L'étoffe des héros

Following the breaking of the sound barrier by pilot Chuck Yeager, the next barrier was space. With the Russians and America in a race to see who can get there first and be highest, quickest and longest in space, a group of pilots are selected to become the first men in space for America.

I have had this film for many years and have only seen it twice now – I always get put off by having to find three + hours free to watch it! However I am a fool as whenever I do watch it the time flies by easily. Such is the appeal of the film that everything works and only the odd scene at the end drags a little. The story skips through the space programme focusing as much on the flights as it does on the men and their families. It also manages to be very light hearted and good humoured, which succeeds in making it easy and fun to watch. The history being told may not be well known by all (I'm too young to remember and am also in the UK), but it is well told and becomes more a story of the men whose courage made it happen rather than a history lesson.

Given that so much hinges on the men being interesting and likeable characters it was important to have a good cast, and the ensemble assembled here really put in good work to bring the names to life (although how close to their real personalities they are I cannot say). Taking one as an example, Fred Ward manages to be funny but also has to convey the more difficult side as he is forced to live with blame for the outcome of his mission. Shepard represents the `unsung' pilots left behind in the sky who put the space programme in motion in the first place, and he does it well with a real sense that he has a lot of men behind him. Glenn, Harris, Quaid Henriksen, Frank and Paulin all do sterling work to varying degrees. However even minor roles are played by faces who do well – Hershey is good and carries the role of `the women behind the men' really well. Moffat is funny as Lyndon Johnson and Goldblum and Shearer are hilarious with their running jokes.

The film is very flag waving – but the good humour stopped that aspect of it sticking in my throat. It is a very enjoyable and accomplished film. Not only does it manage to inform and entertain but it also paints a very good picture of the men who started and ran the space programme and the effect the risks had on them and their families. All this and it still makes me laugh out loud! Three hours simply flies by.

An interesting insight into the United States' space program, beginning with the exploits of fighter pilot Chuck Yeager (Sam Shephard) and concluding with the dramatic flights of the first astronauts.

Those astronauts - the Mercury 7 pilots - are a varied group of aviators and they are all pretty interesting guys. John Glenn (Ed Harris) gets favorable treatment in here among the group. Gordon Cooper might be the wildest with the cocky and humorous Dennis Quaid playing him. Overall, it's a good cast including not just the fliers but their wives. I also enjoyed Scott Glenn as Alan Shepard and Barbara Hershey as Yeager's wife.

Yeager's feats were perhaps the most interesting and they set a fast tone to this 3-hour film as we witness him breaking several sound-barrier records prior to the formation of the astronaut team. Then we are treated to a long-but-interesting segment of how those first astronauts were trained.

The only unnecessary and ludicrous parts of this film were the ones on Lyndon Johnson, where they made him into a total fool. It was as if the screen writers had a personal vendetta against him, to make him look almost like a cartoon figure. And the bit with the Australian Aborigines smacks too much of Hollywood's love affair with tribal religions. I sincerely doubt some sparks from a fire on earth could be seen miles and miles above in space.

At any rate, this was an informative look at a period in our history than came-and-went way too fast. Sad to say, most people know very little about those first astronauts, who were true heroes. At least this film gives them their due, as well as to Yeager, who deserved this tribute, too

I always loved anything connected to science fact and science fiction and this movie is no exception.

I already owned the Laserdisc version of it, but the DVD is even better.

I love this movie, but I must consider the interest of the public and I honestly cannot say that this is one for the vast public.

The theme alone is a difficult one and deals with the history of the Space Age, as it began from an American perspective, and by telling the story of the astronauts involved in the Mercury project.

Being very long, it might not fit the modern view of a quick-fix movie. This one has to be watched as if your were watching "JFK" or "Gettysburg", therefore with the outmost attention.

It has spectacular recreations of the actual launches, combined with more private moments, involving the astronauts, their loved ones and those who trained them.

This is not Science Fiction and it is not an Adventure movie, this is truly a history lesson about how the Space Race got started, how, with whom and why.

It is a very thoroughly researched movie, although it is not to be confused with a documentary. It is an intelligent movie, with good dialogues, good character recreations, with humor and moments of sadness and tragedy. The heroism of the first astronauts is not represented by their fabulous deeds, but rather by the sacrifices they had to make, in order to be successful.

If you can bare to sit in front of your TV for 3 hours and 15 minutes without unnecessary interruptions, then this documentation may make it clear why men and women risk so much in going "where no one has gone before".

But, as I stated before, this is not an easy going movie and is reserved for all those who want to enjoy a good movie in peace.

I would recommend its showing in every school of the United States, and why not, also throughout the world. Many children would then really appreciate what the conquest of space is all about.

'The Right Stuff' is one of the most glorious adventure films ever made, a story of incredible heroism, poignant romance, gripping drama, and broad humor...and amazingly, it has actually happened within our lifetimes!

This is a tale of test pilots, 'pushing the envelope', proving the sound barrier couldn't constrain mankind's reach for space. Leading the way is plain-speaking Chuck Yeager (portrayed by Sam Shepard with Gary Cooper-like charm), a Beeman's gum-chewing cowboy with a passion for his feisty wife (the beautiful Barbara Hershey), and hot planes. Not even a broken rib could hold him back when an opportunity to fly the X-1 was offered. His record-breaking flight could fill a movie by itself...and this is just the BEGINNING of the story!

Jumping ahead a few years, Yeager is joined by a new breed of test pilots, whose total love of flight challenges their relationships, and is the true measure of how they define themselves. Among them are 'Gordo' Cooper (Dennis Quaid), a hot dog jet jockey with an unhappy wife (Pamela Reed, giving an exceptional performance); and Gus Grissom (Fred Ward, in his breakthrough role), coarse and direct, and anxious for his shot at the fastest jets.

The entire world changes when the Russians launch Sputnik, in 1957. As the American space program struggles to 'catch up', the government realizes that American men will have to go into space, and President Eisenhower wants 'educated' test pilots to fill this role. Yeager is out (he never completed college), but Cooper and Grissom, and many others, compete for spots in the New Frontier.

These pilots, from all services, are weeded down to seven men, dubbed 'Astronauts', and the Mercury Space Program is born! Along with Cooper and Grissom, the story focuses on Navy pilot Alan Shepard (Scott Glenn), laconic and prone to ethnic humor; and Marine John Glenn (perfectly cast Ed Harris), a 'boy scout' of unimpeachable morals, who loyally supports an impaired wife (sensitively portrayed by Mary Jo Deschanel). Working under the glare of the world press, the seven gradually come to respect one another, and embark on an epic adventure, full of triumph and tragedy!

Meanwhile, Chuck Yeager, snubbed by NASA, continues to test new generations of jets, pushing the 'envelope', until, in a climactic scene, he achieves the threshold of space, himself. The flight is a near disaster, resulting in a horrendous crash, but the image of the burned but undefeated pilot, walking proudly away from the wreckage, is an unforgettable image of courage, and truly defines 'The Right Stuff'!

This is a REMARKABLE film in every way, and is director Philip Kaufman's masterpiece. Lushly scored by Tom Conti (who won an Oscar for the Tchaikovsky-inspired music), the film soars, both on earth and in space!

If you believe the Age of Heroes is past, watch 'The Right Stuff', and you might change your mind! This is a film to treasure!

Outstanding film from 1983 that was honored with four Academy Awards and is often called the second-best film of the 1980s behind only Scorsese's "Raging Bull". The movie is a 190-plus minute extravaganza which honors the U.S. Mercury 7 Astronauts. The all-star cast includes Sam Shepard (as Chuck Yeager in an Oscar-nominated role of a lifetime), Ed Harris (John Glenn), Scott Glenn (Alan Shepard), Fred Ward (Gus Grissom), Lance Henriksen (Walter Schirra), Dennis Quaid (Gordon Cooper), and Donald Moffat (Lyndon Baines Johnson). The film is solid in so many respects. It is meticulous and tries to go for drama and humor and succeeds in everything it wants to do. Veronica Cartwright, Barbara Hershey, Pamela Reed, Kathy Baker, and Mary Jo Deschanel are also along for the ride as several of the wives who attempt to keep their heads about them while they fear that their husbands are losing theirs. "The Right Stuff" is a historical lesson told in a way that is so clever and convincing that few will find fault with anything when it comes to the story-telling. Writer-director Philip Kaufman easily does the best work of his career with this masterpiece. Look for Cincinnati Bengal Hall-of-Famer Anthony Munoz in a cameo appearance. Arguably the best film of the 1980s and should have been the Best Picture Oscar winner over "Terms of Endearment" in 1983. 5 stars out of 5.