Psychose II

Even though Sir Alfred Hitchcock left us in 1980, his honor and memory lives on in the film. "Psycho II" begins where we left off 22 years ago. Norman Bates(Anthony Perkins) is released after his stay in a mental institution for the murder of Marion Crane(Janet Leigh) and several others. His release draws the ire of the sister, Lila Loomis(Vera Miles). Norman goes back to his motel home, where the manager Warren Toomey(Dennis Franz) runs it while Bates was institutionalized. Prior to returning, he goes to work at a greasy spoon diner where he meets Mary(Meg Tilly). That night, Norman takes over his motel after he fires Toomey for turning it into an "adult motel". The next day, Toomey drunkenly accosts Bates. And just say, he was fired, permanently. Here we go again. The murders are back. Has Bates gone back to his murderous ways? Apparently. However, Mary does cover for him when the sheriff comes by. If Norman was locked in the attic, who killed the teenage boy and Toomey? Well, Lila did have a daughter, and she's helping Norman. Lila wanted Norman to suffer and re institutionalized, but Mary has other plans. In this movie, Norman was more victim than villain. If Alfred was alive, he would have been proud. It was not bad! 3 out of 5 stars.

The original "Psycho", directed by Alfred Hitchcock, is one of the seminal horror films of all-time. However, Hitch didn't believe in sequels, so it took about two decades and a new director (Richard Franklin) to revive this franchise. Surprisingly, it is an entertaining re=entry into the world of Norman Bates.

For a basic plot summary, "Psycho II" picks up with Bates (Anthony Perkins) being released from prison after his earlier murders. After being brought back to his motel business, Norman begins to struggle once again with the demons of his past.

What really gives this film credence is the return of Perkins as Bates. He does a remarkable job of playing a supposedly "reformed" Bates, both tortured by past memories yet trying to get back on the right mental track. A major role for Vera Miles is also a nice nod to the original.

I can't say much about the plot without giving things away, but suffice it to say that it is very thoughtful as horror flicks go. It's never stale, and the ending easily recalls the "shock factor" of the first effort.

Thus, "Psycho II" is a solid addition to one of the stalwart thriller/horror franchises. It is well- acted, has an engaging plot, and will at least make you curious about checking out part three.

Norman Bates (Anthony Perkins) is released after over 20 years in an asylum, supposedly cured. He goes back to Bates Motel...but then he starts seeing his dead mother again, gets phone calls from her and the murders start up again. Is it Norman going crazy again or is someone trying to drive him to it?

A very good, intricately plotted sequel to Hitchcock's classic. This could have been a disaster, but it isn't. The plot has many twists and turns and moves quickly. Director Richard Franklin does an excellent directing job, setting up some very eerie shots and duplicating some of Hitchcock's shots from the original. Perkins is just OK (he should have toned down on the twitches) and Meg Tilly is her usual blank self but there is a strong supporting cast including Vera Miles and Robert Loggia. One minor problem--was it necessary to get so violent and bloody at the end (although it's restrained for a 1980s horror film)? Still, worth catching. Great final shot too.

The 1960 'Psycho' is one of Alfred Hitchcock's greatest films and while it is high up in my list of "scariest films of all time" it doesn't stop it from being a personal favourite. Mainly for the cinematography, Hitchcock's direction, the music score and Anthony Perkins.

Hearing that 'Psycho' had three sequels, my immediate reaction was what's the point especially considering the fiasco that was the 1998 remake. It did strike me initially that 'Psycho' was perfect as it was and didn't need a sequel, let alone three as well as a telefilm spin-off and remake. The first sequel, finally getting round to watching the sequels after a little arm twisting, turned out to be surprisingly good. Not just being a worthy follow-up but also a well above average film in its own way. Is it as good as Hitchcock's film? Not a chance, not as scary or as suspenseful. But considering that expectations were dubious 'Psycho II' was so much better than expected.

'Psycho II' starts to drag ever so slightly towards the end and occasionally feels a touch over-plotted. Sadly too the ending is ridiculous and undermines the actually very neat execution of the rest of the film.

On the other hand, 'Psycho II' boasts some very stylish and moody cinematography and the setting is still eerie even in colour. Jerry Goldsmith proves himself to be a more than worthy successor to Bernard Hermann, enormous shoes to fill considering Hermann's score in the 1960 film is one of the most iconic chilling music scores in cinema. Goldsmith's score here is lush and ominously haunting without ever intruding.

Franklin directs beautifully, having a real knack for creating a creepy atmosphere and suspenseful touch, not quite the unequalled Hitchcockian touch but it is the closest the sequels ever get to having anything resembling it. The script is clever and taut with some touches of darkly wicked humour, while the story is on the most part very neatly paced, highly atmospheric and always coherent with some very imaginative twists.

As for the performances, they are also strong. Anthony Perkins returns in his most iconic role and proves that only one person can play this character. Meg Tilly and Vera Miles are very credible too while Dennis Franz and Robert Loggia provide some necessary grit.

In summary, surprisingly good and worthy first sequel to a classic. Doesn't disgrace it at all. 7/10 Bethany Cox

Of course, PSYCHO II can't hold a candle to Hitch's original masterwork, but then what film can? The surprise is that it turns out to be a decent little film in itself, purely because it isn't a slavish copy but instead a stand-alone psychological thriller that takes its plot in a different direction to most.

Instead of emulating the then-popular slasher craze of the 1980s, PSYCHO II plays out as a whodunit for the most part. Norman's back on the streets and back in his motel, and the grisly slayings start up once more. But who's the killer? Is it Norman himself, or the young, seemingly innocent girl (Meg Tilly) living with him? Could it be the returning Vera Miles as Lila Loomis, seeking vengeance for her sister's slaying in the original by setting Norman up? Or somebody else with an axe to grind?

While there is the expected bloodshed in this film, for the most part it's deeper than that, working hard to build up a creepy atmosphere. Anthony Perkins is on top form as his most famous creation, and he succeeds in making Norman a sympathetic protagonist; watching this guy losing his mind for the second time is truly a tragic occurrence. The presence of supporting players like the reliably sleazy Dennis Franz and the solid Robert Loggia help to make this an effective horror film all in itself.