La Maison de la terreur

"A Blade in the Dark" is a mediocre horror film.People comparing it to Argento's classics are completely missing the point.Obviously Lamberto Bava does not have the talent of his brilliant father Mario Bava-"A Blade in the Dark" is nothing in comparison to "Blood and Black Lace","A Bay of Blood" or "The Girl Who Knew Too Much".Still "A Blade in the Dark" is quite enjoyable,if you're a fan of Italian horror.Bruno,a music composer is offered a job by a female director to write the music for her newest horror film.He takes on the job and rents a small villa.As soon as he starts his work a series of brutal murders is set in motion.The film is not as scary as some people claim-in fact it's pretty dull.There are some vicious and really bloody murders,particularly the bathroom killing,but there is not enough gore for my liking.The script is sometimes too idiotic and the dubbing is horrible.So if you have enough time to waste give this one a look-just don't expect a masterpiece.

Inspired a little more by the American slashers coming out at the time, A Blade in the Dark is a solid and sometimes intense slash fest about a film composer trapped in an isolated estate where everyone around him is being murdered. The murders themselves are grisly, especially one involving a bathroom, a hand, some shampoo, and a knife. There are a few lags in the pacing here and there, but it all leads to a memorably bizarre finale that makes up for it.

Frequently vicious with some excellent set pieces, A Blade in the Dark must be one of the better non-Argento giallos from the 80's. The story follows a young horror film composer who becomes a target for a deranged serial killer who doesn't want this film to come out. This killer also finds time to hack up anyone who comes to the house where the composer is working on the music, so there's plenty of fresh blood to be spilled.

The pace ebbs and flows here and there and it's hard to judge the acting since it's been dubbed into English, but A Blade in the Dark is worth watching for it's insane murder set pieces, including one particularly grisly hairwashing sequence that involves a hand and a very sharp kitchen knife.

A Blade in the Dark exists somewhere between the giallos on the 70's and the slashers of the 80's, but manages to find its sweet spot more often than not. I think Lamberto's father, Mario, would be very proud of his work in this.

I do like a good Giallo film and this is one of those.

The writers, Dardano Sacchetti and Elisa Briganti, do a great job of weaving the elements of this story into an interesting and eerie dark thriller. There are a couple of supernatural factors thrown in so it just makes it into the horror genre also.

Though it's Lamberto Bava's direction which steers it in the horror genre route the most. What Bava brings to the table is the atmosphere. He is adept at using everything to build an uneasiness for the viewers. Lighting effects, musical interludes, and camera angles. These are the main ingredients he adds. Shame some of today's directors can't cook up a film so good.

It also helps to have the opening sequence where you should recognise one of the kids in the daring trio. Giovanni Frezza who has appeared in nine films of the genre from 1980 to 85. But you should know him from Lucio Fulci's classic horror, The House By The Cemetery. Though it's a very minor part he still does a good job.

I find with the foreign dubbed films it's difficult to fairly rate the acting ability as you're not hearing their voices. You can only go on what you see and hear. Sight-wise the acting isn't superb but it is above average. Sound-wise the vocals could have been a little better. I do wish that the vocal talent scouts would match the voices and characters better. As always this is where it falls - but only a little. There are a couple of translation mishaps and the voice actors and actresses could have studied the script a bit more, to get the emotional elements correct.

Though, if you're a watcher of dubbed films then you'll take this with a pinch of salt - you'll be used to these little niggles. They don't detract from the enjoyment of the story and film.

The special effects are incredible. The bathroom sequence is horrific and I still cannot figure out how they managed to make it look so realistic. This is one of my favourite effects scenes. I hope other filmmakers take note. If you're doing gruesome effects then wetwork is the only way to go. And remember to keep the atmosphere going.

Not an exact tour-de-force but both the writers and director should be happy to have this one in their portfolio - I would be.

The only thing letting the film down is the ending. It's been done a lot. Even when this came out it had started to become old hat. Since then it's become a staple twist of the genre and greatly overused.

If you like gruesome eerie mysteries, then this film is for you. I would even recommend watching the film if you have a passing interest in the genre or want to try something new. Check out my thriller and horror lists, The Game Is Afoot and Absolute Horror, to see where this film sits in my rankings.

If giallo works for you, this movie is a riot. If not, you may find it somewhat disappointing. But for me, it hit all the right notes.

The writing and acting was absurd, filled to the brim with dialogue that is either some of the most on-the-nose stuff I have ever heard, or complete nonsense. The acting is generally fully over-the-top or simply terribly performed. Either way, it's all wildly amusing. Not all the deaths are up to snuff with the best of giallo, but there are a couple that will leave imprints in your mind, specifically one in a bathroom involving a plastic bag. The women are quite intoxicating, the lead actor quite pretty as well, and it's always fun seeing the legend Michele Soavi in any role. The cinematography is a lot of fun, the pacing and editing is disjointed and awkward as is the case with most giallo, and the story makes very little sense.

All in all, it's a pretty terrible movie, but a wonderful giallo! Lamberto Bava certainly got his game locked in a few years later by the time he made his masterpiece, Demons!