Sword and sorcery story of the cosmic struggle between white magic and black magic.Sword and sorcery story of the cosmic struggle between white magic and black magic.Sword and sorcery story of the cosmic struggle between white magic and black magic.
Roberto Nelson
- Erlick
- (as Bob Nelson)
Ana De Sade
- Delissia
- (as Ana de Sade)
Roberto Ballesteros
- Traigon
- (as Robert Ballesteros)
Douglas Sandoval
- Hunnu
- (as Douglas Sanders)
Antonio Zubiaga
- Khrakannon
- (as Tony Stevens)
Silvia Manríquez
- Kanti
- (as Silvia Masters)
Luz María Jerez
- Dancer
- (as Lucy Jensen)
Miguel Ángel Fuentes
- Player
- (as Michael Fountain)
Paco Pharrez
- Armorer
- (as Peter Farmer)
Fidel Garriga
- Soldier
- (as Phillip Garrigan)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I'm watching through a wave of 70s to 80s low budget movies, fantasy genre right now. This one is pretty fun. Will spare the plot details you can find them in other reviews. The story is fun and the lead actresses are better than most in these films if still far from good. Contains several humorous scenes, most of them intentional! And has a good amount of t and a which is why most of us guys enjoyed this genre when we were 12. Fight scenes, effects, and costumes are classic 80s camp.
Sleazy sword-and-sorcery fantasy as only Roger Corman can produce it, "Sorceress" is good fun provided that you're not too demanding. It delivers a generous amount of amusement and fun, especially when it comes to the ridiculous dialogue, and its delivery. For the most part, it doesn't do that much to stand out from the pack of other, similar films during this time. But that all changes when it gets to the climax, a full-on assault of cheese and spectacle, complete with light shows and otherworldly creatures.
A large part of the charm, of course, lies in the casting of luscious twin sisters Leigh and Lynette Harris, playing warrior women Mira and Mara. It seems that one of them needs to be sacrificed by power-hungry villain Traigon (snarling and hammy Roberto Ballesteros). They take the fight to him, aided by such characters as the hunky young Erlick (Roberto Nelson) and the proud Valdar (Bruno Rey), a guy who wouldn't look out of place in a Lord of the Rings feature.
That's really all you need to know, so you can discover the silly pleasures of this lowbrow feature for yourself. John Carl Buechler handles the creature duties, creating a likable "goat man" sort of character as well as a variety of ape-like beasts. The music is liberally borrowed from the earlier New World productions "Battle Beyond the Stars" and "Humanoids from the Deep". The action scenes are basically decent. The Harris sisters aren't exactly very good actresses, but this viewer can't imagine many fans of this type of thing caring all that much.
The sad postscript is that this turned out to be the final directorial credit for exploitation master Jack Hill ("The Big Doll House", "Coffy", etc.), who had a falling out with Corman over the matter of the editing. In the end, Hill retained a producing credit under his name but the direction was credited to a pseudonymous "Brian Stuart" (the names of Cormans' sons).
If you like fantasy features to be on the cheesy, sleazy, low budget side, watching this will be a no-brainer.
Seven out of 10.
A large part of the charm, of course, lies in the casting of luscious twin sisters Leigh and Lynette Harris, playing warrior women Mira and Mara. It seems that one of them needs to be sacrificed by power-hungry villain Traigon (snarling and hammy Roberto Ballesteros). They take the fight to him, aided by such characters as the hunky young Erlick (Roberto Nelson) and the proud Valdar (Bruno Rey), a guy who wouldn't look out of place in a Lord of the Rings feature.
That's really all you need to know, so you can discover the silly pleasures of this lowbrow feature for yourself. John Carl Buechler handles the creature duties, creating a likable "goat man" sort of character as well as a variety of ape-like beasts. The music is liberally borrowed from the earlier New World productions "Battle Beyond the Stars" and "Humanoids from the Deep". The action scenes are basically decent. The Harris sisters aren't exactly very good actresses, but this viewer can't imagine many fans of this type of thing caring all that much.
The sad postscript is that this turned out to be the final directorial credit for exploitation master Jack Hill ("The Big Doll House", "Coffy", etc.), who had a falling out with Corman over the matter of the editing. In the end, Hill retained a producing credit under his name but the direction was credited to a pseudonymous "Brian Stuart" (the names of Cormans' sons).
If you like fantasy features to be on the cheesy, sleazy, low budget side, watching this will be a no-brainer.
Seven out of 10.
In the fall of 1982 (which is the correct release date) I went with a friend to see this film simply because the poster looked so cheesy. For some odd reason this was the second half of a double bill with WITHOUT A TRACE, a serious film about child kidnapping! Including my friend and I there were about eight people in the theater when SORCERESS began to roll, and I dare say that the eight of us got at least $100 worth of laughs for our $3.50. This is one of the most inept films from the short-lived barbarian flick cycle, and that's really saying something! It appears that they lost the dialogue track and had to re-dub, giving the movie the look of a foreign film. I won't go into the plot since the previous review really nails it, but you simply haven't lived until you see the "epic" battle between gods Calgara (a giant Mexican woman's head with oatmeal on half of her face) and Vitaan (a seriously fake foam-rubber winged lion/man.goat?). As bad as this is, it is never boring, and is so crazily entertaining that I honestly rate it among my ten all-time favorite movies. VIVA SORCERESS!!!
Hmmmm, picture this if you will; a pair of sexy twin sisters who have a delightful tendency to bare their (perfectly formed) breasts at any given opportunity, barbarians, boobies, cruel torture routines, boobies, monsters, boobies and magic..... Yep, everything any self respecting, red blooded male could ever want for in a film in fact, feature in this highly enjoyable sword & sorcery outing brought to us by director Jack Hill.
The film never makes the mistake of taking itself at all seriously and is chock full of tongue in cheek moments and double entendres in addition to the requisite action goodies.
Highlights of special note include some particularly well rendered and creepy looking zombies, a cringe inducing scene where a main character narrowly avoids suffering a wickedly sharp spike up his back side(!) and a super hammy main villain.
Tremendously fun if you approach it in the correct frame of mind (and probably even better when one is drunk). Oh, did I happen to mention the beautiful boobies on display in this?
The film never makes the mistake of taking itself at all seriously and is chock full of tongue in cheek moments and double entendres in addition to the requisite action goodies.
Highlights of special note include some particularly well rendered and creepy looking zombies, a cringe inducing scene where a main character narrowly avoids suffering a wickedly sharp spike up his back side(!) and a super hammy main villain.
Tremendously fun if you approach it in the correct frame of mind (and probably even better when one is drunk). Oh, did I happen to mention the beautiful boobies on display in this?
Fans of the sword and sorcery genre might want to take a look at this laughably inept masterpiece about a pair of buxom twins fighting their evil father. This film has it all: bad acting, terrible dialogue, awful special effects, and of course, gratuitous nudity. As another reviewer mentioned, the dialogue appears to have been dubbed, even though the actors were clearly speaking English to begin with. This just serves to make the film even more amusing. Equally amusing is how initially nobody can tell that the twins are really girls, even though this should have been obvious to anybody with at least one eye. All in all, a fun film for fans of the genre. I give it a 7 out of 10.
Did you know
- TriviaDirector Jack Hill asked that his name be removed from the credits for two reasons: (1) the special effects, around which much of the script had been written, ended up being much less impressive than producer Roger Corman had promised, and (2) Hill had written a role for his friend Sid Haig but Corman refused to hire him at the last minute.
- GoofsWhen Mira and Mara hold out their hands for Krona, they do so palms up. In the close-up, their hands are palms down.
- ConnectionsEdited into Les magiciens du royaume perdu (1985)
- How long is Sorceress?Powered by Alexa
Details
Box office
- Budget
- $500,000 (estimated)
Contribute to this page
Suggest an edit or add missing content