what they are, but he loves being the leader and feeling that he's important. He also loves organising. His day job (he works in valves) doesn't motivate him, but he devotes most of his spare time to organising the activities of his societies. He has a box room with lots of cubby holes packed with paperwork. He is never happier then when in this room busily at work. Although he loves Ann he often puts organising committees above spending time with her in his list of priorities.
Although there is an attraction between Ann and Paul, they never get together because Ann loves Martin. In the final episode Martin discovers Ann is pregnant, and with his valve company moving to Shropshire, he makes the painful decision to move away from his beloved Close. As they are saying goodbye Ann suggests to Paul (who was married before) that he should get married again. Paul says he would if he could find someone like her. His true feelings are revealed.
The standard of acting in the show is very high. Richard Briers is in top form and produces a great comic and tragic performance as Martin. Penelope Wilton is brilliant as Ann. On paper it would appear that there would be nothing keeping Martin and Ann together, but the way Richard and Penelope play the parts the love between their two characters is clear to see. Peter Egan is perfectly cast as Paul and Stanley Lebor and Geraldine Newman are very amusing as Martin's reliable but rather pathetic neighbours Howard and Hilda. This sitcom ran for four series, plus a feature length finale, and the standard remained high throughout.
Paul does become quite fond of Martin and gets on very well with Ann. They have a similar outlook and sense of humour and Paul helps Ann cope with life amongst the narrow minded bores of the Close. If Martin had the courage to step outside his comfort zone he would see these people for what they are, but he loves being the leader and feeling that he's important. He also loves organising. His day job (he works in valves) doesn't motivate him, but he devotes most of his spare time to organising the activities of his societies. He has a box room with lots of cubby holes packed with paperwork. He is never happier then when in this room busily at work. Although he loves Ann he often puts organising committees above spending time with her in his list of priorities.
Although there is an attraction between Ann and Paul, they never get together because Ann loves Martin. In the final episode Martin discovers Ann is pregnant, and with his valve company moving to Shropshire, he makes the painful decision to move away from his beloved Close. As they are saying goodbye Ann suggests to Paul (who was married before) that he should get married again. Paul says he would if he could find someone like her. His true feelings are revealed.
The standard of acting in the show is very high. Richard Briers is in top form and produces a great comic and tragic performance as Martin. Penelope Wilton is brilliant as Ann. On paper it would appear that there would be nothing keeping Martin and Ann together, but the way Richard and Penelope play the parts the love between their two characters is clear to see. Peter Egan is perfectly cast as Paul and Stanley Lebor and Geraldine Newman are very amusing as Martin's reliable but rather pathetic neighbours Howard and Hilda. This sitcom ran for four series, plus a feature length finale, and the standard remained high throughout.
What makes Ever Decreasing Circles so charming and fascinating ? Basically, it's the old world values of love and fidelity.
Martin, fastidiously played by Richard Briars, is a man struggling against his own mediocrity. We can all recognise his situation and the men whose lives mirror his, he tries so hard at everything but his best is never quite good enough, while the charmer Paul, oily played by Peter Egan, achieves everything with effortless ease.
It's a play and a counter-play of a man who struggles through life compared to a man who is gifted by nature.
What redeems Martin from a lifetime of ennui is that he is married to Anne, played by the simply gorgeous Penelope Wilton. Would be Hollywood actresses should note that Penelope Wilton manages to convey as much sex appeal through a smile as do many talentless actresses through heaving bosoms.
Anne is the rose in Martin's life and we are left with the feeling that Martin wakes up everyday thanking God for giving him such a wife.
What gives the show its appeal is that although Anne is undoubtedly attracted by Paul and his charm , she remains loyal to Martin.
Ever Decreasing Circles tells us that there is still a place for Fidelity in married life and the World.
Martin, fastidiously played by Richard Briars, is a man struggling against his own mediocrity. We can all recognise his situation and the men whose lives mirror his, he tries so hard at everything but his best is never quite good enough, while the charmer Paul, oily played by Peter Egan, achieves everything with effortless ease.
It's a play and a counter-play of a man who struggles through life compared to a man who is gifted by nature.
What redeems Martin from a lifetime of ennui is that he is married to Anne, played by the simply gorgeous Penelope Wilton. Would be Hollywood actresses should note that Penelope Wilton manages to convey as much sex appeal through a smile as do many talentless actresses through heaving bosoms.
Anne is the rose in Martin's life and we are left with the feeling that Martin wakes up everyday thanking God for giving him such a wife.
What gives the show its appeal is that although Anne is undoubtedly attracted by Paul and his charm , she remains loyal to Martin.
Ever Decreasing Circles tells us that there is still a place for Fidelity in married life and the World.
Sorry to see this excellent series damned by faint praise in another review. A quiet home-counties close is the setting for some complex characters and relationships, brought out superbly by the principals, Richard Briers, Penelope Wilton and Peter Egan. Admittedly, Howard & Hilda were a bit two-dimensional, but that was kind of the point.
While stopping short of biting satire, it nevertheless touched nerves in suburban households in much the same way as the first Reginald Perrin series. The ability to make a character like Martin Bryce likable (well, occasionally) highlights the consummate skill of Briers, who has ranged from farce to the RSC with equal ease. At first it's hard to understand how the wonderful Anne (Penelope Wilton) married him, and yet eventually you see how it could happen. A poignant and very English comedy that should see the light of day again.
While stopping short of biting satire, it nevertheless touched nerves in suburban households in much the same way as the first Reginald Perrin series. The ability to make a character like Martin Bryce likable (well, occasionally) highlights the consummate skill of Briers, who has ranged from farce to the RSC with equal ease. At first it's hard to understand how the wonderful Anne (Penelope Wilton) married him, and yet eventually you see how it could happen. A poignant and very English comedy that should see the light of day again.
The brilliance of this series is demonstrated by the fact that when it was shown on the same Sunday evenings as Only Fools and Horses the eminently forgettable programme sandwiched in between "Howard's Way" recorded amazing viewing figures also. The premise of the series which centred on the angst of a pedantic control freak, was hard to pull off but Richard Briers was amazing in the role which was the entire hub of the series. The support cast was also brilliant with an amazing rapport between all the players. I have to say I laughed out loud at the one damning review here which couldn't see the joke in Howard saying to Hilda:
"Come on dear, we best go home now or we'll miss the shipping forecast."
"Why do we always listen to the shipping forecast Howard?"
"Because it leads us nicely into the news dear."
If he couldn't see the humour in that he must have had a good deal in common with Briers' character Martin Brice who could never see the humour in anything. That was what made it so funny.
"Come on dear, we best go home now or we'll miss the shipping forecast."
"Why do we always listen to the shipping forecast Howard?"
"Because it leads us nicely into the news dear."
If he couldn't see the humour in that he must have had a good deal in common with Briers' character Martin Brice who could never see the humour in anything. That was what made it so funny.
Did you know
- TriviaPeter Egan accepted the part of Paul Ryman whilst in the United States, and so couldn't see a script before the series would be going into production. He asked who was in it, was told Richard Briers and Penelope Wilton, and took the offer immediately.
- GoofsMartin's obsession with turning the telephone receiver s certain way changes from the cord being on the right in earlier episodes and on the left in later ones.
- Quotes
Martin Bryce: [describing the road in which he lives, giving a laugh like he's pleased with his joke] We're a very close close.
- ConnectionsFeatured in Did You See..?: Episode #9.8 (1987)
- SoundtracksPrelude No. 15
from "Twenty-four Preludes, Op. 34"
Composed by Dmitri Shostakovich (uncredited)
Performed by Ronnie Price
[series theme tune]
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