Kennedy

Movies about the Kennedy family (miniseries as well) lets face it they are a dime a dozen. People have a never-ending fascination with them and filmakers have always done their best to exploit this said fascination. I remember watching this miniseries in 1983 (it was released on the 20th anniversary of Kennedy's death). I saw it again recently when I was home on leave from Germany. It is the best Kennedy show ever. Martin Sheen is an amazing actor and Blair Brown is equally good as Jackie. The thing I liked best is that Sheen did an amazing job copying Kennedy's accent. Some of the actors who play him don't even bother putting on a Boston accent but Sheen's is flawless. If you had just closed your eyes you would have really thought that was Kennedy talking! He is that good. I particularly liked it when he re-created Kennedy's inagural address (he said many other eloquent things besides ask not what your country can do for you ask what you can do for your country). What was chilling was Vincent Gardenia's portrayal of J. Edgar Hoover. He portrays him as evil as an almost Shakespeare llke villan. They always show him in dark lighting and he speaks in a sinister voice. I remember because he was in a Walt Disney movie I liked called The Last Flight Of Noah's Ark. The other thing that I wanted to mention is the reenactment of the assassination. It is also chilling and makes you realize how horrible it really was. It was like darkness at noon.

This may well be the definitive "Kennedy" film in terms of historical accuracy and honesty, positing forth the best and less-than-best of this so-called Camelot administration. Martin Sheen is, as usual, outstanding in the title role, and his Kennedy not only bares his fallacies but impresses an honest sense of public service. As the former first lady, Blair Brown is nothing less than superb, and her Jacqueline Kennedy is eerily touching, especially with her voiced-over prophecy of her "appointment with death." Together, Sheen and Blair actually generate the sense of youth and glamour that distinquished the real administration. They are more than aptly backed up by a stellar supporting cast headed by John Shea (RKF), E.G. Marshall (Joe Sr.) and the late Vincent Gardenia (as a sinister, throughly unlikeable J. Edgar Hoover). There are apparently two versions on the market: the edited and the unedited. Go for the latter; the former is so badly chopped up that the historical value is lost. My only question: where the heck can I get the original five-hour cassette (and I've looked!)? My other one's worn out! From the scholarship standpoint, this film is an important historical resource.

I waited a long time for this mini-series to come to VHS, and even longer for it to hit DVD! Whenever I see a portrayal of a member of the Kennedy family in film or on TV, this is the film I compare it to, and this film comes out on top every time! Martin Sheen is not JFK's physical twin, but his speech patterns are perfect. Blair Brown delivers the best portrayal of Jackie Bouvier Kennedy you're likely to see, ever. The supporting cast is great, as well. I think only "Thirteen Days" ranks with the supporting cast portrayals, but Sheen's JFK is far and away the best on film!

Anyone interested in the Kennedy clan would enjoy and learn a lot from this film!

I saw this on the 40th anniversary of the Kennedy assasination and found it very interesting and timely.

As I understand, this movie first came out in 1983, before the publication of the book 'The Dark Side of Camelot' by Hersh. I wonder if it would be different had it come out after this book.

Whenever I read books about the Kennedys and their Washington contemporaries I sometimes visualize each one as they were portrayed in this excellent mini series.

The casting was ideal. Martin Sheen, in particular, as JFK ... the voice, the look, the mannerisms ... there were times when the archival footage of the man himself and Sheen the actor almost became one.

The story never ceased to be anything other than utterly compelling.

Strong support from the likes of Vincent Gardenia and E.G Marshall ensured success.

Period detail was occasionally allowed to lapse (for example, cars from a much later period could be clearly seen on the roads in several exterior scenes). But generally quite riveting.