Les Copains d'abord

After reading several of the user comments on this movie, it is clear that many people missed quite a bit. Those "funny one-liners" (and there are plenty!) are much more than that: they tell us volumes about the characters. This movie certainly does not spell anything out to the viewer (except, perhaps, the obvious), so you must be able to find the meaning behind the words. If you listen to what the characters are saying, then you can understand their past relationships, their present feelings, which friends have stayed close, etc. Remember, these are old friends: the script is very realistic so the characters are not going to explain every line to one another. I believe to truly enjoy this movie you need to pay close attention to all of the details and understand a bit about the attitudes and ideals of the two eras the movie depicts.

Wonderful, intelligent movie!

There was something about this movie which I couldn't place my finger on. Although I barely made the 60's, of which all the characters are reminiscing of and therefore perhaps I maybe missed some subtle messages or didn't get some in-jokes about the 60's, this movie still applies to everyone. I guarantee every generation will have a time where they come back after 10 or 15 years and see friends that had been so important but are now barely on the radar. They will have a weekend of drinking and tears and fights and laughter. You will look at someone and remember a deep, hidden passion for them that you felt so long ago and never shared with anyone.

That is of course, the plot of the movie.

7 friends (who go wayyy back) one husband (who disappears pretty quickly) and a widowed girlfriend (who is barely known by anyone) come together after they learn that Alex, a friend formally part of the clique, had committed suicide (this part was infamously played by Kevin Costner). They have a weekend of sex, drugs, and good ol' fashioned rock and roll, the whole time bringing up past ghosts that had seemed long forgotten and faded. This is touchy subject, even in today's standards. Yet the movie handles it beautifully. My favourite section in the whole movie was when `You can't always get what you want' was played at his funeral. Not for the song, although it is a classic but for how the characters react. Each sit there in the church, some smiling quietly to themselves, while others have a sadden expression, remembering great times that were and never will be again. Every person has a song like that, one that makes you remember your friends, one that makes you sad or laugh and or grin to yourself as you remember the things you did. That to me clinches the movie. It shows how true the script is, and how humanly the characters react. There is a lot of angry hype about the movie, how there is too much talking and not enough sex or car chases or whatever people think is missing. Yet for me, it is reality. When something like this happens in real life, people do not over dramatise. Life is not a soap opera, although movie-goers seemed to want this movie to be. In a real-life situation, people would do exactly what the characters did, examine themselves and try to find a reason for the problems that have happened. Yet the hard truth is, especially about suicide, sometimes, there is no one you can blame. I think people didn't like this movie too much because it rang too true. It was too realistic. People go the movies to be entertained, to fall in love with the fairy-tales lives that movies have. This movie is honest. It seems, for now, people just want to be naïve and live in a fantasy world. If you want a true movie, see this one now.

"The Big Chill" is often regarded as the best Hollywood movie to demonstrate ensemble acting. A problem that can affect similar films is the unequal division of time that each character receives, but "The Big Chill" avoids this problem. It certainly is a moving cinematic experience that isn't easily forgotten. OK it doesn't really lead anywhere, but as it goes on, the nostalgic charm sets in and the core isn't hollow.

Terrific performances from the ensemble cast who work well as a group. It's ironic how Kevin Costner had the most successful career yet if you blink you'll miss him. Some of the careers of the talented cast bloomed after this- Kevin Kline won an Oscar for "A Fish Called Wanda", Glenn Close got 5 nominations (this film included) and got a status in Hollywood, Jeff Goldblum got success in the likes of "Jurassic Park" and "Independence Day". Others didn't- Meg Tilly sort of disappeared, JoBeth Williams went on to flops such as Stop Or My Mom Will Shoot, Mary Kay Place had small parts in Girl Interupted and Being John Malkovich but went by un-noticed.

"The Big Chill" is a complex and often brilliant story of the need for companionship. The soundtrack greatly adds to the nostalgic and uplifting feel to the movie. Great performances, splendid direction and an engaging script make this a deserved (if not slightly dated) classic. My IMDb rating: 8.0/10.

Yes, I hate yuppies just as much as the next guy. And yes, I see all the flaws in this movie. But this movie IS telling the truth about the Baby Boomers, in my eyes, not glorifying them. By that I mean that it tells the story of a group people who THOUGHT they were idealistic when they were young and stoned, only to grow up (and sober up) a little to find out they are as shallow, fake, and greedy as their parents. Some of them are so jarred by this realization that they become depressed and maybe even kill themselves, as their friend did.

So the "talky, plastic" characters AREN'T the result of bad acting or bad writing. They're accurately portraying a generation so full of itself and hot air that it IS talky and plastic, see?

I especially like the character playing JoBeth Williams' husband. He steps into the movie, utters prophetic truth while eating a sandwich, and steps out, leaving the yuppies in the audience stunned. The soundtrack is good, but it becomes kind of transparent and commercial-y after a while. I give the movie a B-.

Things to watch for: cynical product placement (Miller Beer, Nike shoes, etc.); Meg Tilly's body; Kevin Kline's come-and-go accent.

Reunions of former college mates can be an enthusiastic, but also dramatic experience, mainly when you have shared with your now adult friends great ideals in a better and just world, and all those ideals have been abandoned in favour of professional careers and wealthy lives and, moreover, when the only mate who has faced the unfillable gap between the ideal and the real has just committed suicide and thus caused that same reunion.

Single sense of more or less pretended personal self-fulfilment, but hiding a dramatic sense of disillusionment, is rendered through noteworthy dialogues: intelligent, witty, ironical, sensitive and deep. Each protagonist will have to take off his/her mask, and show himself/herself for what he/she is now: the easy and devouring enthusiasm of those, not so distant, at least chronologically, but mentally and emotionally buried times cannot be acted for long. The only form of consolation, a very significant one, actually, is the possibility to share this sense of disillusionment, and the understanding that the only way out of personal dramas is communing with others.

Evidently, the actors, nowadays known as talented performers, but not so famous in 1983, are more than good. Not to mention the soundtrack, which contributes strongly to the emotional impact of the movie and makes one feel like rediscovering the great and out of time hits of the 60's, 70's. A cult and must see movie.