Masoom

I wanted to acquaint a young niece with the song Lakdi Ki Kaathi - so we ended up watching Masoom. Here Naseer and Shabana vied for equal honors - he as the "weak philandering and then unable to stand up for what is right" man, she as the hurt and retaliating spouse. Caught in the mix were three children. This was probably the first realistic portrayal of children in Hindi cinema. Urmila Matondkar as the older sister, I forget the name of younger and cute as a button sister, but of course the unforgettable kid was Jugal Hansraj - oh that Masoomiyat was to die for. As the wife was building wall upon wall between herself and the husband, the kids were breaking barriers and bonding as only children can. Shabana - she was a goddess fighting for the rights of her family with not one false note in the entire film. Naseer had just the right amount of weakness and regret to tell you that he was a man with clay feet. Sayeed Jaffrey was a tiny bit loud but then he was supposed to be a loud Punjabi type. These people lived in real houses in a real city and went to work and shopped and played just like us. Masoom had excellent music too - Huzoor is Kadar, Lakdi Ki Kaathi, Tujhse Naaraz Nahin. A perfect 10 from me for this perfect film.

Over the last few years 'Bollywood' films have been given the coverage and exposure they deserve over here in the UK. Their rising popularity means that people who wouldnt have access to watching a bollyowood film, or would simply dismiss it as a foreign language film, therefore unwatchable, are now enjoying the magic and power of bollywood. Recently Channel 4 here in the UK have began to show bollywood films every few nights, and sometimes in the day. I have watched many of them, but Masoom is by far my favourite. On paper the storyline doesnt sound incredibly exciting or original, but what is on screen is purely amazing. The actors portray their characters with such knowledge and ability that you feel you are watching the family's home movie. The basic theme of this film to me seems to be the power of love. GK's love for Rahul battles against his love for the rest of his family. And it is Indu's love for GK, and her eventual love and respect for Rahul, that keeps the family from being torn apart. It is a film about strength, about having the strength to love someone no matter what they have done, Shabana Azmi's Indu is both fragile but incredibly strong and dignified. Naseerudin Shah plays GK with such courage, but also shows his weak side. This is a film that deeply effected me. The power of its central themes are amazing, and shows a side of Bollywood that is largely unheard of.

I have watched this movie 3 or 4 times, and I am impressed with the subject matter and the way with which Gulzar has written it and Shekhar Kapur has directed it. Usually I find that most Indian movies have plots that have such one dimensional characters, but in this movie you see the evolution of the characters. For those who watch Indian movies for the lyrics as well and you haven't seen or heard the songs of Masoom, then you are truly missing something. You can't expect anything less than the best (in terms of the lyrics) from Gulzar. The music by R.D.Burman is also very touching, and appropriate for the scenes. Kudos to Naseruddin Shah and Shabana Azmi for portraying their characters with such passion. After watching this movie I felt that it is human to make mistakes, and you don't find many movies providing such moral lessons. Highly recommended to lovers of cinema.

A very sensitive movie very well done by Shekar. Needless to say Naseerudhin and Shabana come out with their best performance. The surprise is the kid jugal. His performance moves you to tears..he brings out the feelings of a lost,orphaned innocent kid beautifully. RDB music was apt and Gulzhars lyrics were exceptional. But i felt that Supriya pathaks character was not projected well. The relationship between Naseer and Supriya lacks depth. Climax scene could have been handled differently

Masoom is one of the best Hindi films of the 1980s, a decade known to be disastrously terrible for Hindi films. The directorial debut of the supremely talented Shekhar Kapur, whose work with amazingly distinct film genres during his career has been striking, this one really was a gem. The film is about a happily married couple, DK and Indu. They have two girls, Pinky and Minni, and their life seems to be quite perfect until one day DK informs Indu that he has a little kid from a woman who he had an affair with many years ago and who is no more. He brings the kid named Rahul home, and there starts the struggle. His wife is still shocked to know that she was betrayed and the presence of the kid only worsens the situation. While watching the film, the viewers may certainly feel pity for the little cute boy, who bears the brunt of his father's mistake. He has done nothing wrong, and here we see where the film takes its title from.

Masoom is moving, poignant and involving. The film is beautifully narrated and is extremely fascinating to watch. One must note the brilliant portrayal of the urban India of its times. The lifestyle of modern people in the big city is executed with impressive precision. The characters, the dialogues, the situations, are strikingly realistic and lifelike, and they give the film an engaging sense of everyday routine which is really missing in Hindi films. The film never goes overboard, it does not resort to any clichés whatsoever and is not overly emotional - it is simple, authentic and real. That's what makes the emotional effect on the viewer even more powerful and the story so easy to relate to. Due credit goes to Kapur's amazing direction and Gulzar's brilliant writing, which are aided by a great technical crew, fantastic acting and a very memorable soundtrack composed by R.D. Burman. How can one forget such beautiful songs as "Tujhse Naraaz Nahin Zindagi" and "Do Naina Aur Ek Kahani"? Soulful, ear-pleasing and classic.

Naseeruddin Shah's portrayal of DK, a complex role that has a mixture of guilt feelings, love, regret and responsibility, is outstanding. I can hardly see another actor create the character of DK with the sincerity and sensitivity with which he did. Shabana Azmi is exceptional as Indu. In a role requiring both toughness and vulnerability, Azmi displays anger and rage, despair and indifference, and ultimately remorse and compassion, skillfully. The film is also known for having some of the greatest appearances by child actors, and it's easy to see why. Urmila is great as the serious Pinky. One could easily foresee the talented actress that she could possibly grow to become seeing her natural acting here. Aradhana is also adorable as the peppy and bubbly Minny, but it is Jugal Hansraj who makes the greatest impact. It may be because the entire story revolves around him, but he is just one of the cutest kids I've ever seen in a film. He is supposed to be the 'innocent' this film deals with, and, indeed, this is perfectly done through his endearingly naive eyes, sweet diction and touching simplicity. You really feel for this boy throughout the film.

All in all, Masoom is a must-watch, and it should provide a treat to anyone. The only regret I had is that there wasn't enough of Indu and Rahul's positive interaction. I wish Kapur had extended more into their relationship after the heartbreaking "Sorry Aunty" scene, which is the film's best moment (see the film to understand what I mean). Anyway, Masoom is a film that anyone would enjoy watching, and many many times. It is both entertaining, heart-warming and moving. Whoever and wherever you are, if you have not seen it yet, I highly recommend you to do so.