The Barchester Chronicles

Starts off seeming as if it's going to be boring, but turns out to be a delight! It just takes awhile laying the foundation of your understanding of each of the characters. Very well done, witty and with excellent acting! - Some parts drag by, but not unbearably so and not often. I've shown this film to "action-addicted" teenagers and was pleasantly surprised with how enthralled they became with the story.

One of the best Trollope adaptations in recent years. A true classic that will delight lovers of the 'Barchester' novels through more than one viewing. Adapted from the first two novels, 'The Warden' and 'Barchester Towers'. All the cast are well matched to their roles.

Of note: It seems newspapers have changed little in 150 years. The fictional 'The Jupiter' ('The Times' very thinly disguised) is just as sanctimonious and irritating as today's press. Clive Swift as Bishop Proudie is, well, another bumbling Clive Swift. Alan Rickman gives an excellent performance as the ingratiating humbug Rev Slope (formerly Mr Slop). Slope's Cathedral sermon on the demerits of music in the evangelical church (Ep. 2) is brilliant, as is his marriage proposal to Mrs Bold (Ep. 4).

Father and daughter Donald and Angela Pleasance play father and daughter Mr Harding and Mrs Grantly.

A weak point is the character is the second romantic interest of Mrs Bold, The Rev Francis Arabin. In the series he seems a rather dull of stick of about 40, much older than Mrs Bold, and it hard to see why a mid-twenties, attractive and wealthy widow would be in the least attracted to him. He is well spoken and intelligent but otherwise most unprepossesing. In the novel, however, Trollope devotes an full chapter to his history and the minute description of his personality and character. As a result it is quite clear why Mrs Bold found him so desirable from their first meeting.

Alan Rickman was apparently the second choice for the part of Obadiah Slope. I have no idea who the original selection was - but I bet he's been kicking himself ever since!

In the book, Slope is portrayed as a somewhat uneasy cross between a buffoon and a disturbing snake in the grass. Every time he threatens to become too dangerous, Trollope proceeds to undermine him again.

I believe that the reason why Rickman was offered the part is because the director wanted an actor who could come across as amusing and sleazy, yet plausibly creepy - and sexy.

Slope HAS to possess a great deal of animal magnetism, as this is what explains the extremely strong reaction he produces in otherwise respectable ladies of whatever age.

Rickman certainly gets THAT across - in spades. He may not be conventionally good-looking - but he's totally incapable of playing an asexual character.

Problem is, he ends up completely overwhelming Mrs Bold's other two suitors. Any heterosexual female viewer with any sense will keep shouting at the screen: "You daft bat! Forget Arabin! It's Slope you want!!!!!"

I agree, Arabin is far better served by the book than this adaptation.

At 19 years of age and having been involved in the Church of England for most of my life, I watched Barchester unfold week by week with bated breath. I couldn't wait for each new episode. I knew all the characters! I'd met them before! I saw them week by week in real life. My Church of England was just the same as that, only 150 years later. ok, well not quite, but those of you who have seen Barchester know what I mean. Superlative casting, acting, sets. No wonder it has just been voted as the most wanted repeat on BBC. It makes me laugh out loud and then cry too. If you've not seen it, then make sure that you do - soon!

One runs out of superlatives to describe this flawless representation of Trollope's masterpieces of ecclesiastical fiction. Against the sumptuous background of Peterborough Cathedral and its environs, one is carried into Trollope's world of the intriguing machinations of the clerical establishment of Barchester. Backed by the authenticity of the period detail, the portrayal of all the characters accurately conveys the whole range of human emotions within the stories,without a weak link amongst the members of the cast. In would be invidious to name particular names as meriting special attention, when even the smallest cameo stands comparison with the principals, but I would select Geraldine McEwen, Alan Rickman and Nigel Hawthorne for special commendation - their performances being of the type where the actors disappear and the characters come to life !I was particularly impressed by the clarity of diction and the beautiful,expressive language in this film A 'must see' not only for lovers of Trollope, but anyone interested in seeing character acting at its very best !