IMDb RATING
6.4/10
25K
YOUR RATING
The cop test pilot for an experimental police helicopter learns the sinister implications of the new vehicle.The cop test pilot for an experimental police helicopter learns the sinister implications of the new vehicle.The cop test pilot for an experimental police helicopter learns the sinister implications of the new vehicle.
- Nominated for 1 Oscar
- 1 win & 4 nominations total
Clifford A. Pellow
- Allen
- (as Clifford Pellow)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Always liked this one. Well written and acted, with excellent aerial action sequences. It's a shame this was Warren Oate's last role - he was magnificent. Other reviewers made a valid point about this film presaging the use of military hardware against civilians. We already use airplanes to catch speeders on the ground - doesn't the aviation fuel cost more than the amount of revenue taken in through summonses?
Very good action yarn made during the same year as the more intellegent and superior Badham film, WarGames(1983). Still an entertaining action thriller with three major set pieces. One, the chase among helicopters in the same area as the chase in Terminator 2(1991). Two, the climatic battlescene while at times seems ruthless is nevertheless cheorgraphed with some impressive effects for its time. Three, the final conflict chase between Roy Scheider and Malcolm McDowell.
Acting leads includes Peckinpah actor, Warren Oates whose performance is very good in what was one of his final film roles before his death. He is justly at home in his role of the head of his Police department, and gives us his patterned hard edged cynical with a slight humor mannerisms. Blue Thunder(1983) is one of the five best films from a director in John Badham whose career has been full of ups and downs. I feel his output from the early to mid 1980s are his most successful times as a filmmaker. Roy Scheider is professional and tough in his role of the film's protagonist.
Malcolm McDowell gives another demented performance as Scheider's former mentor, and now chief nemisis. When channeling the right key, McDowell can be one convincing menacing villain. Badham's late 1990s Hitchcockian type thriller, Nick of Time(1996) used many of the same ideas on action and suspense as his earlier film, Blue Thunder(1983). That film even has a similarly sinister mentor/student relationship as this film. While not a classic is certainly something that can be watched when one has little to do, or wants to be entertained.
Acting leads includes Peckinpah actor, Warren Oates whose performance is very good in what was one of his final film roles before his death. He is justly at home in his role of the head of his Police department, and gives us his patterned hard edged cynical with a slight humor mannerisms. Blue Thunder(1983) is one of the five best films from a director in John Badham whose career has been full of ups and downs. I feel his output from the early to mid 1980s are his most successful times as a filmmaker. Roy Scheider is professional and tough in his role of the film's protagonist.
Malcolm McDowell gives another demented performance as Scheider's former mentor, and now chief nemisis. When channeling the right key, McDowell can be one convincing menacing villain. Badham's late 1990s Hitchcockian type thriller, Nick of Time(1996) used many of the same ideas on action and suspense as his earlier film, Blue Thunder(1983). That film even has a similarly sinister mentor/student relationship as this film. While not a classic is certainly something that can be watched when one has little to do, or wants to be entertained.
One of the things that really caught my attention about this film was the brief blurb at the beginning which stated something to the effect of "All of the surveillance equipment depicted in this film exists and is in use in the United States." Knowing what I do of technology, I am not surprised that those capabilities existed back then. However, I received a powerful demonstration of the stealth technology called "whisper mode" in the film, a couple of years after seeing it. I live near a major U.S. Army firing range, and our local airport hosts a considerable amount of military traffic. At this particular time, I was renting a house about one kilometer from the airport. I went out for a walk late one Sunday night, and, shortly after leaving the house, I heard a noise I could not identify. It was a loud hissing sound, 'which seemed very close at hand, but I could not locate the source, until I looked up. Passing overhead at about 200 meters was a Chinook helicopter, the type with two rotors, and fuselage that looks kind of like a banana. Normally, the rotor noise on these cargo helicopters will rattle windows, but this baby was tip-toeing out of town very quietly. If I had been indoors, I never would have heard it. This made me completely rethink the sequence where the helicopter was hovering right outside of a building, and the people inside couldn't hear it! I took it for artistic license at the time, but the demonstration I witnessed of "whisper mode" made it seem entirely feasible.
This film appealed to me strongly, for several reasons. I am a techno freak, to begin with, and I love anything that flies. Also, the characters in the movie are amazingly human, kooky, (especially the lead characters wife,) and easy to identify with. And the kind of shenanigans the Feds were trying to pull seem all too realistic to me, in light of some of the things that they have been caught doing! And I loved the response of sending a couple of F-15's armed with missiles after the renegade, when he is stooging around in downtown Los Angeles. Missiles are not known for being highly selective when they are of the heat seeking type, and urban areas are rich with thermal signatures which can confuse the tiny brain packed into an air-to-air missile. The filmmakers actually downplayed the havoc that could result from launching such weapons in a downtown area.
I found the film to be an enjoyable, realistic, thought provoking experience, which I would recommend to most people. The hardware is not the star, thanks to the excellent work of Roy Scheider and his supporting cast, and the dialog is tight and realistic. When informed that one of the suspects in a liquor store robbery is wearing a Hawiian shirt and a cowboy hat, Scheider's character says, "What ever happened to being inconspicuous?"
This film appealed to me strongly, for several reasons. I am a techno freak, to begin with, and I love anything that flies. Also, the characters in the movie are amazingly human, kooky, (especially the lead characters wife,) and easy to identify with. And the kind of shenanigans the Feds were trying to pull seem all too realistic to me, in light of some of the things that they have been caught doing! And I loved the response of sending a couple of F-15's armed with missiles after the renegade, when he is stooging around in downtown Los Angeles. Missiles are not known for being highly selective when they are of the heat seeking type, and urban areas are rich with thermal signatures which can confuse the tiny brain packed into an air-to-air missile. The filmmakers actually downplayed the havoc that could result from launching such weapons in a downtown area.
I found the film to be an enjoyable, realistic, thought provoking experience, which I would recommend to most people. The hardware is not the star, thanks to the excellent work of Roy Scheider and his supporting cast, and the dialog is tight and realistic. When informed that one of the suspects in a liquor store robbery is wearing a Hawiian shirt and a cowboy hat, Scheider's character says, "What ever happened to being inconspicuous?"
"Blue Thunder" . . . isn't this that movie where Roy Scheider uncovers a government conspiracy and then loops a wicked military chopper? You betcher sweet ass it is! And it's a shame the helicopter didn't talk. I mean, the comic potential of a reckless pilot and his snappy chopper is enough to salivate over. A more cynical person might find all of this silly, but not me. I was caught up in the whole thing; the car chases, the dofight through downtown L.A. It all works somehow, both as police procedural and conspiracy flick.
Scheider lends a great presence to validate the whole thing, Malcolm McDowell is a real slime of the first order, but neither one of these guys has a thing on the real star of the movie: ol' Blue, herself. That is one menacing attack helicopter, loaded for bear and still sleek. I can only imagine what it was like back in the '80s to be a bystander on the ground watching them film this beast in the air.
7/10
Scheider lends a great presence to validate the whole thing, Malcolm McDowell is a real slime of the first order, but neither one of these guys has a thing on the real star of the movie: ol' Blue, herself. That is one menacing attack helicopter, loaded for bear and still sleek. I can only imagine what it was like back in the '80s to be a bystander on the ground watching them film this beast in the air.
7/10
A helicopter is developed for police work using full surveillance technology, stealth modes etc. Officer Murphy and his partner are trained to fly it for street tests. However Murphy suspects that it has more sinister uses when he finds that the man in charge is Colonel Cochrane who he has a history with in Vietnam. The battle between the two men heads for a showdown as Murphy gets evidence to back up his suspicions.
Made as a film but turned into an inferior tv show this film is entertaining but no more than that. The plot is interesting with plenty of conspiracy stuff but the action is sometimes forced. Because most of the helicopter shenanigans are save for the climax we are given car chases etc to help fill the time. The helicopter itself is very cool and well used and the final battle above the city is exciting if formulaic. The morals of a `big brother' helicopter, able to pry everywhere isn't examined as well as could have been but it's still interesting.
Scheider is always good to watch and does well, as do Warren Oates and a young Daniel Stern. However the show is stolen and the film made by a great baddie from Malcolm McDowell (catch you later!) who is menace incarnate for me.
Overall an enjoyable thriller but it really only sticks in the memory due to the TV series that followed worth watching for McDowell though.
Made as a film but turned into an inferior tv show this film is entertaining but no more than that. The plot is interesting with plenty of conspiracy stuff but the action is sometimes forced. Because most of the helicopter shenanigans are save for the climax we are given car chases etc to help fill the time. The helicopter itself is very cool and well used and the final battle above the city is exciting if formulaic. The morals of a `big brother' helicopter, able to pry everywhere isn't examined as well as could have been but it's still interesting.
Scheider is always good to watch and does well, as do Warren Oates and a young Daniel Stern. However the show is stolen and the film made by a great baddie from Malcolm McDowell (catch you later!) who is menace incarnate for me.
Overall an enjoyable thriller but it really only sticks in the memory due to the TV series that followed worth watching for McDowell though.
Did you know
- TriviaOne reason Roy Scheider made this film was so that he would be unavailable to get cast as Chief Brody in Les Dents de la mer 3 (1983), though he also admitted in an interview that the "Jaws" producers knew better than to ask him to play Brody again.
- GoofsCochrane sabotages Murphy's Bell jet ranger by removing the cotter pin and loosening the nut on the throttle-control linkage bolt so it can slip out. Aviation bolts are always installed head-end up as a safety precaution to keep the bolt in place should the nut come off.
- Quotes
[Icelan and Braddock are discussing Murphy]
Icelan: He checks his sanity with a wrist watch!
Jack Braddock: What do you check yours with, a dipstick? There are no paranoid schizophrenics in my department.
- Crazy creditsThere are no opening credits after the title is shown.
- Alternate versionsWhen "Blue Thunder" was first released on video in Sweden, the scene where Kate drives to the the TV station with the videotape, involved a crazy stunt when she drives into a narrow alley and meets a police car that comes the other way. To avoid a disaster, Kate flips her car on its side, hits its roof on a wall and flips back again. In later video versions, the stunt is gone. We only see the car when it enters the alley and then we see her driving on the freeway with a strange damage on the roof.
- SoundtracksTheme From Blue Thunder (Murphy's Law)
(uncredited)
Written by Arthur B. Rubinstein
Performed by Arthur B. Rubinstein, Cynthia Morrow, Brian Banks and Anthony Marinelli (as the Beepers)
Produced by Evan Pace
Associate Produced by Reno Romano
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Relámpago azul
- Filming locations
- City of Los Angeles Piper Technical Center - 555 Ramirez Street, Downtown, Los Angeles, California, USA(Police helipad - Command Center)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $22,000,000 (estimated)
- Gross US & Canada
- $42,313,354
- Opening weekend US & Canada
- $8,258,149
- May 15, 1983
- Gross worldwide
- $42,313,354
- Runtime
- 1h 49m(109 min)
- Color
- Aspect ratio
- 2.39 : 1
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