Careful, He Might Hear You

This one is from Australia, and centers on an eight year old boy called P.S. (Nicholas Gledhill...this was his first role.) There's a tug of war for custody of P.S., between Aunt Lily and Vanessa. Right at the beginning, Lily tries to explain to the boy why he must go off with Vanessa, but he's only eight, after all. Quite a variation from the Auntie Mame story; here, its all serious education and proper behavior, pretty much the opposite of Mame. So much PINK! have you ever seen so much pink in one room? Large, imposing rooms. And not allowed to get out and play with others. Vanessa kept him all to herself. Not much fun for a youngster who had so much fun in Sydney. Here, he can't seem to do anything right. Vanessa thinks she is doing the right thing for him, but doesn't really know that a youngster wants to just play. Then, stuff happens... which might help turn things around for him.

Story by Sumner Elliott. The novel was written when he was about 46... film done when he was about 66; wonder if its his own story. Elliott was born down Undah, and died in NYC. Directed by Carl Schultz, who did mostly television projects. Finally it's out on DVD. Good story.

Nicholas Gledhill's portrayal of a child is one of the best I've ever seen. He was eight at the time, and the character seems more like five---and a really excellent capture of the body language and expression of a child of that age mystified by the odd grown-up world around him. The worst distraction in the film was the music, which never seemed appropriate, like it had been composed for a different film, in an earlier decade. A few acting performances were overbaked, but in general it was OK. Oddly, Nicholas never appeared in another film.

One of the greatest and least sentimental films about childhood and one of the best, yet most undervalued, of Australian pictures, Carl Schultz's "Careful, He Might Hear You", taken from Sumner Locke Elliott's best-selling book, is about a young boy, known simply as PS, (terrifically played by 8 year old Nicholas Gledhill), caught in the middle of an acrimonious custody battle between his two aunts after his mother's death and his abandonment by his father. It's a very simple, straightforward film with excellent performances from Wendy Hughes and Robyn Nevin as the two women in question, John Hargreaves as the returning father and Peter Whitford as his uncle.

Schultz films it so that we see everything through PS's eyes and it's often very moving though Ray Cook's over-emphatic score sometimes drags it down while the period setting is beautifully captured in John Stoddart's designs and John Seales' superb widescreen cinematography. A sizeable international hit in its day it was named one of the top ten films of the year by the National Board of Review.

Careful, He Might Hear You - the novel by Sumner Locke Elliott (a thinly disguised autobiographical piece) - is a meandering, but still engaging, narrative of a six-year-old Australian boy, orphaned at birth with the death of his mother and an forever absentee father. The movie - beautifully rendered and magnificently acted - is an intelligently adapted work, condensed for enactment, to be sure, but still faithful to the evolution of the events. However, the subtleties of the character interactions - so vital to the novel - were largely glossed over in the film, and that is its shortcoming. True, produced in 1983 in Australia, it is the product of film-making 40 years ago when the emphasis was more on story and less on character. The film does its best to bridge that gap - what success there is in defining the relationships is excellently attempted by the actors - they did all they could with the script they were given - but in the end we see very little of the emotions which drew them together and yet tore them apart. It is these emotions which are the guts of the story.

The boy - "PS" as he has been dubbed by his dying mother, who saw him as a beloved post script to the end of her determinedly daring life - is set in 1930s Australia. PS lives with Lila and George, his mother's older sister and her husband, who see him as their own. Their circumstances are modest in the those Depression years, but they are managing. Back into their lives comes Vanessa, yet another aunt/sister (there are still even two more), who has been living in England as a companion to Ettie, their family's wealthy cousin. It seems that PS' missing father has been persuaded to assign "Ness" with a role in PS' guardianship. A tug of war ensues between Lila and Vanessa for PS' allegiance, and it is his eventual destiny that is the story's denouement.

The acting is superb. Wendy Hughes and Robin Nevin as Vanessa and Lila, are restrained where they could have cut loose. John Hargreaves, as PS' still mostly absent father, was nobly worthless, which explained so much. Nicholas Gledhill, in his first role, is brilliant - he carries the film. The technical contributions - direction, cinematography, sets, lighting, sound, costumes, make-up - are all first rate.

If one has not read the book, I am sure the movie - in the 1980s - would be satisfying. But this story deserves so much more. Today, it would probably be done as miniseries - freeing the writer to bring out the characters, their relationships and their emotions, all of which are vital to understanding PS' journey to find himself.

My favourite Aussie film. The ping boy is sensational in the role. Great casting all around. Wendy Hughes is stunning in the role. A forgotten gem of Australian cinema. All you hear about is Muriel's Wedding and The Castle. This one surpasses them.