Règlement de comptes

Early in the film, there is a great scene where Wings Hauser is confronted by a couple of thugs in a car. They punch him in the gut, put a gun to his head, shove him through the car window and tell him to go back to New York.

Unfortunately he ignores their warning and the film drags on for another hour.

What we have here is a typical run-of-the-mill eighties crime/action/thriller from the somewhat lower budget regions. The plot involves a (very active) serial killer running amok in L.A. One of the apparently random victims, being killed at the very start of the movie, is the granddaughter of an ex-thief. Granddaddy then calls in the help of Stoney Jackson Cooper (Wings Hauser), a former hard-boiled cop from the L.A. police force who doesn't like playing by the rules. When he arrives in L.A., the authorities, local criminals as well as his (soon-to-be) ex-wife are not too happy with his return. But Stoney doesn't care. He's got a job to do and a promise to keep: track down the vile killer and put a stop to his activities.

The story bounces to the left & the right at an uneven pace, but still manages to be quite coherent and even turn in a twist at the start of the third act (albeit one you'll probably see coming). Wings Hauser is in top shape in this one and pretty much owns the movie. One scene has him relaxing in a bath tub, and then going after the killer butt-naked after the whole loft has been shot to pieces during the killer's surprise attack. Even a pretty decent but obviously very standard climax is added to the mix (Wings vs. the killer, after his true identity is exposed). Other forms of entertainment, aside from shooting & killing, are included also, like a soft-core sex-scene (Wings & Joyce Ingalls) and an obligatory car crash/explosion. Yes, "Deadly Force" does its best to play it right.

Sadly, one of the worst aspects of "Deadly Force" is the musical score. The main theme - if you can call it that - doesn't work at all. It's too rocky & funky and is used too often & inappropriately (even during the climactic fight & chase scene at the end). It gives the film a much sillier & dated vibe than it should have. A more gritty & tense analog synth score would have worked wonders, I'm sure. But in the end, "Deadly Force" is much more entertaining than it's poor rating on here would lead you to believe. And it's mainly thanks to Wings Hauser and a typical B-movie script that at least tries to make things work.

A customarily vanilla, but rather violent and tawdry action thriller joint with a colourfully explosive Wings Hauser performance as an ex-cop returning to Los Angeles to find the serial killer that murdered his friends' granddaughter. He's a rogue who believes the system doesn't work and would go about any way to get the job done ("Your crazy man!"). Because of this, he's not welcome by the local authorities, then there's the ex-wife and also the local criminals who he had a past with when he was a LA cop.

There's no surprises here, but it's well made in workman-like manner by director Paul Aaron ("A Force of One"). Fundamental is how you can describe the b-grade story, but it did somewhat change route in the back-end after what I thought was going to be your typical stalk and slash outing with a (ex-maverick) cop after a psycho serial killer. In away I probably would have preferred if stuck to that formula (something similar to Charles Bronson's "10 to Midnight"), then where it actually headed. Even the added love-interest with Joyce Ingalls's character felt like nothing more than padding. The narrative does have a scattered pattern going on, but everything is thinly examined when it comes to its finale. Pacing can be very uneven, but the action is physically tough and breakneck (as well as that pumping soundtrack)… but you end up wishing there were more extreme dynamics than what's produced. Also showing up in the cast is Paul Shenar, Al Ruscio, Lincoln Kilpatrick and Arlen Dean Snyder.

Middle-of-the-road entertainment.

"You leave L.A, I'll have your ass!"

Stoney Cooper (Hauser) is a private for-hire freelance inforcer that works in New York City, until he's hired back to his old stomping ground Los Angeles, to track down a serial killer. Dependable B-movie star Wings Hauser is fun in his lead "Dirty Harry" style role as a specialist at tracking down & capturing criminals. He's abit like a bounty hunter, but was once an LA cop until he lost his badge for his rogue ways & bad attitude. Hauser is fine as our lead, pure 80's, cop that reminded me of a dodgy version of David Hasselhoff in Knight Rider. In many ways Hauer's renegade, loose cannon & wild, risk taking cop was Martin Riggs before Lethal Weapon. There's similarities between Stoney Cooper & Martin Riggs, & it's not just the hair lol.

Wings is definitely B-movie royalty, with a huge filmography that's full of low-budget B-movie gems. Some of his i love are Nightmare at Noon, Mutant & Vice Squad, just to name a few. Wings is watchable because he's like an ordinary bloke, a blue collar guy with an attitude & he makes it fun. I really like Wings in films & often watch something because he's in it. Deadly Force is one of the best Wings Hauser films because he gets his own leading Cop Movie & he's having a ball with it.

Deadly Force is made by Paul Aaron who also made the early Chuck Norris action Classic A FORCE OF ONE.

I just love the 80's cop genre, especially the 80's buddy-cop genre, & consider it my favourite movie genre & my go-to comfort genre. I can loose myself in the movie world of 80's cop films, there's just such an energy to those old school films that i love. The 80's music, cheesy or not i love it all, the gritty backdrop to those films & the often bloody shootout action that follows. I love cop films & Deadly Force is a decent, fun one from that beautiful decade.

Deadly Force is filmed fine, the opening sequence in a beautiful sunny morning in Los Angeles is gorgeous Cinematography & then the more grittier look for New York, all shot well with fine 80's music to compliment the scenes. I totally dig the 80's music & neon lights & it's often, dark Death Wish 2 style tone. Los Angeles was a dangerous place in 1983, & Deadly Force embraced that fear. The serial killer in this is extremely deadly because he kills at random, each victim is different so there's no pattern. I really did like the look of the film the whole way through. At times Deadly Force felt very 70's, very early 70's cop thriller feel & then it would change to very 80's lively action cop flick. All in all i think Deadly Force is a fun & entertaining action cop thriller or, crime thriller. Routine at times yes, but 80's cop films all felt similar at times as they all kinda copied a formula, but i love it all.

There's other actors that support Wings Hauser of course, recognisable faces, but this is his leading movie & he made a fun cop character that should've atleast had one sequel.

A fun little bit-part for Estelle Getty from The Golders Girls, she's fun as a taxi driver.

Anyway tough & mouthy Stoney in let loose on the streets of Los Angeles, with gangsters & cops on his trail he doesnt stop until he finds his man.

There's nothing particularly special about Deadly Force, or anything that makes it really stand out from the cop thriller genre, but it's a fun film if you like the genre or if your a fan of Wings Hauser.

This movie drags terribly. I checked the time and couldn't believe I was only 38 minutes in and that there was over an hour left. Slow moving and thats more down to plot and the lengthy character development of Stoney Cooper. That didn't help.

The plot is good standard fare for an action movie. Ex cop turned private detective returns to LA where formerly served to solve the murder of a friend's daughter. He meets up with old enemies and his ex wife while things dont go as planned. The movie would have worked with a good healthy edit and better action sequences like the last one which didn't make sense. Alot of gloating to prolong it too long.

Might have been alot better with a good edit. Wings Hauser was good in the role. Also nice seeing Al Ruscio not playing the stereotypical bad guy for a change.