L'agence tous risques

This is one of those shows where I can truly say that I have seen every single episode. Thanks to the reruns, off course, which made me watch it over and over again when I was just a young, little boy. Not seeing (or perhaps not wanting to see) how bad the action, how boring and slow the story was. And how every episode was almost the same as the previous one. The fact that people only shot at other peoples legs (not in the head or chest) didn't bother me either in those days. Now it does bother me and I'm always wondering why I was such a fan in my youth. Luckily I found out after some thinking.

When I was a fan of Hannibal, Murdoch, Face and B.A. (and Amy) I saw a group of friends, very good friends helping out good people who were oppressed by the bad people. They always won, every episode ended as a feel-good-one, there were a lot of laughs, justice was served and my friends Hannibal, Murdoch, Face and B.A. (and Amy) took me home where I was waiting for them to pick me up for another adventure. And I thank them for that joy and adventure they gave me.

Weren't 80's shows the greatest? There are some great shows out there today but nothing like The Dukes of Hazard, The Incredible Hulk and The A-Team. What an absolutely fantastic idea to have four Vietnam Vets on the run from the law and along the way solving crimes and puzzles for people that can afford them. How many of us can remember the bickering of B.A and Murdock? Remember how funny it was to watch Hannibal and Murdock trick B.A into drinking his milk? All of this was done to knock him out so they could fly somewhere (B.A. was afraid of flying). Hannibal smoking his cigars and then spewing out cool lines like " I love it when a plan comes together. " Faceman could infiltrate any establishment, not through brute force but with his wit and ability to disguise himself. And Murdock was just plain crazy, or was he? Many people have alluded to the fact no one ever got hurt either. How many times did Hannibal shoot out someone's tires and the car would flip over 500 times and then the occupants would get out of the car just rubbing their neck and grimacing a bit? Classic stuff. I also think the A-Team was a distant cousin of MacGyver because they could build anything out of anything. They would be locked in a warehouse by the bad guys and that warehouse would just happen to have a blow-torch and a bunch of steel in it. Low and behold, they would build themselves a tank. Sure this is all incredibly silly but so entertaining.

Some 90's shows are great. Friends and Cheers and Frasier and I'm sure a bunch of others are awesome, but they can not match the sheer innocence and brilliance of shows like the A-Team. Maybe I am biased because I grew up in the 80's but I truly feel that way. The A-Team is one show that I wish would show up in syndication here in Toronto. It was fun, imaginative and damn entertaining. Just like most other entertainment that was born in the 80's.

A true staple of the 80's

10 out of 10

I remember watching this when it first was aired in the UK, it was on a Friday night and I was about 12 years old.

After watching it I knew it was a show that I would watch every week, this was certainly different from any other action show I had seen before.

Here were 4 guys who were on the run from the government but helped people out with problems they had, they were different types of guys but put them together and they made The A Team.

Hannibal who always had a plan, they didn't always come out the way he planned but they worked.

Face was the guy who could get anything from anywhere and always scammed hotels, planes etc for the team.

B.A was the muscle and the mechanic in the team who could build and fix anything, Murdock was the insane pilot who was always broken out of the V A hospital when the team needed him.

There was also Amy and Tania who were reporters who separately attached themselves to the team for a while, although rumours were that George Peppard who played Hannibal was not happy with the female involvement in the show.

Also there was the MP Colonel's who tried to catch the A team , first there was Lynch and then Decker who was played by Lancs Le Gault and the character of Decker was the one who pursued the team the most.

People do pick holes in the show like why did the team never shoot anyone and they always got locked up in a garage or warehouse where they would be able to build something to make their escape.

But you can pick holes in any fictional show, this was action packed family entertainment.

Nothing defined the eighties so much as the television we watched. Dallas. The Young and the Restless. The Dukes of Hazzard. He-Man. The Greatest American Hero. Airwolf. Knight Rider.

In 1972, a crack commando unit was sent to prison by a military court for a crime they did not commit. They promptly escaped a maximum security stockade into the Los Angeles Underground. Today, still wanted by the government, they exist as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire...

The A-Team.

With a script any eight year old would love, the four members of the A-Team went off every week to somewhere in America to help someone who couldn't find help anywhere else. They battled impossible odds (with impossible storylines) and managed to stay one step ahead of the law. They were always predictable, heroic, and fun. God bless the eighties, and long live TV Land.

Some '80s shows that were hits at the time really don't hold up well today, but some very definitely do. "Moonlighting" was one of them, and so was this creation of Frank Lupo and Stephen J. Cannell. (Lupo later came to a parting of the ways with Cannell and inflicted "Werewolf" and "Something Is Out There" on the world. Blub.)

Like most of the people commenting on "The A-Team," I used to watch it as a kid (well, a teenager really). It had likeable heroes, comedy, action, top music (unlike most TV producers, Cannell billed Mike Post and Pete Carpenter in the main titles with the stars) ... the lot. The plots weren't exactly loaded with endless twists, but that was part of the fun - who else looked forward to the week's DIY montage where the quartet built that week's weapons? (As Hannibal pointed out in one of the novelisations, it's amazing how the bad guys always locked them up with precisely what they needed to escape.)

And contrary to popular belief, our heroes did get hurt from time to time (the clip show episode "Curtain Call" used Murdock being shot as an excuse for his comrades to hold a remembrance of episodes past; in "The Battle Of Bel Air" the helicopter containing the A-Team crashed at the end of the climax, injuring everyone EXCEPT B.A. Baracus); occasionally episodes started with someone actually getting murdered (the man in the exploding car in "Skins," one of the battling convicts in "Pros & Cons"). The show didn't dwell on it, true, but it was there.

This remains Cannell's most successful show as an independent producer, and demonstrates how he's more adaptable than the more critically acceptable Steven Bochco (this is not to put down Bochco, but can you imagine the man with the would-be violinist for a dad coming up with shows as wildly different as "The Greatest American Hero," "Top of the Hill" and "Wiseguy"?). It was fun in the 1980s, and it's fun now. Which is a lot more than can be said for "The Professionals."