Le souffle de la guerre

This movie gives the viewer a very good basis for understanding the events that led up to WWII. Each character gives a unique perspective on the times, events and conscience of the countries involved. This movie holds your attention from start to finish, is never boring, and leaves an impression that will remain with you for a long time. It is also good for classroom use at all levels, especially if WWII is being covered with students. Personally, I anxiously await its release.

POWERFUL! POWERFUL! POWERFUL! Herman Wouk's novel is nearly as good adapted to the screen as it was a novel. The mini series was perfectly cast and superbly acted. I'd forgotten how beautiful Polly Bergen and Ali McGraw are in this film! Robert Mitchum's performance is absolutely flawless. I recall seeing this several years ago and I loved it then. I love it even more on DVD! I am now trying to find the sequel, War and Remembrance. If I recall, it is every bit as good! Back to this one, however. Ali McGraw does a fantastic job as a jewish woman trapped in a Europe dominated by the jew-hating Nazis. She is trapped because of the trepidation of her uncle, who hates to leave his beloved Italy. As a consequence, she ends up stuck as well. There are many complications, not the least of which is that she is married to an American Naval Officer, Byron Henry, superbly played by Jan Michael-Vincent. This is a long one (>15 hours!) but is well worth the time it takes to watch it.

I gave this an 8 because of the historic content on both sides. Would've given it a 9 except for the horrible acting of Ali MacGraw! Awful!

There are a few things to love about this ambitious World War II epic, many things to like and one thing to loath.

In terms of production values, scale, scope and sweep, "Winds of War" and it's sequel "War and Remembrance" are unparalleled. WoW consists of two compelling narratives: The larger back story of WWII itself (propelled by the leaders of the era, Hitler, Roosevelt, Churchill, et al), and the smaller, personal stories of the Henry family and friends. The former far more interesting than the latter.

These two story threads are seamlessly woven together by the Henry Patriarch, Victor 'Pug' Henry (Robert Michum) who conveniently Forrest Gumps his way into a half dozen major policy meetings of both the Allies and Axis powers. Believing that a Navy captain could (in the span of 2 years) befriend Roosevelt, chat up Churchill, negotiate with Hitler & Mussolini and toast Stalin...is a bit of a stretch, but here, it works. This is due in no small part to the credibility Robert Michum brings to the role, carrying himself with the kind of dignity and charisma that could indeed curry the respect of these world leaders.

Scenes set within the upper echelons of power (White House, 10 Downing, Wolf's Lair, etc) are far and away the best of the series. While Roosevelt, Churchill and Mussolini all receive effective portrayals, the interpretation of Adolf Hitler by Gunter Meisner tops them all. Balancing the cagey, political brilliance of Hitler with the twisted, maniacal evil has always been a challenge for actors, but Meisner pulls it off nicely. Yes, we see screaming, red faced rants, but they are usually accompanied by creepily engrossing soliloquies (outlining his rational for invading France, and later the USSR) that add depth and dimension to the madness.

The story of the Henry family is only interesting in so far as it connects to the larger WWII narrative. Seeing the direct, human impact that Hitler's aggression and tyranny has on the Henry circle is effective and instructive. However, almost every other aspect of their family story is inconsequential and trite.

Which brings me to the loathsome of WoW: Ali MacGraw. As Natalie Jastrow, the love interest for Pug's son Byron (Jan-Michal Vincent), Ali delivers quite possibly the worst acting performance ever filmed opposite Jan-Michael (and yes, I am including the Airwolf helicopter). Her performance manages to be both bland and shrill, sucking the life out of every minute she's on screen (which, when added up, sadly accounts for about 1/3 of the 15 hour running time). Watching her slack-jawed, one-note performance, I felt pity for the other actors dragooned into her orbit and mourned for the movie that could have existed in her absence. For a glimpse of that movie, you need only rent "War & Remembrance" where her character was thankfully recast with Jane Seymore.

However, one long, grating, bad note cannot spoil what is still an impressive achievement and worth the investment in time.

The novel Winds of War is so engrossing that I've read it several times. The mini-series tries hard to put it on the screen, and has some notable success. The screenplay, written by Wouk himself, is faithful to the book; the location shooting and production values are first rate; and many of the performances are excellent. Unfortunately, several of the main characters are way too old for their parts.

Robert Mitchum is a tired looking 66 year old senior playing the part of a vigorous 50 year old naval officer. Jan-Michael Vincent is a 39 year old man playing a 23 year old youth. But the real stick-in-the-eye is Ali MacGraw. Not only is she a 45 year old woman playing a 30 year old, but she is so bad, so monotone, that it's like she was never in front of a camera. Very distracting, and puts a serious flaw in every scene that she ruins.

Lots of other performances are right on. Polly Bergen, Peter Graves, Topol, and David Dukes are all perfect in their roles.

In spite of the defects, the mini-series is like the book. Once you start watching, you're hooked.