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Ardh Satya

  • 1983
  • 2h 10m
IMDb RATING
8.1/10
2.3K
YOUR RATING
Sadashiv Amrapurkar, Shafi Inamdar, Smita Patil, Amrish Puri, and Om Puri in Ardh Satya (1983)
CrimeDrama

A newly appointed police rookie deals with corruption, romance, and brutality.A newly appointed police rookie deals with corruption, romance, and brutality.A newly appointed police rookie deals with corruption, romance, and brutality.

  • Director
    • Govind Nihalani
  • Writers
    • Dilip Chitre
    • Vasant Dev
    • D.A. Panvalkar
  • Stars
    • Om Puri
    • Smita Patil
    • Amrish Puri
  • See production info at IMDbPro
  • IMDb RATING
    8.1/10
    2.3K
    YOUR RATING
    • Director
      • Govind Nihalani
    • Writers
      • Dilip Chitre
      • Vasant Dev
      • D.A. Panvalkar
    • Stars
      • Om Puri
      • Smita Patil
      • Amrish Puri
    • 25User reviews
    • 3Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 8 wins & 1 nomination total

    Photos26

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    Top cast45

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    Om Puri
    Om Puri
    • Sub-Inspector Anant Velankar
    Smita Patil
    Smita Patil
    • Jyotsna Gokhale
    Amrish Puri
    Amrish Puri
    • Faujdar Velankar
    Shafi Inamdar
    Shafi Inamdar
    • Inspector Hyder Ali
    Achyut Potdar
    Achyut Potdar
    • Inspector Patil
    Sadashiv Amrapurkar
    Sadashiv Amrapurkar
    • Rama Shetty
    Naseeruddin Shah
    Naseeruddin Shah
    • Mike Lobo
    Prabhakar Patankar
    Rafique Mukadam
    Madhuri Purandare
    Shanta Gokhale
    Ila Arun
    Ila Arun
    • Neha Vajpayee
    Leela Jariwala
    Arun Kakde
    Suresh Bhagwat
    Suresh Bhagwat
    • Complainant
    Surendra Roy
    Sharad Smart
      Vijay Kashyap
      • Union Leader
      • Director
        • Govind Nihalani
      • Writers
        • Dilip Chitre
        • Vasant Dev
        • D.A. Panvalkar
      • All cast & crew
      • Production, box office & more at IMDbPro

      User reviews25

      8.12.2K
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      Featured reviews

      10kondsmetkari

      Real indian cinema

      This movie is so powerful. Initially i thaught this is a regular cop cinema but the treatment given to this cinema is really good. I was blown away by acting of all characters. Om Puri performed extremely well in this movie and he looks like live volcano ready to erupt. His acting, body language is outstanding in this movie. Sadashiva amrapurkar's performance was special surprise. Most people don't like art/parallel cinema Just because they think those are slow and boring but ardha Satya is hidden gem. Watch this to know original Indian cinema. Amarish puri, Smita Patil and other actors did really well in this movie.
      8Peter_Young

      A cop story with a difference; Om Puri nails it

      Ardh Satya is an excellently made film. Govind Nihalani leaves no stone unturned in his portrayal of the trials and tribulations of the main character Anant Velankar. He never wanted to be a policeman, but he reluctantly accepted the job because circumstances forced him to as his domineering father did not give him any other option. Now, as a policeman, Anant is honest, hard-working and justice-seeking. No, not at all what we get to see in mindless action films with their exaggerated portrayals of policemen going all nuts over their profession and their fake patriotism being the main issue. Here you will not see any of the silly action sequences or the caricature villains. Ardh Satya is a realistic film, its authenticity is more present than anything else in it. It's a true depiction of the life of an Indian cop and it does not submit to stereotypes, which could have been the easiest way to go.

      As Anant, Om Puri plays a man who tries to fight criminals and those who break the low, but ends up having to fight against injustice within the system itself. This movie is just his story, not necessarily as a cop. It's about his dedication to his job, his frustration, his deterioration and fall from grace. Nihalani directs this feature with great integrity, and Vijay Tendulkar's script and dialogues are fantastic. Anant's relationships with those who surround him are aptly portrayed. The sequences showing his interaction with Jyotsna, a young lecturer of literature, are stupendous and are of the best in the film, right from their first meeting which opens the film to the time when they are already considering a future marriage. There isn't a lot of romanticism about it, but there's a lot of humanity and respect. Even the portrayal of his relationship with his parents, in spite of the minimal screen time it is given, is spot on and is very troubling.

      Ardh Satya is a one-man show, and needless to say, it is Om Puri who dominates the proceedings with his heartfelt, brilliant performance as Anant. Puri is an actor who has very rarely delivered something unworthy, although he has been given stuff unworthy of his talent. This performance ranks amongst the finest works of his illustrious career. He captures Anant's honesty, determination, anger and devastation with sheer intensity, and is always moving, credible and convincing. The acting in general is very good in this film, but the rest of the cast are just here to support him, and they do it well. Amrish Puri, as the tough, violent and authoritarian father, is unsurprisingly excellent. He manages to convey a lot of his character's essence through just a few scenes. The same can be said about Sadashiv Amrapurkar, who does a lot with so little. Shafi Inamdar is also pretty good as Anant's boss.

      Last but certainly not least, Smita Patil is first-rate in a role that was totally in need of someone with her intellectual capabilities and would have turned into inconsequential by a lesser actress. This is not at all one of those powerful author-backed roles she was known for playing, but it's still a very special one in her career. She does not try to impress or steal the show. As Jyotsna, she is natural, pleasant and exudes a certain warmth that is missing in the film. Above all, she had the ability to listen. I highly recommend you to observe the scene in which Anant shares with her his deep devastation towards the end. This scene, devoid of clichés, is one of the finest in the film, showing Om Puri's highpoint but at the same time Patil's wonderfully unconventional reaction of just being there, quietly listening and ultimately lending him a hand of support. The film's climax is most unexpected, and Ardh Satya is overall an excellent, involving movie that is highly recommended.
      10ag-22

      Tries hard to rise above the poem

      Any story comprises a premise, characters and conflict. Characters plotting their own play promises triumph, and a militant character readily lends oneself to this. Ardh Satya's premise is summarized by the poem of the same name scripted by Dilip Chitre. The line goes - "ek palde mein napunsaktha, doosre palde mein paurush, aur teek tarazu ke kaante par, ardh satya ?". A rough translation - "The delicate balance of right & wrong ( commonly seen on the busts of blind justice in the courts ) has powerlessness on one plate and prowess on another. Is the needle on the center a half-truth ? "

      The poem is recited midway in the film by Smita Patil to Om Puri at a resturant. It makes a deep impact on the protagonist & lays the foundation for much of the later events that follow. At the end of the film, Om Puri ends up in exactly the same situation described so aptly in the poem.

      The film tries mighty hard to do a one-up on the poem. However, Chitre's words are too powerful, and at best, the film matches up to the poem in every aspect.
      10milind

      HALF TRUTH IS MORE SCARIER THAN A LIE

      Govind Nihalani's directorial venture of Vijay Tendulkar's novel is brilliant. Om Puri plays an inspector Velankar who is forced to protect underworld don rama shetty, played brilliantly by sadahiv amrapurkar. This is Govind Nihlan's Most talked about movie. This is a very good and a classic film. Smita Patil plays the female lead opposite Om Puri. Naseeruddin Shah is brilliant in a cameo role. Although Sadashiv Amrapurkar has only 4 scenes in the movie he dominates the movie. This was Sadashiv Amrapurkars acting debut.Om Puri won a national award for this film for the best actor. Filmfare award winner for Best Film,Story,Supporting Actor(Sadashiv Amrapurkar).
      10kramachandran

      Hard Hitting Cinema Classic

      An absolute classic !! The direction is flawless , the acting is just superb. Words fall short for this great work. The most definitive movie on Mumbai Police. This movie has stood the test of times.

      Om Puri gives a stellar performance, Smita Patil no less. All the actors have done their best and the movie races on thrilling you at every moment. This movie shakes your whole being badly and forces you to rethink about many issues that confront our society.

      This is the story of a cop (Om Puri ) who starts out in his career as a honest man but ultimately degenerates into a killer. The first attempt in Bollywood to get behind the scenes and expose the depressing truth about Mumbai cops. Kudos to Nihalani !!

      After this movie a slew of Bollywood movies got released that exposed the criminal-politician-police nexus. Thus this movie was truly a trend setter. This trend dominated the Hindi movie scene for more than a decade.

      This movie was a moderate box office hit.

      A must-see for discerning movie fans.

      Storyline

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      Did you know

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      • Trivia
        Rajkumar Santoshi was an assistant director in this film, after about 6 years later, Rajkumar Santoshi got a break to direct Ghayal.

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      FAQ16

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      Details

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      • Release date
        • November 18, 1983 (India)
      • Country of origin
        • India
      • Language
        • Hindi
      • Also known as
        • Полуправда
      • Filming locations
        • Rajkamal Studios, Parel, Mumbai, Maharashtra, India(Studio)
      • Production company
        • Neo Films
      • See more company credits at IMDbPro

      Tech specs

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      • Runtime
        • 2h 10m(130 min)
      • Color
        • Color
      • Sound mix
        • Mono

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