L'espace d'une vie

I regard this series as one of the best drama and romantic English tv-series ever to be done. It contains drama, fighting spirit, sadness, happiness and misfortune. So if you haven't seen this series, DO IT NOW. it's worth it.

After decades, I preserve the powerful impression, as child behind Iron Curtain, about it. At that time, it was a good support for motivation. A delightful occasion to discover the impeccable art of Jenny Seagrove, the elegance of Deborah Carr and a beautiful moral. Barbara Taylor Carter was an obscure name and , in that last years of communist regime, this film was just an opened window to a fairy tale world. Short, after decades, fascinating, yet.

As "chick" movies go, this is tops. The performances are very touching, giving life to many of the characters. Jenny Seagrove absolutely shines as Emma; with all the foolish mistakes she makes, you still root for her. Peter Chelsom gives a completely heartbreaking performance as the sheltered and confused Edwin. Liam Neeson, Gayle Honneycutt are convincing; and some of the voice dubbing (particularly the children seem to have "adult" voices) sounds very uneven. The costumes and settings are fabulous. After all, this is a made for TV mini-series, so given that limitation, this is quite outstanding! Blame the book for the anti-clamatic ending, not the film makers or actors. Watch the movie, then read the book to fill in the blanks. You'll agree, the movie is a really on-target adaptation for the most part.

Engrossing saga of a determined woman's climb to the pinnacle of success. Usually having two actresses share a lead minimizes the impact of that role but the excellent match up of Jenny Seagrove and the great Deborah Kerr avoids that here since they share more than a passing resemblance. Both give strong performances again matching in temperament for a seemly whole. Another great thing about these older minis is getting to see actors who went on to acclaim just starting out or prior to their breakouts. Such is the case with Miranda Richardson, who went from this straight into Dance With a Stranger, and particularly Liam Neeson who is terrific as the stalwart Blackie. Even at six hours though it still seems like it scrimps on some of the more interesting aspects of her business success for conventional romantic complications. Overall though an interesting show. Also worth checking out are the special features, in particular the one with Diane Baker who was the producer of this as well as playing a role and offers good insights into what goes into getting something like this made. If you are a fan of the hers and remember her from her late fifties early sixties heyday its great to see her looking so wonderfully well and still so lively.

Even the most hard-hearted will find it difficult to resist the spell of this stylish mini-series. The audience is put through the emotional mangle as spirited heroine Emma Harte endures every setback and hardship going, yet still wins through.

Part of the fascination of the series lies in the quite remarkable cast. Jenny Seagrove splendid as the indefatigable Emma ; a young Liam Neeson and Miranda Richardson ; dear old Barry Morse ; Deborah Kerr as the older Emma ; Christopher Guard as the blackguardly villain, who gets his comeuppance in one of the most satisfying scenes ; and Peter Chelsom, who went on to direct the hit British film "Hear My Song", as well as the less successful "Funny Bones".