Masoom

A very sensitive movie very well done by Shekar. Needless to say Naseerudhin and Shabana come out with their best performance. The surprise is the kid jugal. His performance moves you to tears..he brings out the feelings of a lost,orphaned innocent kid beautifully. RDB music was apt and Gulzhars lyrics were exceptional. But i felt that Supriya pathaks character was not projected well. The relationship between Naseer and Supriya lacks depth. Climax scene could have been handled differently

Masoom is one of the best Hindi films of the 1980s, a decade known to be disastrously terrible for Hindi films. The directorial debut of the supremely talented Shekhar Kapur, whose work with amazingly distinct film genres during his career has been striking, this one really was a gem. The film is about a happily married couple, DK and Indu. They have two girls, Pinky and Minni, and their life seems to be quite perfect until one day DK informs Indu that he has a little kid from a woman who he had an affair with many years ago and who is no more. He brings the kid named Rahul home, and there starts the struggle. His wife is still shocked to know that she was betrayed and the presence of the kid only worsens the situation. While watching the film, the viewers may certainly feel pity for the little cute boy, who bears the brunt of his father's mistake. He has done nothing wrong, and here we see where the film takes its title from.

Masoom is moving, poignant and involving. The film is beautifully narrated and is extremely fascinating to watch. One must note the brilliant portrayal of the urban India of its times. The lifestyle of modern people in the big city is executed with impressive precision. The characters, the dialogues, the situations, are strikingly realistic and lifelike, and they give the film an engaging sense of everyday routine which is really missing in Hindi films. The film never goes overboard, it does not resort to any clichés whatsoever and is not overly emotional - it is simple, authentic and real. That's what makes the emotional effect on the viewer even more powerful and the story so easy to relate to. Due credit goes to Kapur's amazing direction and Gulzar's brilliant writing, which are aided by a great technical crew, fantastic acting and a very memorable soundtrack composed by R.D. Burman. How can one forget such beautiful songs as "Tujhse Naraaz Nahin Zindagi" and "Do Naina Aur Ek Kahani"? Soulful, ear-pleasing and classic.

Naseeruddin Shah's portrayal of DK, a complex role that has a mixture of guilt feelings, love, regret and responsibility, is outstanding. I can hardly see another actor create the character of DK with the sincerity and sensitivity with which he did. Shabana Azmi is exceptional as Indu. In a role requiring both toughness and vulnerability, Azmi displays anger and rage, despair and indifference, and ultimately remorse and compassion, skillfully. The film is also known for having some of the greatest appearances by child actors, and it's easy to see why. Urmila is great as the serious Pinky. One could easily foresee the talented actress that she could possibly grow to become seeing her natural acting here. Aradhana is also adorable as the peppy and bubbly Minny, but it is Jugal Hansraj who makes the greatest impact. It may be because the entire story revolves around him, but he is just one of the cutest kids I've ever seen in a film. He is supposed to be the 'innocent' this film deals with, and, indeed, this is perfectly done through his endearingly naive eyes, sweet diction and touching simplicity. You really feel for this boy throughout the film.

All in all, Masoom is a must-watch, and it should provide a treat to anyone. The only regret I had is that there wasn't enough of Indu and Rahul's positive interaction. I wish Kapur had extended more into their relationship after the heartbreaking "Sorry Aunty" scene, which is the film's best moment (see the film to understand what I mean). Anyway, Masoom is a film that anyone would enjoy watching, and many many times. It is both entertaining, heart-warming and moving. Whoever and wherever you are, if you have not seen it yet, I highly recommend you to do so.

Probably one of the most sensitive films ever made in India. Its sensibility is very contemporary and unaffected by "Bollywood". The performances are surprisingly real and one can easily relate to them. Naseer plays the role of DK beautifully, I feel its his most sensitive performance till date. DK is a very real character, he is a man who is not ashamed to cry. Its very apparent he loves his wife a lot, but the emotion he shows for Supriya Pathak, (the woman he met during the school reunion, from whom he has a son but did not know till now)is also very real, very real and honest. Even though it has the feel of a one night stand, and even DK himself would rather believe and tell his wife that, but its pretty clear he liked her when he met her and felt genuine emotion for the girl. Bhavna (Supriya Pathak) decides to bring up the child alone and not tell DK about it because she knows that he has a family of his own.

DK is a very rare character in an Indian film, men in Indian films are not sensitive like him, they don't break down while talking to their wives, they don't show helplessness. DK is so humane that its difficult for him to not touch and affect you in some way. Personally, the character that Shabana Azmi, Indu – DK's wife, does not move me too much. Its probably true that her character gets to grow only towards the end when her love for Bhavna's boy(Rahul) begins to overpower her hatred for the act that her husband had committed years ago. Her hurt also comes from the fact that when DK had this affair with Bhavna she was expecting their first child.

Indu is not shown to have any extraordinary characteristics in the beginning. She is just jealous of Rahul's mother and feels disgust for the deeds of her husband. Any one would feel like that. Her character gets some respite when she begins to see the boy Rahul for what he truly is – his mother is dead and he does not know who his father is – he is truly alone and orphaned. Its love and sympathy for him that raises Indu above the normal jealous, hurt wife. She is a mother of two girls herself, she cannot help but feel motherly love for this boy who is sweet, nice natured and so lonely.

The kids also act very well, Jugal Hansraj is wonderful as Rahul. The film wins in the end it seems because of him… you feel so much for this boy. It wins also because of DK (Naseer) and his surprisingly natural love for his lost, so far unknown son. He feels pride when Rahul plays a good ball of cricket… and it surprises him. Just goes to show that feelings of love are not conditioned, developed, they just "are". Indu's feelings for the boy can be seen almost visually growing… and that is a beautiful thing. She is the one who gets him back home in the end.

A must watch for anyone who loves Naseer and Gulzar. It's a film that doesn't disappoint. I have it on DVD and watch it again and again and again!!

Over the last few years 'Bollywood' films have been given the coverage and exposure they deserve over here in the UK. Their rising popularity means that people who wouldnt have access to watching a bollyowood film, or would simply dismiss it as a foreign language film, therefore unwatchable, are now enjoying the magic and power of bollywood. Recently Channel 4 here in the UK have began to show bollywood films every few nights, and sometimes in the day. I have watched many of them, but Masoom is by far my favourite. On paper the storyline doesnt sound incredibly exciting or original, but what is on screen is purely amazing. The actors portray their characters with such knowledge and ability that you feel you are watching the family's home movie. The basic theme of this film to me seems to be the power of love. GK's love for Rahul battles against his love for the rest of his family. And it is Indu's love for GK, and her eventual love and respect for Rahul, that keeps the family from being torn apart. It is a film about strength, about having the strength to love someone no matter what they have done, Shabana Azmi's Indu is both fragile but incredibly strong and dignified. Naseerudin Shah plays GK with such courage, but also shows his weak side. This is a film that deeply effected me. The power of its central themes are amazing, and shows a side of Bollywood that is largely unheard of.

The script and dialogues my Sampooran Singh Gulzar are just mind blowing. It is truly challenging to present the tensions in the family along with the innocence of the children Gulzar and Sekhar Kapoor (the director) delve deeply into the psychology of the adults and the children. Urmila excels as a child artist (she was barely 10 years old!), so did Anuradha and Jugal Hansraj.

The camera work in the movie is simple and artistic. Rahul Dev Burman's haunting score couldn't be any more apt. It is really striking, he used variations of a single tune as the background score for the entire movie! Wow! That is not the best part, you don't notice that! That's the best part.

Nasseruddin Shah and Shabana Azmi, who are known for their extreme potential and they have played their roles to perfection.

I would say this is Sekhar Kapoor's best. There are several scenes in the movie where the characters convey their feeling by a simple "act" which would otherwise need 1000 words and not-needed melodrama. That is clearly his directorial genius. When the characters actually "speak" they convey their feelings equally well...Thanks to the genius and maturity of Gulzar and Sekhar Kapoor.

The movie is funny, beautiful, tense, moving, complex..... However, I have one complaint with the script.

Warning: If you plan to watch the movie do not read beyond this point!



The open question remains as to what is really the punishment to a man who made a mistake as big as adultery. We know the man is good, loves his kids and wife and his work. He did make a mistake. The situation in which he made the mistake, no matter what, cannot be justified. He made a mistake. That's it.

The kid has no fault of his and he is lonely and helpless and feels deprived of everything. Does he have to suffer because the adult made a mistake? No. So, what is doing justice to this kid? Keeping him along with your kids? If that is the case, what is the punishment to the father? If you send him away as

punishment, the kids will all be fatherless and the wife will have the burden of taking care of them alone.

So, as shown in the film...the correct punishment is the one that makes him remorseful and the correct thing to do with the kid is to bring him up along with the others. OK, so far so good but this soln. has a problem too. What happens when the kids grow little older. They know their "brother" made no mistake, they will learn that their father...about who they were so proud..has let them down. This will certainly effect them for life! Even if we assume their family friends can forgive his mistake, the kids cannot. Not at least these kids.. may be some kids who are in a family that is used to adultery!

Well, one could argue that the father indeed made a mistake and the kids would have to simply face the truth..there is no other way out, so they rather stop worrying about it..and of course they don't to need to worry about punishing his father if the objective is to make him remorseful.