Ever Decreasing Circles
- TV Series
- 1984–1989
- 30m
IMDb RATING
7.3/10
1.4K
YOUR RATING
Martin Bryce lives in a quiet suburban close with his wife Anne. He does his best to "organise" the leisure time of all of the other inhabitants of the close, running umpteen societies and d... Read allMartin Bryce lives in a quiet suburban close with his wife Anne. He does his best to "organise" the leisure time of all of the other inhabitants of the close, running umpteen societies and doing "good works".Martin Bryce lives in a quiet suburban close with his wife Anne. He does his best to "organise" the leisure time of all of the other inhabitants of the close, running umpteen societies and doing "good works".
- Nominated for 2 BAFTA Awards
- 2 nominations total
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Featured reviews
The first time I tried to watch this show I must have been in a bad mood, but I could not stand Richard Briers' character Martin and gave up after about 2 episodes.
Many years later (about 15-20) I was given the DVDs and decided to give it another go. Glad I did, it is bloody brilliant, my partner and I basically binge watched it over a few weeks, close to one of the best shows I have every watched.
So as the saying goes, if you at first you do not succeed, do not give up, second time round can be the charm and what you thought was a pigs ear can turn out to be a gem.
This is a GEM of a show. So many brilliant characters. All those featured on the poster are the ones, bloody brilliant.
Easy 9/10 and really probably a 10.
Many years later (about 15-20) I was given the DVDs and decided to give it another go. Glad I did, it is bloody brilliant, my partner and I basically binge watched it over a few weeks, close to one of the best shows I have every watched.
So as the saying goes, if you at first you do not succeed, do not give up, second time round can be the charm and what you thought was a pigs ear can turn out to be a gem.
This is a GEM of a show. So many brilliant characters. All those featured on the poster are the ones, bloody brilliant.
Easy 9/10 and really probably a 10.
Very popular on first airing (1984 ish) but now fairly unheard of and rarely repeated on UK terestrial television. Great Sit-com, not a huge classic but very watchable, especially for the ridiculously smooth Peter Egan and wound too tight Richard Briers.
Apart from Only Fools and Horses there is no better mainstream 80s comedy than this, on the surface it's the usual middle class suburban fare with clichéd characters but is a whole lot deeper, cleverer and funnier than that.
Richard Bryers gives his best comedy performance, quality support from Penelope Wilton and Peter Egan is well cast as his foil Paul. Then of course the shows light relief in the form of 'his and hers' outfits, Howard and Hilda.
The show exists in very ordinary unspectacular surroundings of a London suburb but no shame there, as thats pretty much the situation most of us live in. Much of the comedy derives from Martin Bryce's (Byrers) insecurity as he see's Paul as the threat to his quiet little corner of England.
Richard Bryers gives his best comedy performance, quality support from Penelope Wilton and Peter Egan is well cast as his foil Paul. Then of course the shows light relief in the form of 'his and hers' outfits, Howard and Hilda.
The show exists in very ordinary unspectacular surroundings of a London suburb but no shame there, as thats pretty much the situation most of us live in. Much of the comedy derives from Martin Bryce's (Byrers) insecurity as he see's Paul as the threat to his quiet little corner of England.
Successful comedy writing partnership John Esmonde and Bob Larbey had already come up with the popular "The Good Life", and they teamed up with Richard Briers again for this series focusing on middle-class suburban eccentricity and strife.
Briers starred as Martin Bryce, a completely obsessive form filler, club joiner and committee organiser. His wife, Ann (Penelope Wilton) has somehow put-up with his irritating behaviour for some years - 14 in fact when it's revealed later in the series. According to Martin, and perhaps because of him, everything runs like clockwork in "The Close" - a leafy Home Counties estate where the houses have nice names. Martin's is called Brookes Mead.
Martin's life is changed however with the introduction of Paul Ryman (Peter Egan). Paul is an affable, charming and super confident chap who has a university degree (Martin hasn't) and runs a hairdressing business in town. Totally secure, he is not put off by Martin's horrendous attitude towards him and proceeds to help him out. It is this fact that frustrates Martin even more - because Paul can sort everything out just by calling one of his many "friends". The mere fact that Paul can make life seem so simple while Martin frets over every small detail makes their relationship a taut one. Still, Paul is such a nice guy he never shows a cold side to Martin. However, he enjoys flirting with Ann, and for a couple of episodes you wonder if they would get it on behind Martin's back, but surprisingly, Martin and Ann's marriage is very stable.
In the tradition of weird next-door neighbours are the dull Howard and Hilda Hughes (geddit), who are fully-paid up members of Martin's committees, flower-growing clubs and other silly schemes that you would only get in white middle-class English communities. They have a penchant for wearing matching Noel Edmonds type sweaters, with Howard always telling the same joke to his wife when he comes home to work in the evening. Stanley Lebor and Geraldine Newman are perfect in these roles.
This BBC sitcom proved to fairly popular with viewers, perhaps because the talented cast make their characters work so well. The first couple of episodes, straight off from where we see Martin using his infamous duplicator in his small upstairs office, are a little off-putting. It is down to the character of Martin, who is such an obsessive bore you can't stand much of him and have little sympathy for either. But he grows on you, and while he never truly gets on best mates terms with Paul, he accepts him as a neighbour as the series goes on. The viewers are in the same boat, as we accept all the misery is reaped on him by himself, and that we English share a kind of self-depreciating empathy with him.
The series ran for 4 seasons from 1984 to 1987, with an 80 minute closing episode in 1989. This had Martin and Ann moving away from The Close.
P.S. My favourite scene in this series is when Martin joins the exclusive Egremont Club. Martin and the man who introduces him to the club keep calling for the steward - but he is nowhere to be seen. In comes the smooth Paul who sits down and calls "steward" in the same manner, and the barman promptly appears.
Briers starred as Martin Bryce, a completely obsessive form filler, club joiner and committee organiser. His wife, Ann (Penelope Wilton) has somehow put-up with his irritating behaviour for some years - 14 in fact when it's revealed later in the series. According to Martin, and perhaps because of him, everything runs like clockwork in "The Close" - a leafy Home Counties estate where the houses have nice names. Martin's is called Brookes Mead.
Martin's life is changed however with the introduction of Paul Ryman (Peter Egan). Paul is an affable, charming and super confident chap who has a university degree (Martin hasn't) and runs a hairdressing business in town. Totally secure, he is not put off by Martin's horrendous attitude towards him and proceeds to help him out. It is this fact that frustrates Martin even more - because Paul can sort everything out just by calling one of his many "friends". The mere fact that Paul can make life seem so simple while Martin frets over every small detail makes their relationship a taut one. Still, Paul is such a nice guy he never shows a cold side to Martin. However, he enjoys flirting with Ann, and for a couple of episodes you wonder if they would get it on behind Martin's back, but surprisingly, Martin and Ann's marriage is very stable.
In the tradition of weird next-door neighbours are the dull Howard and Hilda Hughes (geddit), who are fully-paid up members of Martin's committees, flower-growing clubs and other silly schemes that you would only get in white middle-class English communities. They have a penchant for wearing matching Noel Edmonds type sweaters, with Howard always telling the same joke to his wife when he comes home to work in the evening. Stanley Lebor and Geraldine Newman are perfect in these roles.
This BBC sitcom proved to fairly popular with viewers, perhaps because the talented cast make their characters work so well. The first couple of episodes, straight off from where we see Martin using his infamous duplicator in his small upstairs office, are a little off-putting. It is down to the character of Martin, who is such an obsessive bore you can't stand much of him and have little sympathy for either. But he grows on you, and while he never truly gets on best mates terms with Paul, he accepts him as a neighbour as the series goes on. The viewers are in the same boat, as we accept all the misery is reaped on him by himself, and that we English share a kind of self-depreciating empathy with him.
The series ran for 4 seasons from 1984 to 1987, with an 80 minute closing episode in 1989. This had Martin and Ann moving away from The Close.
P.S. My favourite scene in this series is when Martin joins the exclusive Egremont Club. Martin and the man who introduces him to the club keep calling for the steward - but he is nowhere to be seen. In comes the smooth Paul who sits down and calls "steward" in the same manner, and the barman promptly appears.
Sorry to see this excellent series damned by faint praise in another review. A quiet home-counties close is the setting for some complex characters and relationships, brought out superbly by the principals, Richard Briers, Penelope Wilton and Peter Egan. Admittedly, Howard & Hilda were a bit two-dimensional, but that was kind of the point.
While stopping short of biting satire, it nevertheless touched nerves in suburban households in much the same way as the first Reginald Perrin series. The ability to make a character like Martin Bryce likable (well, occasionally) highlights the consummate skill of Briers, who has ranged from farce to the RSC with equal ease. At first it's hard to understand how the wonderful Anne (Penelope Wilton) married him, and yet eventually you see how it could happen. A poignant and very English comedy that should see the light of day again.
While stopping short of biting satire, it nevertheless touched nerves in suburban households in much the same way as the first Reginald Perrin series. The ability to make a character like Martin Bryce likable (well, occasionally) highlights the consummate skill of Briers, who has ranged from farce to the RSC with equal ease. At first it's hard to understand how the wonderful Anne (Penelope Wilton) married him, and yet eventually you see how it could happen. A poignant and very English comedy that should see the light of day again.
Did you know
- TriviaPeter Egan accepted the part of Paul Ryman whilst in the United States, and so couldn't see a script before the series would be going into production. He asked who was in it, was told Richard Briers and Penelope Wilton, and took the offer immediately.
- GoofsMartin's obsession with turning the telephone receiver s certain way changes from the cord being on the right in earlier episodes and on the left in later ones.
- Quotes
Martin Bryce: [describing the road in which he lives, giving a laugh like he's pleased with his joke] We're a very close close.
- ConnectionsFeatured in Did You See..?: Episode #9.8 (1987)
- SoundtracksPrelude No. 15
from "Twenty-four Preludes, Op. 34"
Composed by Dmitri Shostakovich (uncredited)
Performed by Ronnie Price
[series theme tune]
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