Four horror and science fiction segments, directed by four famous directors, each of them being a new version of a classic story from Rod Serling's landmark television series.Four horror and science fiction segments, directed by four famous directors, each of them being a new version of a classic story from Rod Serling's landmark television series.Four horror and science fiction segments, directed by four famous directors, each of them being a new version of a classic story from Rod Serling's landmark television series.
- Awards
- 1 win & 8 nominations total
Rainer Peets
- German Officer (segment "Time Out")
- (as Remus Peets)
William S. Taylor
- G.I. (segment "Time Out")
- (as William B. Taylor)
Featured reviews
I'm a huge fan of the series, and I remember being obsessed with TZ The Movie when it was released. I was 12, after all!!
Recently watched the film again for the first time in at least 15 years. I was blown away by the final segment, it's truly a classic which really scared the stuffing outta me. That evil little girl who takes Polaroids of everything freaked me out to no end. For me, it's the only segment in which the quality of the writing matches the direction and visuals from beginning to end.
I saw the original episode upon which Joe Dante's (3rd) segment is based when I was spending the night at my friend's house in 4th grade. It, too, really frightened me. I remember thinking to myself how hopeless the situation was-- if you even TRIED to not think bad thoughts about Anthony, you would end up thinking them, and he could still get you!! And didn't he "wish someone away to the cornfield"?? Man, that's some serious freakiness.
I thought the design of that segment in the movie was incredible, I'll never forget the mom holding the fishbowl, or the ferocious rabbit creature, or what happens to Ethel ("Run, Ethel....!") But the ending is truly atrocious and almost ruins what has come before.
What can I say about the other two segments? Better scripts were needed in order to make them work. And in the case of "Kick the Can", sticking more closely to the original episode would have given it more impact. (Not to mention firing Steven Spielberg.)And it's sad seeing Vic Morrow in his final role-- I'll always think of him as the sadistic coach in THE BAD NEWS BEARS, which is one of my all-time favorites.
All in all, a very uneven movie which improves steadily as it goes along. 6/10.
Recently watched the film again for the first time in at least 15 years. I was blown away by the final segment, it's truly a classic which really scared the stuffing outta me. That evil little girl who takes Polaroids of everything freaked me out to no end. For me, it's the only segment in which the quality of the writing matches the direction and visuals from beginning to end.
I saw the original episode upon which Joe Dante's (3rd) segment is based when I was spending the night at my friend's house in 4th grade. It, too, really frightened me. I remember thinking to myself how hopeless the situation was-- if you even TRIED to not think bad thoughts about Anthony, you would end up thinking them, and he could still get you!! And didn't he "wish someone away to the cornfield"?? Man, that's some serious freakiness.
I thought the design of that segment in the movie was incredible, I'll never forget the mom holding the fishbowl, or the ferocious rabbit creature, or what happens to Ethel ("Run, Ethel....!") But the ending is truly atrocious and almost ruins what has come before.
What can I say about the other two segments? Better scripts were needed in order to make them work. And in the case of "Kick the Can", sticking more closely to the original episode would have given it more impact. (Not to mention firing Steven Spielberg.)And it's sad seeing Vic Morrow in his final role-- I'll always think of him as the sadistic coach in THE BAD NEWS BEARS, which is one of my all-time favorites.
All in all, a very uneven movie which improves steadily as it goes along. 6/10.
"Twilight Zone: The Movie" is a mostly entertaining anthology film based on Rod Serling's classic TV series of the 1960s. Four bizarre tales are told through the minds of four different filmmakers: John Landis, Steven Spielberg, Joe Dante, and George Miller (Landis and Spielberg also produced). "Twilight Zone: The Movie" starts with a brief prologue starring Dan Aykroyd and Albert Brooks. Then comes segment #1, directed by Landis. This is the part of the movie that made headlines around the world when a freak accident killed actor Vic Morrow and two children while shooting a helicopter scene (which is not seen in the film). This story is about an angry man (played by Morrow) who is not happy with America because of all the different races that are living in the country. Then something strange happens. When the man steps outside of a bar, he finds himself on a street in Nazi Germany; a few minutes later he's confronted by the Klu Klux Klan; then he discovers he's in the middle of the Vietnam War; and so on. As for how this segment goes, it's only so-so. However segment #2, directed by Spielberg, is the weakest story of the bunch. Scatman Crothers stars as an elderly man who comes to live at a retirement home. After making friends with some of the elderly people living there, he talks them into playing a spirited game of kick the can. This is no ordinary game. Let's just say that its a game with a fountain of youth twist to it. I found this segment real boring. Up to this point, "Twilight Zone: The Movie" is disappointing. But then the film picks up with the strong last two segments. Segment #3, directed by Dante, stars Kathleen Quinlan as a woman who meets a little boy after accidentally knocking him off of his bike with her car. She decides to give the boy a ride home. But this is no ordinary home. It's a house where every TV set has a cartoon on, and the boy's family act like a bunch of crazy people (like their cartoons themselves). Quinlan begins to realize that this kid is not normal. This segment works because it's creepy (the look of the house on the inside is fascinating) and funny (every member of the kid's family is a complete nut). Ah, but the best segment comes last. Segment #4, directed by Miller, is a truly scary tale starring John Lithgow (from TV's "3rd Rock From the Sun") as a terrified passenger of an airplane flying through a severe thunderstorm. Things get worse when Lithgow see's something on the wing of the plane. What is it? A man? Or is it a monster? This segment literally had me on the edge of my seat. It's an excellent finale to "Twilight Zone: The Movie". So my advice is skip the first two segments, but watch the last two.
Here's my separate ratings for each segment (out of four stars):
Segment #1: **1/2; Segment #2: *1/2; Segment #3: ***1/2; Segment #4: ****
This adds up for an estimated combined rating of *** stars.
Here's my separate ratings for each segment (out of four stars):
Segment #1: **1/2; Segment #2: *1/2; Segment #3: ***1/2; Segment #4: ****
This adds up for an estimated combined rating of *** stars.
After the opening prologue with DAN AKYROYD and ALBERT BROOKS, as bored drivers on a lonely country highway who like to play pranks, TWILIGHT ZONE: THE MOVIE offers four stories, supposedly in the vein of stories that Rod Serling wrote for the famous TV series. Not until the final segment, NIGHTMARE AT 20,000 FEET does it offer the kind of fright stuff worthy of being in this anthology.
And it's a minor gem of its kind with JOHN LITHGOW giving an amazingly deft performance as a man totally afraid of flying who should have taken tranquilizers before he peered out the window. What he saw on the wing of the plane would have frightened anyone out of their wits--and, of course, no one believes him.
It's this final episode that makes the film itself worth watching. None of the other segments have enough punch to keep the viewer awake, let alone entertained. VIC MORROW's unfortunate accident came about during filming of a Vietnam sequence which does not appear in this version of the film--but he does give a convincing portrait of a bigot who gets his comeuppance. Very ironic.
Summing up: All of these stories were told with more style and suspense on the old TV shows. Strictly second-rate.
And it's a minor gem of its kind with JOHN LITHGOW giving an amazingly deft performance as a man totally afraid of flying who should have taken tranquilizers before he peered out the window. What he saw on the wing of the plane would have frightened anyone out of their wits--and, of course, no one believes him.
It's this final episode that makes the film itself worth watching. None of the other segments have enough punch to keep the viewer awake, let alone entertained. VIC MORROW's unfortunate accident came about during filming of a Vietnam sequence which does not appear in this version of the film--but he does give a convincing portrait of a bigot who gets his comeuppance. Very ironic.
Summing up: All of these stories were told with more style and suspense on the old TV shows. Strictly second-rate.
Five episodes realized as tribute to Rod Serling's Twilight zone, made by four known directors . It's is divided into 4 parts , three of them real remakes from classic television series, though starts in a prologue stars Albert Brooks and Dan Aykroyd . The best directed by John Landis is the first, where a bigot (played by Vic Morrow who died during filming by a helicopter crash accident) who becomes pursued of evil Nazis, Ku Klux Klan and American soldiers in Vietnam. The second segment directed by Steven Spielberg is a silly story about old people living in a retirement house who turn into little boys, thanks a strange visitor (Scatman Crothers). The third directed by Joe Dante concerns about a young woman (Kathleen Quinlan) encounters a kid with rare powers and some people (Kevin McCarthy, William Schallert,among them) closed at a strange house. And fourth episode titled 'Nightmare at 20.000 Feet' deals with a terrified passenger(John Lightow) who watch a creepy monster making rare issues on the wing of the plane.
The picture contains good special effects in traditional style without excessive computer generator as usual nowadays. The master Jerry Goldsmith composes a magic musical score particularly reflected on the second episode titled 'Kick the can' . Colorful and imaginative cinematography especially in the third segment titled 'It's a good life'. Rating : Acceptable and passable, the picture will appeal to fantastic genre buffs.
The classic long-running television series is formed by 156 episodes and its narrator , of course, Rod Serling. Later on, in 2002 are realized 44 new episodes with Forest Whitaker as host.
The picture contains good special effects in traditional style without excessive computer generator as usual nowadays. The master Jerry Goldsmith composes a magic musical score particularly reflected on the second episode titled 'Kick the can' . Colorful and imaginative cinematography especially in the third segment titled 'It's a good life'. Rating : Acceptable and passable, the picture will appeal to fantastic genre buffs.
The classic long-running television series is formed by 156 episodes and its narrator , of course, Rod Serling. Later on, in 2002 are realized 44 new episodes with Forest Whitaker as host.
When I first watched this film at the age of seven, I must have been freaked out for weeks. Never had a movie had that kind of effect on my psyche, especially "Nightmare at 20,000 Feet." While some will label this as a bad film due to the fact it didn't faithfully reproduce the original stories very well. I say 'Who Cares!' Sometimes, fear and entertainment is all that one needs in regard to a cool movie such as this one. While it is certainly not a film that will rank highly in the greatest films of all time category, at least it proved this concept in story telling is pertinent today, even in today's cynical culture.
Did you know
- TriviaThe scene being shot at the time of Vic Morrow's fatal accident was added to the script late in the filming in an attempt to "soften" his bigoted character Bill Connor, and give him some redemption: while fleeing from an American helicopter attack on a deserted Vietnamese village, he sees two orphaned children. Bill decides to save them no matter what the cost, so he carries them under his arms and wades through the river to safety. He then finds himself back in Nazi-occupied France again, the two children having time-jumped with him. The two Nazi officers chasing Bill take the children away for execution, and take Bill to a train which ends the segment. Due to the helicopter accident that claimed the life of Morrow and child actors Renee Chen and My-ca Dinh Le, all scenes featuring the children were completely cut, and they do not appear in the film. Bill's original scripted ending was kept in, leaving Bill's character change largely unaddressed and his fate unknown.
- GoofsAn exterior shot of the airplane in Segment #4 shows the landing gear to be in the down position. The pilot later comments that the plane would be landing in twenty minutes, far too long for gear to be down prior to touchdown.
- Quotes
Car Passenger: Hey... you wanna see something really scary?
- Alternate versionsCBS edited 8 minutes from this film for its 1986 network television premiere.
- SoundtracksNights Are Forever
Performed by Jennifer Warnes
Music by Jerry Goldsmith
Lyrics by John Bettis
Produced by Bruce Botnick with James Newton Howard
[Segment #1: playing when William enters the bar]
Details
- Release date
- Country of origin
- Languages
- Also known as
- La quatrième dimension, le film
- Filming locations
- 15238 Victory Boulevard, Van Nuys, Los Angeles, California, USA(bar in segment #1; exterior & interior)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $29,450,919
- Opening weekend US & Canada
- $6,614,366
- Jun 26, 1983
- Gross worldwide
- $29,450,919
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content
Top Gap
What is the Brazilian Portuguese language plot outline for La Quatrième Dimension (1983)?
Answer