Big and Little Enos are opening a sea food restaurant. They bet Sheriff Buford T. Justice that he cannot drive from Miami to the Enos ranch in Texas in a given amount of time. If Buford lose... Read allBig and Little Enos are opening a sea food restaurant. They bet Sheriff Buford T. Justice that he cannot drive from Miami to the Enos ranch in Texas in a given amount of time. If Buford loses he has to give up his badge.Big and Little Enos are opening a sea food restaurant. They bet Sheriff Buford T. Justice that he cannot drive from Miami to the Enos ranch in Texas in a given amount of time. If Buford loses he has to give up his badge.
- Purvis R. Beethoven
- (as Raymond Bouchard)
- Local Tough Guy
- (as Dave Cass)
Featured reviews
The Main thought that stuck in my mind with Sheriffs Character from the previous Films was that he was from the old school of law enforcement, stood tall and proud and took no crap from any foe, and was always entertaining watching his confrontations with others during the earlier films Smokey 1 and 2.
This seemed to diminish and the character changed somewhat, venturing into strip clubs, nudist colonies, Fetish motels, very unnecessary.
I would have thought "The Misadventures of Sheriff Lobo" would have made a better film, with Claude Atkins, Jackie Gleason, Bj and Bandit joining forces.
In Smokey and the bandit part 3 the woeful actress if that named (Colleen Camp), who teams up with Jerry Reed as bandit throughout the film wears a bad wig, bad dress sense, and really cannot act, she can be noticed really trying to put on fake laughs throughout this film, and her whining voice, i mean i always remembered the true Burt Reynolds bandit with the hottest girls ever, you can't tell me there was no other better looking women hanging around the Universal back lot that could of been used instead,or where they all taken up and sent over for filming "The Best Little Whorehouse in Texas", i was wondering when she would be thrown out of the car, Jerry reed getting all excited parading around as bandit with that car and hat and he reels in Colleen Camp????...Getting Desperate in his old age, and Jerry Reeds Character (snowman) is married with Children, and Fred the dog, so whats he doing ??? and why with Colleen Camp for heavens sake?? Im Sorry but every film (Colleen Camp) has been in she plays the same obnoxious, in your face, character resembling a caffeine addict, or suffering some sort of withdrawal symptoms in the attitude and whinny voice she has in her acting desperately in need of a fix.
One stunt woman turned actress named (Faith Minton) is a remember able looking sort, tall, leggy, and a face to match any fantasy, plays the dragon lady who is smitten by the Sheriff who forces her way into hitching a ride with the Sheriff....i don't know why the sheriff is running away from her as she is more of an eye full better than bandits colleen camp seat cover.
Watch this movie if you are a fan of Jackie Gleeson....or Faith Minton remember this film was shot in the years where CB Radios where dying out and truckers fighting cops were all said and done, even BJ and The Bear was axed 3 years before, "The dukes of Hazzard" and "The A-Team" were on the rise so i guess Universal wanted In on the Zany Madcap Sheriff Car Crashing Icon that was a big hit in the early 1970's But this was 1983, and it just didn't stick with other films out that year like "Ghostbusters" "Gremlins" "Two Of A Kind" and "Twilight Zone The Movie" and another Universal comeback "Jaws 3" they must have fired a scriptwriter that year....or Hal Needham wasn't available.
This is a mess and I don't care about any of it. Other than the archival opening, Burt and Sally are not even in this movie. It is really Smokey and the Fake Bandit. The movie doesn't even make geographic sense. He leaves Florida for a shortcut through Mexico which is complete non-sense. The first two movies survived on Burt and Sally's charisma and chemistry. That cannot be recreated with Fake Bandit. It's an impossible task.
The released film is very obviously a re-edited mess.
Jerry Reed was brought in to remake the Gleason as bandit scenes, Sadly at no point does he seem to be the Snowman of the first 2 movies
The plot is really just scenes sown together to fill the run time, massive gaps of logic and story.
Simply a poor film but what was the 1st cut like...Sadly we'll never know.
Let's start with the story. The premise here is that those Enos boys are at it again, wanting to have some fun at the expense of someone. That someone is none other than Sheriff Buford T. Justice (key the tuba) who has just put in for retirement. When those retirement plans aren't what he expected, our valiant Sheriff accepts the Enos' challenge: Deliver a plastic shark to the new restaurant the Enos boys opened up. While along the way, those rascally Enos dudes are going to try to stop him at any cost.
Okay, stop right there. In the first Bandit movie, the idea was a simple challenge and bet. The Enos boys were depicted as nothing more than a rich father and son team who were bored so they thought up a good challenge. No real maliciousness involved - just a challenge with some money put up to make people take it seriously. That was fun.
In the 2nd Bandit movie, the Enos reputation (such as it is) is on the line and they want to beat a political rival. Not as strong, but again, nothing terribly malicious involved.
This movie has them just trying to be mean to their new play toy. Namely, Sheriff Justice. So they send him on his way and start trying to sabotage his trip. When Justice beats them at every turn, they figure that they need a professional to deal with him. Since the Bandit isn't around (he's off making "Stroker Ace") they give the job (and the red shirt, belt buckle and hat) to Cledus, our old truck driving buddy.
So, Cledus chases Justice to get the prized shark and fun and laughter ensue. Well, not too much fun and little laughter but look on the bright side - it was a paycheck for Gleason and Reed.
Anyway, from there on out it becomes the now tired old cat-and-mouse game with one side giving chase to the other. But even the chases lack the polish to make you remember back to the ones in the 1977 original. They seem more staged and one dimensional. For example, there's a scene where Cledus and a new buddy "sneak" up from behind and take the shark off of the Sheriff's car. The shot is not technically difficult and it's rather boring. Plus, what law enforcement officer doesn't check his mirror to make sure of what's behind him? I learned that in 11th grade driver's ed.
Anway, to summarize, I think the use of the 1982 (anemic) Trans Am is allegorical to this movie: It's got the right name but is under-thought, underpowered and basically is just a diluted version of its former self.
Did you know
- TriviaEarly publicity announced in the media declared that Burt Reynolds, Sally Field and Jerry Reed would not be appearing in this movie. In the end, Field was the only one not to appear, Reed had a major role and Reynolds made a brief cameo, in the final scene.
- GoofsIn the first two films, Big & Little Enos Burdette are referred to as "The Burdettes". But in this film they're referred to as "The Enoses". Additionally, wherever the Enos name is written in the film, on the shark prop, the milk truck, etcetera, it's misspelled as "Enis".
- Quotes
[Buford walks up to Bandit's car, but in his mind, he sees "The Real Bandit" - Burt Reynolds - behind the wheel]
Buford T. Justice: I gotcha!
The Real Bandit: [looks up and smiles] Hello, Buford. Well, you caught me with my pants down.
Buford T. Justice: [taken aback] I did?
The Real Bandit: It's a... figure of speech.
Buford T. Justice: I gotcha!
The Real Bandit: Yeah. It's over for the ol' Bandit.
Buford T. Justice: Yeah, you're gone.
The Real Bandit: It's gone. Buford?
Buford T. Justice: Yes?
The Real Bandit: I just wanna say one last thing before you... haul me off in the cuffs.
Buford T. Justice: Go right ahead.
The Real Bandit: There's kind of a... a kindred spirit we have, you know what I mean?
Buford T. Justice: Yeah, I think I feel the same way.
The Real Bandit: No, I mean, it's special. I can almost read your thoughts.
Buford T. Justice: Is that so?
The Real Bandit: Yeah.
Buford T. Justice: What am I thinking now?
The Real Bandit: You're thinking right now that possibly you... no sense in sending me off to prison where I'd lose all my friends and everything. I mean, you could give a five-minute head-start and chase after me...
Buford T. Justice: Oh, no. I'm sorry. I'm a law-and-order man. I gotcha and I'm gonna keep ya.
The Real Bandit: Yeah, you're right. I was silly to even think that. You're too tough for that.
Buford T. Justice: That's right.
Buford T. Justice: I'm upright, straightforward...
[Buford begins having flashbacks to the beginnings of his miserable retirement and realizes he's nothing without the Bandit to chase]
Buford T. Justice: ...I'll give you a five-minute head-start.
The Real Bandit: [smiles] Bye-bye!
[the Bandit's car pulls away quickly]
- Crazy creditsDuring the end credits, a cast montage consisting of the movie's footage appear on the right side of the screen, with a still photo of Buford T. Justice saluting. After the credits and the picture fade out, the "This Motion Picture" disclaimer appears on the left side of the screen, even though there is nothing else taking up space.
- Alternate versionsThe nudist camp scene has Buford fall at the picnic site from the same angle, but when he lands at the site, he is shown landing on the picnic blanket to cover up the nude scenes.
- ConnectionsFeatured in At the Movies: The Stinkers of 1983 (1983)
- SoundtracksTicket For The Wind
Written and Performed by John Stewart
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Smokey and the Bandit Part 3
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $9,000,000 (estimated)
- Gross US & Canada
- $5,678,950
- Opening weekend US & Canada
- $1,728,060
- Aug 14, 1983
- Gross worldwide
- $5,678,950
- Runtime1 hour 25 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1