Tonnerre

for those of you who long for the old Italian Spaghetti westerns of the 60's and 70's, here is a step in the vaguely right direction. Set in New Mexico's beautiful Monument Valley, although a bit more contemporary than the old west. Mark Gregory stars as an Indian who returned from Vietnam and gets disgruntled when absurdly racist locals harass him multiple times. He spends about 50 minutes destroying property and murdering police officers before he finally is recognized as a hero (!). The plot is silly, the dialog campy in the extreme, but the cast was likable and the action scenes were very well done. On top of that, the movie had an excellent Francesco De Masi musical score, which really gets the blood going at times. Good Sergio Salvati camerawork too. Low budget, but not nearly as cheesy as the two sequels which followed.

1983 revenge themed movie. When the movie "First Blood" made a very good box office in 1982, they made a similar one through an Indian person. Whatever the American police were at that time, they either hug a Vietnam veteran or an Indian. An Indian teenager returns to his land. At that time, airport road works are being carried out around it. Here are the graves of their ancestors and the place is their own land. He goes to the sheriff to seek his rights, but he is fired from here. When he comes back, he is attacked. This neutralizes the attackers and flees.

The movie is 1 hour 20 minutes but it's like 3 hours. So very boring. The acting is a disaster. The man they found in the lead role can't act other than sulking. There is also a tin tin rushed in the field as an open target. But in the video era, this movie was watched a lot.

There is no sexuality in the movie and there is some nudity.

Thunder a weak Italian production took place at American sacred ground of Navajo nation Arizona, under the auspicious and iconic director Enzo G. Castellari, just an European casting with Bo Svenson and the Rambo's alike Mark Gregory, about a clash of the local Sheriff on supporting a construction on Indian reserve assigned by a treat of peace on the past.

Such unexplained constructing mainly in an Indian sacred burial place triggers a fight between the young warrior Thunder against hundred of cops, workers and all authorities of Arizona, many contrived sequences, fakes cardboard buildings, blasting sequences are enough to hold the audience's attention, a cheesy offering, bad characters and so for, however what a great pleasure to see it almost on restored version at Youtube, it come out officially in Brazil just in VHS format, praying for DVD release.

Thanks for reading.

Resume:

First watch: 1988 / How many: 3 / Source: TV-Youtube / Rating: 5.5.

My review was written in June 1986 after watching the movie on Trans World Entertainment video cassette.

"Thunder Warrior" (a/k/a "Thunder") is an okay Italian action picture, benefiting immensely from gorgeous Arizona locations in Monument Valley, the Grand Canyon and environs. Released theatrically overseas, the shot-in-1983 opus debuted on video cassette domestically, with a sequel "Thunder 2" currently in production.

Mark Gregory portrays Thunder, a young Navajo Indian who returns home to find that the tribal burial ground is being destroyed to become the site of an observatory, breaking a treaty signed 100 years ago by his grandfather. After starting a fight on the construction site with a worker named Thomas (Antonio Sabato), Thunder sits in at the office of Sheriff Cook (Bo Svenson). Brushed-off by Cook, he shifts his sit-in to the local bank that is financing the project and is promptly escorted out of the county by the cops.

Subsequently beaten by Thomas and his coworkers, and then treated to police brutality by Deputy Barry (Raymond Harmstorf), Thunder arms himself and becomes a mini-"Rambo" out of "First Blood". He survives, hence the sequel, and is established as a local folk hero after numerous encounters with the police and rednecks who try to hunt him down.

Filmmaker Fabrizio de Angelis (who likes to use the pseudonym "Larry Ludman" when directing), delivers fine stunts and chases, but overdoes slow motion to stylized violent scenes. Western-flavored music by Francesco De Masi is a plus, though film's main draw is its beautiful locations. Typically for an Italian visiting production, interiors were lensed back in Rome.

Star Gregory is good as the sullen Indian, a big improvement on his campy thesping in De Angelis' production of "1990: The Bronx Warriors".

One of the main reasons why I worship the Italian exploitation film industry so much is because their rip-offs are often so damn blatant and shameless that you wonder how they even dared to register it on camera! Just look at the opening sequences of this "Thunder Warrior", for instance. A rusty old pick-up truck drops off a lone Vietnam War veteran, a seemingly calm and peaceful person with long dark hair and still wearing his soldier's clothes and a backpack over one shoulder. Does this image sound somewhat familiar? Well, it should, because "Thunder Warrior" is an all too obvious imitation of the tremendously successful "First Blood" that was released barely one year earlier. Thunder is the Navajo-version of John J. Rambo, but the actor Mark Gregory isn't nearly as muscular as Sylvester Stallone and definitely not as fierce and combative as he's depicted on the VHS-cover. In fact, Mark Gregory/Marco Di Gregorio isn't even a real Indian but a former shoe salesman from Italy who became a star for a very brief period thanks to "1990: The Bronx Warriors". Thunder is informed by this extremely old and awfully dubbed Native American grandfather that their sacred burial grounds are being overbuilt by capitalist real estate developers and urinated on by redneck construction workers. Thunder initially tries to diplomatically talk to Sheriff Bill Cook and his yokel deputies, but he's quickly chased out of town and beaten down in the sand. But he fights back and receives unexpected support from a freelance journalist and a radio DJ named Dancing Crow. The first half of "Thunder Warrior" is speedily paced and contains a couple of powerful action sequences, including a furious car chase and a raw fight, but I have to admit that the second half is dull, weak and severely lacking in the action department. Most of Thunder's opponents don't even get the ass-whooping they deserved (maybe because a few re-appear in the sequel?) and the grand finale is sorely disappointing. The supportive cast will appeal to cult cinema fanatics, with names like Bo Svenson ("Inglorious Bastards", "Snowbeast") Antonio Sabato ("Seven Blood Stained Orchids", "Gang War in Milan") and the über-sleazy Raimund Harmstorf. I haven't seen either of the two sequels yet, but here's to hoping that they unscrupulously rip off "Rambo: First Blood part II" and "Rambo III"