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After viewing this film for the first time (and with an open mind), I feel the need to defend it against the general naysayers who condemn it, claiming that it is nothing but a rip-off. Unfortunately, this film has just about been buried by several bad reviews, and the fact that "E.T." was released just prior to this film, didn't help it, either.

The fact is, it's nearly 20 years down the line, and people are still comparing it to "E.T.". I certainly don't feel that this is a rip-off of "E.T.", nor do I feel that it bears much resemblance. It may be true that this film was made with the intent to cash in on the alien/science-fiction trend of that period, but then again, when doesn't that happen in Hollywood? If we are going to compare films about extra-terrestrials, then this one ranks more closely to Steven Spielberg's earlier accomplishment, "CLOSE ENCOUNTERS OF THE THIRD KIND".

Overall, I enjoyed this film. Robert Carradine and Cherrie Currie (of The Runaways fame) turn in some solid performances, which rise above most films of this caliber. Keenan Wynn, reprising his usual stubborn old man role, is always worth watching. Tangerine Dream provides the music for the film, and as usual, their score is especially effective, and works best in the most critical areas.

One has to appreciate the intelligence that the film has, which clearly indicates that this was not just another "hatchet-job" rushed effort, that some would suspect.

The end result is, by no means, tremendous. But, this film is extremely underrated, and is at the very least, worthwhile entertainment.

If you get a chance, give it a shot.

An unemployed musician and his psychic girlfriend stumble on a government conspiracy involving experiments on child-like aliens in this sci-fi themed paranoia thriller from 'China Syndrome' screenwriter Mike Gray. The film is powered through by a perfectly brooding Tangerine Dream music score and haunting sound effects and Robert Carradine makes for a sympathetic lead. The choice to have young boys play the decades-old aliens works very well too; there are some great sequences in which they travel through the city with childhood wonderment in their eyes and yet adult restraint, content to just observe. The midsection of the film is nevertheless rather weak as focus turns away from Carradine and the aliens to focus on government figures debating what to do. This departure serves a purpose as it highlights how there are no real antagonists in the tale: all the government want to do is learn about these creatures and prevent panic in the general public, however, the government figures never make for interesting characters. The film also has some irksome narration to begin with but thankfully this soon disappears. 'Wavelength' might not be a perfect motion picture, but it is very well crafted as far as low to medium budget science fiction films go, and its descent into obscurity over the years is sad but understandable. Critics of the film are all too eager to jump on its similarities to 'E.T.' and 'Starman', but this is a film that deserves to be judged on its own terms - especially since it was written before 'E.T.' and released before 'Starman' came out!

This early 80's lighthearted scifi is going to win no awards for, well anything but certainly does have its qualities.

Starring Robert "Revenge Of The Nerds" Carradine this early 80's scifi effort tells the story of a girl who begins to hear ominous noises coming from a supposedly abandoned military base. With her boyfriend in tow they go investigating and find more than they ever could have expected.

Though extremely dated the film is interesting enough to keep a viewers attention but has severe pacing issues and the ending is highly predictable and underwhelming.

I was just waiting for Carradine to deliver his trademark laugh and always find myself struggling to take him seriously despite him being a terrific actor.

Wavelength is a decent enough effort but hardly original.

The Good:

Robert Carradine

Well made

The Bad:

Very dated

Pacing issues

Weak finale

Things I Learnt From This Movie:

Naked children make me very uncomfortable

If Carradine had played his Revenge Of The Nerds character this film would have been brilliant

In every single movie the governments reaction to aliens is exactly how I'd imagine they'd react in real life

I love to debate with those who claimed this was a rip-off of E.T... While E.T. was good, it was obviously more cute with cute kids and a cute alien. Wavelength is much more adult. I didn't see this as the same film as E.T. at all, if anything, I found John Carpenter's film Starman a replica of Wavelength--it came two years after Wavelength and had the EXACT same silver sphere spaceship hovering in the desert!!

The story of someone discovering aliens in a secret underground government complex may not be new, but it's how the story is told and how the characters affect us that make it work. Robert Carradine is likeable and even sings a few of his own songs. Would have been nice to add those to the soundtrack CD, but I can't complain about having this great Tangerine Dream score (particularly the Church Theme). Former Runaways band member Cherie Currie was a nice surprise in the cast--it's a shame someone felt it necessary to exploit her by having her in a brief nude scene. It's so cliche to have a naked woman get out of bed and never the man...it's as if to say, yeah, we can pull in the male audience by giving them a naked woman to gawk at. Since this was from New World Pictures, I had to check to make sure Roger Corman wasn't listed as producer since his name (like John Landis) automatically means breasts are mandatory. Keenan Wynn adds sass as usual to any film he's in, and doesn't disappoint.

The real stars are the aliens. It's wonderful to see how much can be conveyed without dialogue! One particular moment of brilliance (and a nice comment on religious ideology) is when they are whisked into a church to hide and Carradine and Currie try to get the aliens to put clothes on to disguise them as children. At first the aliens won't cooperate, but when they look up at a statue of Jesus on the cross (and seeing the despair on Jesus' face), they quickly start to grab for the clothes! That scene deserves to be listed as one of the all-time best scenes in film. It's important to note too that the minimalist makeup job for the aliens is very good, I didn't notice any seams or wrinkles on the skin. They seemed naked, but who's to say what beings from other worlds wear?

Nice pacing, believable performances, great Tangerine Dream score, and good use of location (yes, using the desert is economical, but the final sequence is a wow), and the emphasis on the drama of the situation instead of bombastic sci-fi visuals make Wavelength a worthwhile time. I've seen and forgotten many films in my life, and when a film like this is one you think about once in a while, then it did its job well.

I only hope that someday it's re-issued on DVD and given the chance to be re-discovered and acknowledged!

Substituted for expensive, spine-tingling special-effects, are an engaging story and credible performances, particularly from Cherie Currie. If you like seeing what a capable independent filmmaker can do with a limited budget - I recommend this film.