Meurtre à Coweta County

"My momma always told me, Do what you have to do, just never let your conscience get in the way." - Wallace (Griffith). The movie is surprisingly shocking. The movie showcases both Griffith and Cash in non-typical roles; Sheriff Andy Taylor on the other side of the Law, and The Man in Black walks behind the badge. The movie is based on a true story, and most of the actors are convincing in their roles. Though the quality is rather grainy and the sound a little muffled, you will still probably enjoy it. It is similar to "All the King's Men", but only ninety minutes of your time. 9 out of 10.

Being from Coweta County myself, the setting of this story portrayed this quaint southern county in a very convincing way. Johnny Cash embodies the character of a Coweta County sheriff with wonderful aptitude, and holds together the story in a brilliant manner. And with Andy Griffith in the mix, nothing can go wrong. As a required assignment for high school freshman in Coweta County, I enjoyed this movie very much the first time I watched it five years ago, and it is still a very nice watch today.

So, if you're looking for a good cinematic portrayal of southern life, this is a good pick for you.

This little remembered made-for TV movie( based on a true story)is, in fact a taut, well acted thriller, with a rich sense of local color. Andy Griffith and Johnny Cash are, in fact very good actors, whose talents are rarely used Griffith gives what must rank as one of his greatest performances ..perhaps his most chilling since A Face in The Crowd, while Cash invests his Dogged, intelligent sheriff with quiet authority. Johnny's wife , June Carter Cash ( a fine actress, as she proved in The Apostle) is haunting as a backwoods "wise woman'( in fact, a Christian "witch")

Andy Griffith gives one of the best performances of his career as the socio-pathic John Wallace who is as evil as Griffith's other great character, Will Stockdale, is good. Johnny Cash makes a serviceable lawman. (Good casting: I'm afraid that if Mr. Griffith had played the lawman and Mr. Cash the villain, this would have been a poorer movie.) There are also great minor characters such as the witches. (Yes, witches--or conjurers as they might prefer.) I never thought of it before, but this movie probably echoes "Macbeth" even if it does not quite parallel it.

Some of the other reviewers have remarked surprise at the solid, serious performances of Griffith and Cash. Few people these days are aware that both these fine performers actually first appeared in film in very serious roles, Griffith in "Face in the Crowd" and Cash in "A Gunfight" - both solid dramatic films. Both Griffith and Cash have oddly complex histories as artists and oddly complex personalities as artists - far more so than many of their fans understand.

At any rate, as a TV film, this relies very heavily on the performances of these actors, and they do very well. Cash especially is quietly forceful, as if he were always holding a loaded gun but knows better than ever to pull the trigger. His character knows that to respond to Griffith's John Wallace with a vigilante's fury would be to make much the same mistake as Wallace himself: assuming that human will, and not the law, rules our fates. Since Cash's sheriff sides with and defends the law - and ultimately depends upon it - he represents a truly American heroism, devoted to country as much as God, and to the law for which the country stands. His tearing down of the Wallace empire is thus a major historical change in the lives of the people in the two counties involved - from aristocracy to democratic republic, a change as radical as the Civil War that essentially laid the foundations for it in the South.

One note of caution: Even for a television movie, I found the first third of film a bit disturbing: Wallace's casual viciousness is truly upsetting. He's not a 'villain' because he takes delight in the suffering of others - it's just that others' lives are utterly meaningless to him, except insofar as they contribute to his happiness as tools, or can be readily removed if they become obstacles. Thus his final prayer is not hypocritical - he honestly believes that all God wants of creation is to keep John Wallace happy - a reminder that just believing in God and professing Christ does not one make one a Christian - a reminder crucially important in the current era.

NOTE: After submitting the above I discovered Johnny Cash's real film debut, as a psycho killer in "Five Minutes to Live" - release date 1965, but probably filmed 1959. Very weird performance by Cash. A very young Ron Howard also appears in a brief but important role.