Cosby Show

Even though it ended its first network run nearly eight years ago, The Cosby Show continues to make us laugh through reruns on many local stations and cable networks. That is what its legacy really is. It certainly was important, since it rescued the sitcom from oblivion and showed us that African-American families can be just as "normal" as anyone else's. But more than that, it never stopped being funny, has not stopped being funny, and never will stop being funny. It was one of the best sitcoms of its day, and now is one of the best of any day. Bill Cosby was a great comedian, Phylicia Rashad and the kids on the show were all great actors, particularly Malcolm-Jamal Warner, and they all had great chemistry that never diminished in eight years together. Though it did slip a little bit toward the end, the writing and the show itslef never truly did lose their quality. Do you think this show will keep us entertained for years to come? As Theo might say, "No problem!"

As a series, The Cosby Show was groundbreaking, portraying a middle-upper black American family. Definitely not Good Times from the 70s. The writing was memorable, with episodes dealing with the issues that any middle-upper black American family must contend with.

`The Cosby Show,' along with `Family Ties,' redefined television in the eighties. It centered entirely on a successful African American family – that was something rare back then. And the thing that was good about the show was that unlike some television programs, `The Cosby Show' did not try to be anything special; it didn't try to shout out. It didn't say, `Hey, we're a show all about a black family!' It treated itself just like any other show on television, and that is what is so good about it.

Bill Cosby is, of course, the main character in this show, taking the role of a husband and father while adding comic relief to the show.

Cosby was one of the best comedians of the eighties – it's too bad he isn't in the movies anymore, because he is a funny guy. He's not over the top and outrageous like, say, Chris Rock or Eddie Murphy, etc., both of whom are loudmouthed black comedians that are stereotypical of African American comics; they try to get in the limelight by shouting and yelling and not REALLY being funny. I think many black comedians had resorted to this because (a) they thought it was the only way they could get famous back then and (b) it became expected of them (that would explain Rock).

But Bill Cosby is calm yet funny. I think he's one of the best REAL comedians out there (in other words, one of the best stage performers/comedians).

`The Cosby Show' is one of the best reruns out there – catch it when you can.

I grew up with a crush on Clair, Sandra and Denise (who didn't like Denise?) and most of all I grew up watching him on TV, (it was still running live telecasts when I was born). I really loved the ways that Cliff Huxtable dealt with the kids and I am sure that many parents across America ventured to be more like him and deal with their kids as he did (although it would be nice if we could). The best thing about the show was that while it did show a well-off black family, it was not preachy about the plight of blacks and was woven gently into the plots with humor, with humor you can remember it a lot easier than if someone just preached it at you. It was a vehicle that did in fact continue the "movin' on up" legacy that shows like The Jeffersons and Good Times started but most of all making it about family life and how parents and children relate to each other thus, making it timeless.

Some shows are for a time, but this show most of all, will be on as long as time exists.

For the critics of the show, it was a little ideal and a bit unrealistic for the people who say that I say this: THis is TV but TV is based on real life, and if you sit for 30 minutes in any household, it will be boring as all crap, and more importantly a lot of work goes into creating & writing sitcoms, critics should be writers themselves before they criticize a show, because is too easy to criticize but not to rework it to be accessible as you see it Thank you

Bill Cosby had been on television throughout the 1960s and 1970s. His success had been adequate, but far from impressive. By 1984, NBC wanted to have a show that would be endeared not only by minority groups, but also by white America. Enter "The Cosby Show", the very definition of a Nielsen Ratings Monster as it devoured competition, along with cohort "Cheers", for the better part of the 1980s and early-1990s. The series is basically the life of Cosby with a few creative twists. Cosby, an obstetrician, lives in New York with his wife Phylicia Rashad (an attorney) and their four children (Lisa Bonet, Malcolm-Jamal Warner, Tempestt Bledsoe and Keshia Knight-Pulliam). Comedy and drama would always dominate the series, but an early criticism of "The Cosby Show" was that it had no real point to it. Enter eldest child Sabrina Le Beauf who was created the middle of season one. This child was away at college and receiving a first-class education at an Ivy League School. And that is the point of "The Cosby Show"---two parents doing their best to give their five children the life and opportunities that they have taken advantage of. The Le Beauf character was a culmination of everything that Cosby and Rashad did with the four younger children. As the series grew, the cast grew to include performers like Geoffrey Owens, Joseph C. Phillips, Deon Richmond and scene-stealer Raven-Symone. The greatest problem that most had with the show was that critics said it did not show accurate African-American life in this country. To be perfectly honest, this show does not show typical life for the vast majority of this nation's population. There are not many white children in this nation that have a doctor and a lawyer as parents so that criticism lacks substance and social research. Cosby always kept the show somewhat light-hearted and sometimes shied away from some key issues of the time period, but keep in mind that his name was on the program and everything was written as if the characters were sometimes walking on eggshells. Bonet created the controversy for the series during its run, especially in 1987 with her very adult-oriented role in "Angel Heart". That did not deter, but rather engross an even larger audiences tuned in by the late-1980s. Slowly the younger performers grew up and grew out of their roles and the series finally began to show its age by the 1990s. But for a few fleeting moments in the 1980s, was there anyone bigger than Bill Cosby? I think not. 5 stars out of 5.