Canicule

Canicule has the distinct aroma of tax write off and trip to France for Lee Marvin in one of his last and least films of his career.

Marvin plays American bank robber Jimmy Cobb who is on the run and now in France. The French authorities want this guy bad, they're even armed to the teeth. The beginning is a homage to Sam Peckinpaugh and The Wild Bunch with a shootout on the Paris streets where a whole lot of people get themselves killed in a botched attempt to take Marvin.

Lee's on the loose with the loot from a bank job that was obviously committed in America because it's in dollars as opposed to francs. But he manages to get to the Normandy countryside where he falls into the hands of a family of farmers who've got their own ideas about him and his loot and his reputation. And by no means is it unanimous.

Canicule is a French attempt to make an American style gangster film and they're not bad at it when doing things like Lemmy Caution with American expatriate Eddie Constantine. This one could have used the real Sam Peckinpaugh however directing this mostly French cast of players with Lee Marvin and Tina Louise. The dubbing and editing is hardly first rate. Marvin is in bad health which the camera plainly shows.

As another reviewer stated Gorky Park is a far better film. That and Death Hunt are the last two really great films Lee Marvin made.

Although I haven't seen every one of his movies, I am reasonably confident to call "Dog Day" the strangest movie Lee Marvin ever appeared in. Why he decided to appear in it, I have no idea, especially since he was still a big star back home in the United States. Fans of Marvin will likely be disappointed by the fact that Marvin doesn't appear in this movie as frequently as he does in his other movies - in fact, he almost becomes a secondary character. The other characters in the movie are a real weird lot, disappearing and reappearing seemingly at random, and acting in random ways when they do appear. Certainly, the movie at first does command your attention because you've likely not seen anything like it before, but it soon becomes tiresome, and you likely won't care what happens at the end when it eventually gets there.

Watch the two movies together for an example of a good film and a bad one with the same themes. No one is good in this one, and that goes for the acting as well as the morality. The family is depraved and watching Lee Marvin go through his 'take the illegal money, eye the women, escape the pursuers' bit is incredibly boring.

Skip it. A real waste of film, despite the VanGogh beauty of the golden fields of southern France.

Not to be underestimated, this French black comedy of sorts stars Marvin in one of his last film roles as a fugitive bank robber, but he's really more of a plot device to showcase the crazy antics of his French co-stars, each with their own offbeat characterisation proving more dangerous than Marvin himself.

Lovely Miou-Miou is the film's leading lady, a captive farming wife of an abusive husband (Lanoux) who sees Marvin as her opportunity for emancipation. Man-child Bennent is a highlight playing a smart-mouthed inbred kid, himself a victim of the Lanoux character's rough handedness who clues onto Marvin's gambit from the outset, setting himself up as the hero of the ensuing farce making for a satisfying climax.

Also grabbing the attention is Bernadette Lafont playing one of the toothless farmhouse occupants with a comically lubricious lust for carnality. Virtually the entire cast play a whacky assortment of oddballs, offset (ironically) by Marvin as the only predictable character in the plot. Apart from Marvin, the only other native English-speaker in the cast is Tina Louise in a small supporting role as one of Marvin's accomplices during the opening heist.

Well photographed with sharp dialogue, a catchy bass guitar sound and overall sympathetic characters, 'Dog Day' might be an unknown quantity for most casual Marvin fans, but is surely worth a look if you're open-minded to a bit of depraved French farmhouse farce.

This is essentially a trash film that luckily does not take itself too seriously. It is well aware of its nature as entertainment and uses themes familiar from such films as "Deliverance" and "The Hills Have Eyes" in a sort of parodic context.

It features a family living in rural France where the father is a brutal and violent pervert, his brother is same but worse, the son (about 10) is following on the same track and the father's sister is a nympho. Key in lots of tasteless moments (the clubbering to death of two Swedish (topless) campers, the suicide of the grandmother when they threaten to take her to old folks' home, the spending spree of the 10 year old kid in a cathouse and so on)and what you have is a fairly entertaining exploitation picture with a European touch.

You know whether you'll like it or not! Definitely not for the fans of Lee Marvin...