Meurtre au champagne

I am a fan of Agatha Christie, and I quite enjoyed Sparkling Cyanide. The 80s updating aside, the story and dialogue is fairly faithful. The locations/sets are really quite nice and the photography is good enough. Some of the hairstyles, make-up and fashions are on the tacky side, but I can live with that, if anything it added to Sparkling Cyanide's fun.

The story is intact and very interesting to watch, the final solution I feel could have been developed a little more though and could have done with being less rushed. When it comes to the pace, it probably doesn't help that the film is perhaps too short, but some of it felt a little rushed, while some of the direction is flat and the music is annoying overdoing it with the jauntiness. Although there is a bit of cheese in abundance, the dialogue is entertaining and sticks well to the story.

The acting is nothing exceptional, but it is serviceable enough. Deborah Raffin comes off best, I'd say the way her character is written and explored- she is very spunky here- is a marginal improvement over the source material, and Raffin is very good indeed. Anthony Andrews is dashing and likable and seems to be having fun.

Overall, quite good, nothing special but watchable. 6/10 Bethany Cox

I saw some criticisms over at YouTube from Agatha Christie purists who resented the American location of this made for television film. I also believe that Christie novels should always be in their original settings, but this was an all right production. And Anthony Andrews as the lead sleuth in Sparkling Cyanide is as English as you can get.

Andrews is hobnobbing with the rich and somewhat famous and strikes up an acquaintance with Deborah Raffin who is visiting her sister Christine Belford who is currently married to Josef Sommer, but deep in an affair with the married David Huffman. I've already given a few reasons for a murder and others come out during the investigation by LAPD homicide detective Harry Morgan.

Belford is victim number one as she drinks some champagne laced with cyanide at a dinner party. Later on Sommer who thinks he's Hercule Poirot gathers all the suspects together at a duplication of the same dinner party and he gets the cyanide champagne as well.

A matter as simple as the seating arrangements provides the solution.

I'm sure the original English version is better, but this certainly will do for less fussy Christie fans.

No, I have not read the book, nor read any Agatha Christie (when so many of them are done into movies? Why read?) but I would see this one on the telly years ago and I guess I strived to actually solve it to see how intelligent I was and there was no way I would have guessed the ending.

Now I don't know how it occurred in the book, but the little glitch in this movie with Nancy Marchand being the last person to leave the dinner table was about the most remarkable plot twist I have ever seen.

I really didn't follow how it could be recreated with Anthony Andrews changing his seat toward the end with only two other people, but the main dinner table scene, actually I think it was the second murder, totally blew me away.

I could have stood to watch it become a stronger focus of the story actually.

Yes, the movie is updated, very eighties. Truthfully I think I would rather have seen this story done in the thirties or forties, but if this stands as the only available imagery of this story available (apparently there was one made in 2003. I wonder if that one was any good.) then it is worth checking out if you aren't a diehard Christie fan and just like to watch a decent mystery.

It definitely was a different mystery, that's for sure.

This is an enjoyable film...good fluff-that's about it. I don't think the writers of the script understand what Agatha Christie had in mind. I read quite a few of her novels-and I wonder if Agatha Christie's name should be taken off the title of this film. Let's call it "Sue Grafton's Sparkling cyanide"

Sue Grafton is a great writer-her novels are always best sellers, but-no female mystery writer has ever captured the time and place settings, not to mention the scene of the crime as has Agatha Christie.

I like this film, though-but it's no Agatha Christie. I like Anthony Andrews-at least they put a British actor in this film. No matter how you slice it-in order to get the feel of what Agatha Christie put into the story-you need to read "Agatha Christie's Sparkling Cyanide" Before you bother seeing "Sue Grafton's Sparkling cyanide"

Was this totally 80s cheese? Absolutely. Did I live it? Yes. Was it the best movie? No. But as someone who's late Mother loved the aforementioned Murder She Wrote and Agatha Christie, it was our fun. One of many things I watched over the last few days recovering from surgery. I watched a few times, as I always miss stuff the first time or 2. I loved Tony's character and Nancy Marchaund.... perfect. Those facial expressions. I couldn't help think Sondra reminded me if Princesses Diana, especially at Steven's political speech in the fashionable blue hat and her sad looks....it was the same time Diana's popularity was flourishing. But the biggest star was the fashion. It was nominated for an Emmy Award for fashion design. Oh the sequins and shoulder pads and hairspray. I do have to mention the main reason I rented thus film in the first place was David Huffman (Stephen). I recently discovered him while binge watching, of all things, Little House on the Prairie. I googled him and found many things he was in as well as the fact that he was murdered at the age of 39...So sad. May he RIP. His character wasn't the best, but his handsomeness is on full display. I would recommend this film to anyone who wants to forgot everything going on and enjoy back campy mystery.