Staying Alive
- 1983
- Tous publics
- 1h 33m
IMDb RATING
4.8/10
18K
YOUR RATING
Five years later, Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenge yet: succeeding as a dancer on the Broadway stage.Five years later, Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenge yet: succeeding as a dancer on the Broadway stage.Five years later, Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenge yet: succeeding as a dancer on the Broadway stage.
- Director
- Writers
- Stars
- Awards
- 6 nominations total
Sarah M. Miles
- Joy
- (as Sarah Miles)
- Director
- Writers
- All cast & crew
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Featured reviews
Oh! So hokey! So bad! Tony Manero gets a job on the world's worst Broadway musical where two soap opera actresses catfight over his affections. Did I mention that all the music is by Frank Stallone? Of course this is because Sylvester Stallone directed, but Sly also keeps things in the family way by plopping Mama Jackie Stallone headbands on every friggin' chick in the film. The musical seems to involve a lot of dancers writhing about in "hell" (Drowning in dry ice, wearing Jackie headbands and listening to Frank, so there is at least a few scant shreds of reality fluttering here.), basting Tony in baby oil and tearing at his loincloth. This goes on non-stop for about the last 20 minutes, except for the moment when the director comes back waving his scarf at Tony and hollering "What is going on out there?" (Yeah, man, I was wondering too.) Still, if you're a fan of Travolta in his liberally greased and half-naked physical prime, you might derive a modicum of enjoyment from this. (I didn't. My mom did.) Great basket shot at the end, though.
Not good, but not as bad as it is made out to be.
Plot is thin, but the behind-the-scenes look at a Broadway dance show is interesting. Far too much time is spent on the actual show though, making you think that the whole movie may as well have been one big recording of a dance show.
Music is kind of cheesy, specially the music in the Broadway production.
Acting is so-so. Cynthia Rhodes gives probably the only convincing performance. John Travolta is his usual one-dimensional self and Finola Hughes is irritating.
Plot is thin, but the behind-the-scenes look at a Broadway dance show is interesting. Far too much time is spent on the actual show though, making you think that the whole movie may as well have been one big recording of a dance show.
Music is kind of cheesy, specially the music in the Broadway production.
Acting is so-so. Cynthia Rhodes gives probably the only convincing performance. John Travolta is his usual one-dimensional self and Finola Hughes is irritating.
I would give Staying Alive 1 star for actual goodness, and 10 stars for being in that rare category of movie that is so awful it's great. I will say that John Travolta is good dancer and his character is actually rather well portrayed here. But the film itself: ZOMG. The dance sequences are cheesy as hell. I have almost hurt myself from laughing so hard. It's like everyone in the movie lives in a world where cruise ship shows are considered the apex of entertainment. The script is a knock off of a knock off of a knock off of 42nd Street, with obvious rip-offs of All That Jazz. The choreographer character is straight out of the book of Hollywood clichés. The love triangle is as flimsy and transparent as used Saran wrap. The songs are all ridiculously over-earnest, especially the echo-laden 'Dance Close to the Fire' sequence. But I gotta say: watching this is pure joy. Pure 'oh my god I can't believe I'm watching this' guilty pleasure joy.
It's five years later and Tony Manero is still dreaming of becoming a professional dancer.He may get his big break on Broadway.He has something going on with two girls, his girlfriend Jackie and an English dancer called Laura.Staying Alive (1983) is a sequel to the disco movie classic Saturday Night Fever.It has a new director, a fellow called Sylvester Stallone.You can see him giving a cameo as Man on Street.John Travolta is just as good here as he was in the original.The girls, Cynthia Rhodes and Finola Hughes are both great.Julie Bovasso is also in this part playing Tony's mother.Steve Inwood plays the part of Jesse.Kurtwood Smith plays Choreographer.Sly's brother Frank Stallone plays Carl.Music by the Bee Gees can be heard also in this movie, as was in the first part.From the brothers Gibb we sadly lost Robin on May at 62.This sequel doesn't get too close to the original, but I don't find it a bad movie.It's still entertaining, it has some cool dance scenes.The movie looks very 80's, so if you're allergic to the 80's, you shouldn't probably watch this movie.
Seeing this film on TV again the other night made me wonder how amazing the human body is.... or more specifically John Travolta's body.
In Michael and Get Shorty he had a tremendous girth for the character's roles yet the films before and after Phenomenon and Broken arrow show a different size. and then we have the extreme end of the scale in this film. Sly Stallone trained Travolta for 3 months to get him into the rippling muscled fat free condition he displays in this film.
It just goes to show you that your fat levels aren't really THAT predetermined by birth and genetics afterall. All you have to to is be committed to attaining a the shape you want to be. Travolta can be slim, medium or large build, muscled, fat or average depending on the film role his ability in this regard is second only to Robert deNiro of raging Bull and Cape fear physique abilities.
Travolta wil never be out of work while he is able to mold himself into his characters. The charcter of Tony would not have been believeable in this film in any shape other than the one depicted by John Travolta in this film. he got it spot on --- in appearance, line delivery and overall feeling!
7/10
In Michael and Get Shorty he had a tremendous girth for the character's roles yet the films before and after Phenomenon and Broken arrow show a different size. and then we have the extreme end of the scale in this film. Sly Stallone trained Travolta for 3 months to get him into the rippling muscled fat free condition he displays in this film.
It just goes to show you that your fat levels aren't really THAT predetermined by birth and genetics afterall. All you have to to is be committed to attaining a the shape you want to be. Travolta can be slim, medium or large build, muscled, fat or average depending on the film role his ability in this regard is second only to Robert deNiro of raging Bull and Cape fear physique abilities.
Travolta wil never be out of work while he is able to mold himself into his characters. The charcter of Tony would not have been believeable in this film in any shape other than the one depicted by John Travolta in this film. he got it spot on --- in appearance, line delivery and overall feeling!
7/10
Did you know
- TriviaJohn Travolta has claimed his favorite director to work with was Sylvester Stallone. He said Stallone knew how to make him look the best on screen.
- GoofsDuring the rehearsal segment, the camera crew is reflected in the mirrors.
- Quotes
[last lines]
Tony Manero: Do you know what I wanna do? You know what I wanna do?
Jackie: What?
Tony Manero: Strut.
- Alternate versionsNBC edited just 30 seconds from this film for its 1987 network television premiere.
- ConnectionsFeatured in Bee Gees: Someone Belonging to Someone (1983)
- SoundtracksThe Woman In You
Performed by The Bee Gees
Written by Barry Gibb, Robin Gibb and Maurice Gibb
Produced by Barry Gibb, Robin Gibb and Maurice Gibb, Karl Richardson and Albhy Galuten
- How long is Staying Alive?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Sobreviviendo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $22,000,000 (estimated)
- Gross US & Canada
- $64,892,670
- Opening weekend US & Canada
- $12,146,143
- Jul 17, 1983
- Gross worldwide
- $64,893,329
- Runtime
- 1h 33m(93 min)
- Color
- Aspect ratio
- 1.85 : 1
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