Le marginal

For me this movie seems a little chaotic, it mostly jumps from scene to scene and doesn't follow theme line very accurately. Still, it's entertaining movie for action or cop movie fans. At time of original release this was an excellent action film, but for time being action movies are at totally new level. Therefore don't expect too much. This movie has some good points thought. First of all, we see very good starting actor, young Tchéky Karyo here. Second, for car fans there is a car chase scene with Ford Mustang. Third, Belmondo makes his own stunts. Quite interesting is also to watch the first orange bullet train speeding in France! It's a little nostalgic to see this movie. I would say that after every 15 years or so, it is fun to see it again

This is master-piece, one of the best movies I've ever seen. Belmondo is excellent, and Tcheky Karyo, of course. Music of Ennio Morricone is so beautiful that you can't describe it (it reminds me on music in movie "Frantic" by Polanski, where Morricone also made music). This one of the best detective movies, ever shoot in the world cinematography, of course with "The French Connection". You have to watch it.

This is really nothing very special but tells its story efficiently enough and is packed with action. Some time after about the halfway mark, I began to get a little restless as we went through yet another rather predictable punch up but then the film changes gear and we are off to a laid back but pleasing denouement. Belmondo is great throughout, aged 50 at the time and if he really did do all those stunts as we are told it is remarkable. What with crossing motorways and dodging the traffic and leaping out of trains and a helicopter and the impressive Paris car chase, this is one massive performance and still remaining his iconic self with that twinkle in the eye. Henry Silva, five years older than Belmondo has less to do but still helps give the film its gravitas. The Morricone score is fine and even sounds really 80's at times, although I'm not sure that's a good thing. Plenty of attractive location shooting in both Marseille and Paris and plenty also of pretty girls along the way. Nothing profound here but a well made and tough action movie.

Just as Jean-Paul Belmondo's THE PROFESSIONAL (1981) recalled the Charles Bronson 'loner' action vehicles, this one evokes memories of Clint Eastwood's "Dirty Harry" cop shows…which, by extension, connects it to the Italian poliziotteschi – of which the American co-star of THE OUTSIDER, Henry Silva, was a regular! Anyway, Belmondo is a maverick cop up against drug kingpin Silva: he intercepts a consignment of heroin (chasing the speedboat transporting it via helicopter), but the criminal's influence with city officials gets him transferred from Marseille to a low-life district! As was the case with the earlier film, the credits take care to establish the fact that the ageing star performed his own (often dangerous) stunts; in fact, every fifteen minutes or so, he's seen getting into a scuffle, a chase or a shoot-out – without necessarily advancing the main plot.

Still, in spite of the protagonist's superficial nonchalance, he's shown to have a heart: befriending a hooker, saving a convict's teenage daughter from life as a junkie, and paternally overseeing the 'legitimate' activity of a young small-time crook; when the latter opposes Silva's offer of 'protection' and winds up dead, the conflict between policeman and racketeer becomes a personal one. Mind you, the overall handling is anything but subtle – and blatantly commercial (why else would we be treated to the excess of sleaze on display, including an irrelevant excursion at a gay club?)! The film features another Ennio Morricone score which virtually hinges on a single catchy riff, though it's not quite as haunting as his work on THE PROFESSIONAL. The R2 DVD I rented also featured an Audio Commentary by director Deray which was, unfortunately, unsubtitled and enticing theatrical trailers for two other films Belmondo made for director Philippe De Broca, LE MAGNIFIQUE (1973) and L'INCORRIGIBLE (1975).

The four star I have given to it is just because of the camerawork. That is (was) very good. However, even Ennio Morricone went way bellow of his standard with this one.

The script is so bad, full of holes, you wonder 'How did we get here?' Broad shoulders, balls dividing in tight jeans, and that famous grin after beating up criminals.

This is Belmondo at his lowest.