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4.2/10
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A young action scientist ventures back home following in his father's footsteps to find a dinosaur egg.A young action scientist ventures back home following in his father's footsteps to find a dinosaur egg.A young action scientist ventures back home following in his father's footsteps to find a dinosaur egg.
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I saw this movie and yes, this is the kind of monster movie where the soundtrack is disco. I know, in other countries like Italy and Germany, the goofy disco soundtrack is replaced scary music of their own. While the special effects are typical Japanese kaiju stuff you see, I would have to say that these monsters could be OK if there was a bit more money put into it. It looks like Manda from ATRAGON let himself go and fights Rodan's cousin. The film is a mixture between EARTHQUAKE, JAWS, LAND THAT TIME FORGOT, THE GODFATHER and RODAN. EARTHQUAKE, because there is one. JAWS, because there are various scenes that copy it. LAND THAT TIME FORGOT, well the monsters come from a lost world. THE GODFATHER, because there was a horse with no head. RODAN, well, isn't it obvious? A pterodactyl that came out of an egg in a cave. I mean these dinosaurs look realistic, that they should be in a KING KONG-type movie. I bet this movie was a response to the Dino De Laurentiis version of KING KONG. Originally Toei wanted to make a movie, in co-production with British horror film company Amicus, to cash-in with the 1976 remake of KING KONG with a movie called KONGORILLA. With a script written by Tudor Gates, this was going to be good, but it never got made. Then, in 1979, Toei, in co-production with American film production, Punch Productions, called MORTAL. This was about a giant ape that comes out of a Mount Fuji to attack Tokyo in search of food. That never got made, unfortunately. Plesiosaur and the Rhamaphryncus, akin to the T-Rex and Triceratops in THE LAST DINOSAUR, look realistic and would good for the 1976 remake of KING KONG if Dino would put in some dinosaurs. I think this movie was made as a response to the 1976 KING KONG because this movie, THE LEGEND OF THE DINOSAURS (a.k.a. THE LEGEND OF THE DINOSAURS AND MONSTER BIRDS), along with THE LAST DINOSAUR, PEOPLE THAT TIME FORGOT, PLANET OF DINOSAURS, and WARLORDS OF ATLANTIS are saying that everything is better with dinosaurs. This is something that dinosaurs can do. Dinosaurs have potential. Would I recommend it? Yes. If you like dinosaurs, watch it. If you like Japanese monster movies, watch it. If you like disco, watch it. So give it a watch. Not rated, but due to the gore in it, it should be rated PG or PG-13. Bottom line: Good for bad movie night.
I originally saw this movie when I was five years old. It was aired on a USA network creature feature. The movie fascinated me. My father taped the movie using our crappy 80's VHS player. I watched the movie throughout the next ten years until the actual tape broke from strain.
I'm not quite sure what it is exactly that makes me so incredibly addicted to this film. The soundtrack is a awesome 70's jap-pop funk. The dinosaurs, a pleasiasaur and some pterodactyl variant, are so rubber campy they're great. The acting is absolutely some of the worst acting ever committed to film, and that's including high school musicals and Congo.
I thought that i would never see this film again after my tape broke, but two years ago I found dude on the internet selling DVDs of the original Japanese print with English subtitles.
I'm not quite sure what it is exactly that makes me so incredibly addicted to this film. The soundtrack is a awesome 70's jap-pop funk. The dinosaurs, a pleasiasaur and some pterodactyl variant, are so rubber campy they're great. The acting is absolutely some of the worst acting ever committed to film, and that's including high school musicals and Congo.
I thought that i would never see this film again after my tape broke, but two years ago I found dude on the internet selling DVDs of the original Japanese print with English subtitles.
I guess it's kind of hard for me to really hate this movie, mostly because it's easy to see how awful the dubbing is. They're not even trying to match up the words with the lips. That could be more of the dubber's fault and not the movie's creators. I still knew that this movie would be really cheesy. The dinosaurs don't really appear until the end of the movie and it's at this point that you can easily see how bad the effects are. I can at least appreciate the attempt at character development. It's hard to believe this was made in 1977. It looks a lot more like the 1960's.
There's too much going on at the end. About the only good thing is that some of the explosions were cool. I just knew what would happen next. I knew that she would carry up an arm attached to a partly eaten body. It's easy to see how they use stock footage. This should have been shorter as you can tell they were trying to drag it out. I seriously wouldn't have been surprised if that fake dinosaur part was supposed to be the real one in the story. *1/2
There's too much going on at the end. About the only good thing is that some of the explosions were cool. I just knew what would happen next. I knew that she would carry up an arm attached to a partly eaten body. It's easy to see how they use stock footage. This should have been shorter as you can tell they were trying to drag it out. I seriously wouldn't have been surprised if that fake dinosaur part was supposed to be the real one in the story. *1/2
This is regarded as the worst kaiju eiga ever made. I believe people always have a right to their opinions but this is vastly underrated. This film, about an obsessed paleontologist(dubbed by Robotech's Greg Snegoff) who comes back to his home town in search of a plesiosaur living in the lake. A pteranodon also makes an appearance as they duke it out at the end of the movie. There is graphic violence in this film but it's used quite effectively in quick cuts sending a jolt to the viewer. Most notably is when we catch a glimpse of a girl's bloody thrown-up arm and a headless horse. The music by Masao Yagi is of the times but is often effective and very original. It's unheard of for any monster movie to have a stylish jazzy film score. The pre-credit sequence is eerie. The cinematography is atmospheric, showing the misty forests of the lake and MT.Fuji. I admit this is a bad movie, but one that should looked closer on artistic terms. However, the movie has some obvious logic missing. Why would the reappearnce of dinosaurs cause massive earthquakes? Why would the ever so dormant MT. Fuji erupt after such a long time? How could anything hatch from a petrified egg?Also, plesiosaurs and pteranodons ARE NOT dinosaurs. The best scene in the movie is when the ptreanodon attacks some villagers. The editing is top notch and the disco-esque music that plays over it adds to the fun. The most disturbing part of the scene is when the winged reptile picks up a victim, flies high into the air and sadistically drops him. The dubbing is also very good. If you're a fan of Kaiju Eiga or b-films, pick this up.
Taking the formula established by the success of Jaws and combining it with the domestic kaiju film, Legend of Dinosaurs and Monster Birds had a decent amount of potential but ultimately shot itself right in the explosive tank before it could fully realise that. The DNA of the film feels ripped right from Nessie, the tragically cancelled collaboration between Toho and Hammer, with climate anomalies and seismic activity reviving prehistoric reptiles to terrorise the residents around a legendarily monster-haunted lake. One of those creatures is a Plesiosaurus with the film even referring to poor Nessie at a few points during its runtime, Toei was evidently listening at the walls of Toho studios one summer day. Director Junji Kurata seems to have failed to fundamentally grasp the premise of a huge monster operating by stealth and picking off its victims individually in secret, regardless, his direction is nonetheless passable. The film doesn't allow you to bond with the characters, there's little reason to care for them beyond their base archetypes, however, the actors all turn in decent performances at least. The ill-fitting and often hilariously juxtaposed music by Masao Yagi is usually the film's talking point, combining a catchy mixture of disco, funk, and jazz. Despite a healthy dosing of gory violence and some great effects work, Legend of Dinosaurs and Monster Birds is a really outlandish film, odd and sometimes surreal, it's at least capable of keeping your interest from beginning to end.
Did you know
- TriviaThe movie became a cult film in Soviet Russia where it was the only Japanese monster movie to see a release before the 1990s. Interestingly, it wasn't the prehistoric creatures that caught the attention of audiences, but the depiction of a foreign capitalist country with its modern advancements. In particular, Soviet moviegoers were astonished that Japanese people owned Polaroid cameras.
- Alternate versionsThe US Broadcast version that was made by Sandy Frank in the early 1980s and was availible from Celebrity Video is missing certain scenes. Besides the original Toei logo and opening credits being replaced by Frank's credits, 2 scenes have been cut; they are:
- 1. The part with the woman in the shower has a brief shot of nudity in the light before it mysteriously goes out.
- 2. When Sawa pulls her friends remains into the raft, the US version cuts it so you dont see the body slung in; we only see it drop in.
- ConnectionsEdited into Tokusô Robo Janpâson: Dasshutsu Funô no Meikyû (rabirinsu) (1993)
- How long is Legend of Dinosaurs and Monster Birds?Powered by Alexa
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- Legend of Dinosaurs and Monster Birds
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- Runtime1 hour 32 minutes
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- 2.35 : 1
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Top Gap
By what name was Les Monstres de la préhistoire (1977) officially released in India in English?
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