Cosby Show

Bill Cosby had been on television throughout the 1960s and 1970s. His success had been adequate, but far from impressive. By 1984, NBC wanted to have a show that would be endeared not only by minority groups, but also by white America. Enter "The Cosby Show", the very definition of a Nielsen Ratings Monster as it devoured competition, along with cohort "Cheers", for the better part of the 1980s and early-1990s. The series is basically the life of Cosby with a few creative twists. Cosby, an obstetrician, lives in New York with his wife Phylicia Rashad (an attorney) and their four children (Lisa Bonet, Malcolm-Jamal Warner, Tempestt Bledsoe and Keshia Knight-Pulliam). Comedy and drama would always dominate the series, but an early criticism of "The Cosby Show" was that it had no real point to it. Enter eldest child Sabrina Le Beauf who was created the middle of season one. This child was away at college and receiving a first-class education at an Ivy League School. And that is the point of "The Cosby Show"---two parents doing their best to give their five children the life and opportunities that they have taken advantage of. The Le Beauf character was a culmination of everything that Cosby and Rashad did with the four younger children. As the series grew, the cast grew to include performers like Geoffrey Owens, Joseph C. Phillips, Deon Richmond and scene-stealer Raven-Symone. The greatest problem that most had with the show was that critics said it did not show accurate African-American life in this country. To be perfectly honest, this show does not show typical life for the vast majority of this nation's population. There are not many white children in this nation that have a doctor and a lawyer as parents so that criticism lacks substance and social research. Cosby always kept the show somewhat light-hearted and sometimes shied away from some key issues of the time period, but keep in mind that his name was on the program and everything was written as if the characters were sometimes walking on eggshells. Bonet created the controversy for the series during its run, especially in 1987 with her very adult-oriented role in "Angel Heart". That did not deter, but rather engross an even larger audiences tuned in by the late-1980s. Slowly the younger performers grew up and grew out of their roles and the series finally began to show its age by the 1990s. But for a few fleeting moments in the 1980s, was there anyone bigger than Bill Cosby? I think not. 5 stars out of 5.

`The Cosby Show,' along with `Family Ties,' redefined television in the eighties. It centered entirely on a successful African American family – that was something rare back then. And the thing that was good about the show was that unlike some television programs, `The Cosby Show' did not try to be anything special; it didn't try to shout out. It didn't say, `Hey, we're a show all about a black family!' It treated itself just like any other show on television, and that is what is so good about it.

Bill Cosby is, of course, the main character in this show, taking the role of a husband and father while adding comic relief to the show.

Cosby was one of the best comedians of the eighties – it's too bad he isn't in the movies anymore, because he is a funny guy. He's not over the top and outrageous like, say, Chris Rock or Eddie Murphy, etc., both of whom are loudmouthed black comedians that are stereotypical of African American comics; they try to get in the limelight by shouting and yelling and not REALLY being funny. I think many black comedians had resorted to this because (a) they thought it was the only way they could get famous back then and (b) it became expected of them (that would explain Rock).

But Bill Cosby is calm yet funny. I think he's one of the best REAL comedians out there (in other words, one of the best stage performers/comedians).

`The Cosby Show' is one of the best reruns out there – catch it when you can.

The Cosby Show is one of those few trailblazing programs that grace television screens and leave an indelible mark. A situation comedy featuring a well-off African American family residing in a Brooklyn townhouse, The Cosby Show was also ultimately the brainchild and vehicle of comedian-extraordinare, Bill Cosby. Cosby's stage routine during his later years featured tales of his large family of five children, four girls and one boy, and his beloved wife, Camille, and these stories are translated exceptionally well on the small screen with a wonderful ensemble cast headed by Cosby and Phylicia Rashad (nee Allen).

I'm sure faithful viewers all have their favorite episodes, and we can always reminice in this terrific journey through the life of Bill Cosby through the fictional existence of Dr. Heathcliff Huxtable.

For eight glorious seasons, The Cosby Show ruled the airwaves and our hearts, and luckily, we can still enter this great world on syndication all over the world.

The first season of the Cosby Show made it one of the finest shows on television. However, I do feel that as the show wore on it became a little bit preachy. However, it still had its moments. I really enjoyed the episodes that dealt with Theo and his struggles with school. I could relate to that because I had troubles with school at times. I also could not get how people could begrudge the show because it showed African Americans that were part of the upper class and as positive images and not the negative stereotypes that were so prevalent. Also, you could see the evolution of the various characters, especially Rudy who went from a precocious five year old to a teenager throughout the course of the show. All in all though, it still was a good show.

Despite all the controversy surrounding Bill Cosby, it's undeniable that the Cosby Show is one of the funniest and most important shows to ever come on television. This show redefined what a black family could be on TV and taught important life lessons with each episode.

Just try to ignore the bull surrounding this brilliant show and enjoy it at face value. It's a funny, intelligent show that shouldn't be ignored due to the actions of its star.