Le Justicier de minuit

Cannon greatness starring Chuck Bronson and directed by Bronson's frequent collaborator J. Lee Thompson. Bronson plays a grizzled detective out to nab a psycho that killed a woman for rejecting him. The problem is the killer covered his tracks well so Bronson has to resort to less-than-legal means of getting him. When this backfires, Bronson's own daughter becomes the psycho's next target.

One of Charles Bronson's best movies from the '80s. As with most of his output that decade, it's sleazy and violent but it's also undeniably fun in a cheesy sort of way. Bronson gives his usual one-note performance. If you've seen his Death Wish movies, you know what to expect here and whether you'll like it or not. Gene Davis makes for a memorable pervert psycho. He also appears naked quite a bit, as do many other people (women and men). Lots of T&A in this one. Lisa Eilbacher is Bronson's pretty daughter and does well. Andrew Stevens holds up his end as the young detective who can't condone Bronson's methods. The rest of the cast includes Geoffrey Lewis, Wilford Brimley, Ola Ray, and a young Kelly Preston. The lady playing Davis' boss takes the honors for worst performance. Her "Betty's dead!" scene should be taught in acting schools.

It's a fun movie if you're not the type who takes everything seriously and gets easily offended. The cheesy elements will please many, as will the voyeuristic stuff. Bronson takes it all very seriously which makes it all the more enjoyable when he's spouting lines like "You know what this is for, Warren? It's for jacking off!" This is a great '80s thriller with a lot of things going for it, including a terrific ending.

Part of my deep dive into sleazy 80s crime films ahead of the release of Ti West's MAXXXINE. This film, VICE SQUAD, and BODY DOUBLE were the films that immediately popped into my head as influences on MAXXXINE. While I would say that BODY DOUBLE and VICE SQUAD are far superior films to this one, the purely exploitative nature of 10 TO MIDNIGHT is nonetheless thoroughly enjoyable. I don't have much to add outside of my review from the last time I watched this film (below), though I did up my rating by half a star and I realized that the killer is an incel before there was such a thing, so if you're in the mood for some 80s sleaze, this is a good place to start.

10-20-17 Corny but wonderfully lurid Charles Bronson vehicle 10 to Midnight (1983) ***

Roger Ebert called the film "a scummy little sewer of a movie" and that will either prompt you to stay away or will do the exact polar opposite. I love the cheap 80s Golan/Globus Cannon films and this one is probably their best Bronson vehicle, which plot-wise boils down to Dirty Harry vs. Ted Bundy. Bronson is a cop who plays by his own set of rules and is partnered with straight-laced Andrew Stevens. Both are on the trail of serial killer Gene Davis, who gets naked before he kills his female victims, but he's not getting naked for kinky reasons. He does it so as not to leave behind any evidence. Given that set-up, you can imagine this is a pretty lurid and kinky crime picture, which includes one scene where Bronson interrogates Davis pulls out a sex toy confiscated from his apartment, and states, "You know what this is for, Warren? It's for JACKING OFF!" Yes, this is that kind of a movie. Bronson's character is so tough he doesn't even know what quiche is:

Laurie Kessler: That's some lunch, Dad. Coleslaw and quiche?

Leo Kessler: (looking down at his food grimly) I hate quiche.

Canteen Cashier: Then why did you get it?

Leo Kessler: I thought it was pie!

Director J. Lee Thompson delivers nasty villains, righteous heroes, and an ending that blew my mind when I watched this on TV as a kid, though today it's pretty corny, though I still dug it. Overall, this isn't in the same league as "Mr. Majestic" or "The Mechanic," but it is better than most of Bronson's 1980s and 90s output.

In Los Angeles, the rookie Detective Paul McAnn (Andrew Stevens) teams up with the veteran Detective Leo Kessler (Charles Bronson) to investigate the murder of Betty Johnson (June Gilbert) and her boyfriend that were stabbed by a naked serial-killer in a park. Detective Kessler recognizes the victim, who lived in the same neighborhood many years ago and childhood friend of his daughter Laurie Kessler (Lisa Eilbacher). The killer Warren Stacy (Gene Davis) goes to the funeral and overhears Betty's father telling Detective Kessler that his daughter had a diary.

Warren breaks in Betty's apartment and stabs and kills her roommate Karen Smalley (Jeana Tomasina) trying to find the diary. But Karen had already delivered the journal to Detective Kessler. Leo Kessler is sure that Warren is the serial-killer and her plants a false evidence in his apartment. However, Warren's defense lawyer presses Detective McAnn accusing him of perjury and Warren is released. Now the Warren is stalking Laurie to revenge against her father.

"10 to Midnight" is a classic thriller from the 80's and among the best movies of Charles Bronson. I saw this film two or three times in the past and I have just seen it again. The unexpected reaction of Detetctive Leo Kessler is the climax of this great film and gives an unforgettable conclusion to the story. My vote is eight.

Title (Brazil): "Dez Minutos para Morrer" ("Ten Minutes to Die")

It's easy to forget that in the 80s, action movies were every bit as violent as horror films and 10 to Midnight is pretty harsh. It feels like they're attempting to make both a Friday the 13th and a Death Wish movie AT THE SAME TIME!

Charles Bronson plays a tough cop dedicated to his job. He stumbles onto a serial sex killer and obsessively hunts him down only to have the system fail him leading to a truly shocking bloodbath at the finale.

10 to Midnight is Cannon film, thus it's over-the-top with lots of sex and violence. It's also through and through a Bronson film so there's a lot of tough guy grandstanding and complaints about a broken legal system that values the rights of the accused over those of the victim.

The positives of this movie are that it has a truly solid cast. Bronson actually seems to care about his performance (not always the case in his later films), the villain is creepy and frightening (he likes to attack his lady victims while he is totally nude), and the kills are intensely effective.

The negatives are that the movie is just a little too slow. There are too many cop movie cliches and I didn't care at all about Bronson's partner. Honestly, I feel that this movie would have worked much better as a straight forward giallo film.

This is a cop movie that occasionally turns into a slasher film which leaves a movie that can't find a consistent tone. Fans of slashers and cop flicks are both likely to be put off by the movie but it is unique enough that I get why it has a cult following. It's an above average latter day Bronson film and probably at least worth a look for fans that don't mind a little (or a lot!) of bloodshed.

Serial killers ... mostly weirdos aren't they? At least in movies. That doesn't mean that they are easy to get. Quite the opposite - even if the viewer and maybe the characters involved do know who the culprit is. Those in the movie may only be guessing (right), but as viewers we know for sure who does it in this case. We watch with our own eyes ... despicable acts of murder, quite vividly taking place. And a lot of nudity thrown in for good measure.

If you have issues with these things (for whatever reason, I'm not judging), you probably shouldn't watch this movie. And yes while some who watch it may call it entertaining, in the end it is a movie. With a questionable moral compass and an even more in your face ending ... not for the faint of hearted that's for sure!