The Pirates of Penzance

I first saw this incarnation of Gilbert and Sullivan's "Pirates of Penzance" at the age of 10, but just recently saw it again when my school decided to perform it for our annual spring musical. At the age of 18, I expected that I would find it immature after having liked it at 10. Needless to say, I was wrong. This is a wonderful adaptation of a great operetta, and becomes even better with the experience of performing it.

Fans of Kevin Kline rejoice! He plays the perfect "Pirate King," the silly leader of a band of pirates who seem to be completely incompetent, if only at piracy. He delivers his lines with precision and, along with David Hatton (Samuel), adds a much needed low bass-baritone to Rex Smith(Frederic) and the rest of the pirates' tenor in the pirate tunes.

The late Tony Azito(Police Sergeant)'s performance is literally unbelievable, as he looks more like a man made out of rubber rather than flesh and bone.

I would recommend this to anyone, especially die hard Gilbert and Sullivan fans.

Ah, Gilbert & Sullivan, how do I love thee? Let me count the ways! This movie is pure fantastical enjoyment. The cast is an absolute joy, especially Kevin Kline as the Pirate King. Kline is truly one of the most over-looked and under-appreciated actors of our time. His ability to convey his characters through body language, facial expression, and voice is unparalleled. He is one of my favourite actors, and he plays the Pirate King to the hilt -- what a lark!

The vocal talent in this film adaptation of the stage play is phenomenal! I have never heard a more beautiful, powerful, yet sensitive male voice as Rex Smith's, and Linda Ronstadt is, of course, pretty as a picture as Mabel. Angela Lansbury may not have as fabulous a voice as the rest of the cast, but her characterization of Ruth more than makes up for it. Tony Azito absolutely cracks me up as the Chief of Police, those "undaunted men in blue" make me laugh every time.

The one person that everyone seems to forget, however, is the one whose performance I enjoyed even more than Kline's -- and that's saying something. George Rose as the Major-General is perfect, and I never laughed so hard at an individual character as I did when he was tiptoeing through the tulips with the pirates in close pursuit! What a hoot!

This movie is truly a classic, and it's a shame that it's been so overlooked. I finally managed to tape it off the TV one night, since I've never managed to find it on video (other than for rent), and I've watched it so many times, I may have to re-tape it soon. All of the subtle (and not-so-subtle) G&S jokes are a true joy, and the music is pure magic. If you love musicals, you HAVE to see this movie!!

I am a true G & S Aficionado but this surprised and delighted me. The cast are brilliant but Kevin Kline has the edge. Agile, in great voice, lots of humour and quick, funny bits in his performance (blink and you miss them). His dancing and acrobatics are superb. The police also had me howling with laughter along with their police dogs and the major general romping through the fields with the pirates singing UNDERWATER in the babbling brook has to be a classic. This scene has to be seen to be believed. Bravo, cast !! This should have had a lot more publicity. I would adore seeing it in the large theatre, at least we had "Topsy Turvy" this year. This Pirate is fun for all ages.

I recently had the task, for a organization's class, to assemble various performances of the Gilbert & Sullivan operetta "The Pirates of Penzance". This has always been my favorite G&S work, and I have heard many live performances, plus I have played the Pirate King in a revue type staging of the work.

I recall seeing the Kevin Kline version many years ago, and did not recall the details. Obtaining a copy to view for my project, I was very impressed with the wit and overall quality of the performances. There are a few small issues, such as the fudging of Linda Ronstadt's and Rex Smith's vocal parts (It is clear, whenever Smith sings, that lots of electronic enhancement is being used to bring his voice into the same universe with the other more capable singers, but still he has right delivery and it works well; for Ronstadt, she does very well, but for "Poor Wandering One" her part has been transposed down a bit, probably so that she can manage the highest notes), and the overdubbing of a couple other performer's singing by better singers, but overall the dancing and singing is as good as any I have seen.

The staging is deliberately campy, somewhere between traditional stagecraft and a movie set, and it adds extra charm to the proceedings. There has been some carping about Angela Lansbury's singing, but what she does is in line with the requirements of the role, and is in fact typical of other performances of Ruth's character (I recall the director, during casting of the performance I was in, saying of Ruth, "we don't need a GOOD singer, only a FUNNY singer).

A quick review of the offerings of Pirates on Amazon reveals that the only DVD version of this cast is taken from an outdoor staging in New York (and without Lansbury). It is one of the mysteries of DVD releases that the film version does not exist on on DVD; it certainly one of the best.

I saw the movie version of "Pirates Of Penzance" again six years after my first viewing;I have to admit it wasn't quite as good as I remembered. The movie can't seem to build any momentum for the first few numbers until the Major General shows up. It falters again for several minutes while Kline, Stevens, and Lansbury struggle gamely with the "Leap Year" birthday number (it just isn't all that funny,guys); and the gimmick of staging the big fight between the cops and the pirates through an community theater staging of "HMS Pinafore" is way too cutesy and self-referential. A few of the "patter songs" have a bit of obvious filler, too (although a first time viewer might not notice this among all the clever word play).

But man, that scene where the pirates are parading through the commons singing "WITH CAT-LIKE TREAD, WE HARDLY MAKE A SOUND" at the top of their lungs...it makes me forgive the movie any of its obvious flaws. Kevin Kline was born to play the "Pirate King" and the movie is worth watching for his (and the Major General's) performance alone. Everyone else is good-to-great... there's not a flat tire or a bad performance in the bunch. Linda Ronstadt's abilities were a surprise to me; even though I am sure she got some "assistance" via dubbing and clever arrangements that hid her weak spots as a singer, she still made a smashing Mabel. And Gilbert and Sullivan's frothy, feather-light operettas still provide easy enjoyment for a modern audience who want light, clever comedy and pretty, accessible songs.

Still very good stuff, though not quite as good as I remembered. That's probably because I played a whole lot of pit orchestras in the intervening years and became a bit jaded.