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On a desert planet, warlord Jared-Syn is trying to convince a tribe of mutants that he's their messiah and gain unlimited power hidden in a crystal. Ranger Dogen and explorer Dhyana, whose f... Read allOn a desert planet, warlord Jared-Syn is trying to convince a tribe of mutants that he's their messiah and gain unlimited power hidden in a crystal. Ranger Dogen and explorer Dhyana, whose father was murdered by Syn, must stop him.On a desert planet, warlord Jared-Syn is trying to convince a tribe of mutants that he's their messiah and gain unlimited power hidden in a crystal. Ranger Dogen and explorer Dhyana, whose father was murdered by Syn, must stop him.
- Awards
- 1 win total
Michael Preston
- Jared-Syn
- (as Mike Preston)
William Jones
- Baal's Lieutenant
- (as J. Bill Jones)
Wynston A. Jones
- Chimera
- (as Winston Jones)
Michael Sinclair Walter
- Miner #2
- (as Michael S. Walter)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Dogen (Jeffrey Byron) is a Ranger out to take down Jared-Syn who is breaking the peace and recruiting mutants for his holy war. Dhyana (Kelly Preston) and her father are prospectors. They strike the motherlode but Jared-Syn's son Baal kills her father. Dogen finds Dhyana and they discover the crystals could store lifeforce. They are attacked by Baal. Dhyana is transported and taken prisoner. Jared-Syn is storing lifeforce in his giant crystal. Dogen recruits tired old-timer Rhodes (Tim Thomerson) to find Jared-Syn. They impress Hurok (Richard Moll) and his mutant warriors along the way.
This is pretty bad. Byron has as much charisma as a rock with as much usefulness for the lead actor. Tim Thomerson does a couple of good turns before he gets out of there. It's following Mad Max style in its desert car-chase action B-movie. However it doesn't have the kinetic energy and relies too much on slow motion. The special effects aren't that special. It's also part of the 80s 3D revival which only adds to the cheese factor. This is not good and not bad enough to be fun. The only good part is the memorable look of Baal.
This is pretty bad. Byron has as much charisma as a rock with as much usefulness for the lead actor. Tim Thomerson does a couple of good turns before he gets out of there. It's following Mad Max style in its desert car-chase action B-movie. However it doesn't have the kinetic energy and relies too much on slow motion. The special effects aren't that special. It's also part of the 80s 3D revival which only adds to the cheese factor. This is not good and not bad enough to be fun. The only good part is the memorable look of Baal.
The 1983 3-D Charles Band production "Metalstorm: The Destruction of Jared-Syn" is pretty damn forgettable and obviously quite low budget but, like many other movies of its kind, it's not without its cheesy charms. One is simply going to have to be partial to this type of thing to begin with. It's highly derivative of other sci-fi features that have come before it, and it is undeniably crude. It's full of nonsense and short on sense. The characters are well defined if not exactly fleshed out (you're never in much doubt as to who is a good guy and who is a bad guy.) The action is reasonably effective, with well done stunts and explosions, and the special effects do give this the appeal of really good cheese. The most worthy component is the rousing music score by Charles's brother Richard Band; it deserves to be in a better movie.
Stiff, but not completely unlikable, Jeffrey Byron stars as Dogen, a "ranger" in a world of the future who must do battle with the overlord of the title, played by Mike Preston of "The Road Warrior". Jared-Syn, assisted by his creepy son Baal (R. David Smith), makes life miserable for people such as amiable old miner Aix (Larry Pennell) and his daughter Dhyana (a young and super sexy Kelly Preston). Knowing he needs help, Dogen gets tracking assistance from the weary Rhodes (Tim Thomerson, who easily steals the show). As the story plays out, he must also deal with a cyclopean being named Hurok (Richard Moll).
The ending to this is quite anticlimactic and disappointing (clearly there were thoughts of making a sequel to this), but getting there provides some degree of fun. If you can turn off your brain for 83 minutes, you should have a good time with this. It never really catches fire (some might even say that it's dull), but helping to give it some visual buzz, other than the 3- D, are the various desert locations and the cinematography by Mac Ahlberg, who shot many movies like this during the 1980s. Byron is a rather colourless lead, and one may wish that the more charismatic Thomerson were in that role instead. Mike Preston is an amusing villain, and Moll likewise has a real presence on screen, as always. The briefly seen Pennell is endearing, and Kelly Preston offers up a lot of spunk as the imperiled girl, who is set to be sacrificed by Jared-Syn to a great big life-giving crystal.
This may not be anything great, but it's not the worst sci-fi adventure you'll ever see, either.
Five out of 10.
Stiff, but not completely unlikable, Jeffrey Byron stars as Dogen, a "ranger" in a world of the future who must do battle with the overlord of the title, played by Mike Preston of "The Road Warrior". Jared-Syn, assisted by his creepy son Baal (R. David Smith), makes life miserable for people such as amiable old miner Aix (Larry Pennell) and his daughter Dhyana (a young and super sexy Kelly Preston). Knowing he needs help, Dogen gets tracking assistance from the weary Rhodes (Tim Thomerson, who easily steals the show). As the story plays out, he must also deal with a cyclopean being named Hurok (Richard Moll).
The ending to this is quite anticlimactic and disappointing (clearly there were thoughts of making a sequel to this), but getting there provides some degree of fun. If you can turn off your brain for 83 minutes, you should have a good time with this. It never really catches fire (some might even say that it's dull), but helping to give it some visual buzz, other than the 3- D, are the various desert locations and the cinematography by Mac Ahlberg, who shot many movies like this during the 1980s. Byron is a rather colourless lead, and one may wish that the more charismatic Thomerson were in that role instead. Mike Preston is an amusing villain, and Moll likewise has a real presence on screen, as always. The briefly seen Pennell is endearing, and Kelly Preston offers up a lot of spunk as the imperiled girl, who is set to be sacrificed by Jared-Syn to a great big life-giving crystal.
This may not be anything great, but it's not the worst sci-fi adventure you'll ever see, either.
Five out of 10.
Don't know why, but in the '80s, I watched this film around 17 times, and when in Hollywood, went to the Band brothers' office to tell them they had made a cult masterpiece. They seemed really surprised that anyone liked it. After watching it several times (which you feel compelled to do for some strange reason), you start to get sucked into believing that somehow the film contains some kind of secret. The problem is that I think I needed to watch it at least 17 more times to 'get' the secret, but I could no longer find the film anywhere. Now I'm an adult, with kids, and they have carefully explained to me that I know nothing about films or hidden realities. So, either I'm an idiot for having wasted so much time watching Metal Storm so many times, or my kids should be forced to watch it 17 times so that they can reach the same level of knowledge as their mother.
During the summer of '83, my childhood buddy and I saw some 13 movies over the course of a long week, including Metalstorm. We were ten at the time and even at that young age we were impressed by just how awful a movie could be. Yes, Metalstorm is, without a doubt, the worst movie I have ever seen. And yet, to this day, my buddy and I still wax nostalgically about the evil Jared-Syn and the impact he and the other stars of Metalstorm had on our summer of '83.
Metalstorm, I LOVE YOU!
Metalstorm, I LOVE YOU!
...And I was in it! A friend was a prop person on this steaming pile, and I went out when they were shooting in the desert. It was a night shoot, and I spent a lot of time standing around watching setup and teardown. Then came the Epic Speech Of Jared Syn To His Troops. The director suddenly decides that there are not enough troops, and some flunky comes up and asks me if I want to be in the film. I tell him sure, and soon I'm standing in the back of a crowd with a piece of brown cloth over my shoulders like a poncho and a helmet on my head. And I stood there, and stood there and stood there. Being in the movie was as dull as watching it being made.
Then it came out!!! I had waited for months for "My" movie to come out. Was I ever disappointed! I knew it wasn't "Citizen Kane". But this wasn't even "Warlords of Atlantis"! All of my friends went from "you were in a movie???" to "You were in THAT???????"
Even though I was in it, it is still one of the lowest-rated films on my list. I do admit, however, that I have a warm spot in my heart for this piece of tripe.
Any time you want to just stare in mute amazement at what can be called a film, check it out.
Then it came out!!! I had waited for months for "My" movie to come out. Was I ever disappointed! I knew it wasn't "Citizen Kane". But this wasn't even "Warlords of Atlantis"! All of my friends went from "you were in a movie???" to "You were in THAT???????"
Even though I was in it, it is still one of the lowest-rated films on my list. I do admit, however, that I have a warm spot in my heart for this piece of tripe.
Any time you want to just stare in mute amazement at what can be called a film, check it out.
Did you know
- TriviaRichard Band composed and recorded the score in eleven days.
- Alternate versionsReleased in Japan in the short-lived VHD format in 3-D. This disc has been widely copied to make bootleg tapes and DVDs.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #14.59 (2006)
- How long is Metalstorm: The Destruction of Jared-Syn?Powered by Alexa
Details
Box office
- Budget
- $3,500,000 (estimated)
- Gross US & Canada
- $5,301,085
- Opening weekend US & Canada
- $2,019,000
- Aug 21, 1983
- Gross worldwide
- $5,301,085
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