Five element ninjas

How do you go about making an old school Shaw Brothers kung fu flick even more entertaining? Simple… by chucking in a whole load of crazy ninjas with special fighting skills and have everyone who dies do so in a shower of bright red blood.

Directed by Chang Cheh, Five Element Ninjas opens as two kung fu schools go head to head to see who is the best. One team, who wear natty matching white outfits, are clearly the superior fighters, even beating the samurai brought on as guest fighter by the other side. As the defeated samurai commits seppuku, he throws his ring at his opponents, warning that when they see another ring like it, it will mean their death.

Sure enough, a note arrives soon after with a ring attached, a challenge from the five elements ninjas. The guys in white barricade their headquarters and send eight of their finest fighters to confront the ninjas. Two of their men go up against four Gold ninjas, who wear lamé outfits and use metal hats that fire blades from the rim; both meet bloody fates. The duo who face the wood ninjas (who disguise themselves as trees!) also die in gory fashion. Another pair battle Water ninjas, who lurk under the surface of a pond, ready to strike; they fare no better than their companions. A lone fighter faces the Fire ninjas, who wear red and are equipped with smoke weapons; no prizes for guessing how he gets on. The last of the eight is attacked by the Earth ninjas and their master, who appear from and disappear into the ground; he also dies.

Meanwhile, sexy female ninja Senji (Pei Hsi Chen) infiltrates the base of the white guys (who I think are called The Alliance of the Martial Arts World, but 'white guys' is quicker to type); she sends plans of their building to her ninja pals who launch an attack, killing all but Shao Tien-hao (Tien-Chi Cheng), who makes it to the home of a martial arts master who teaches him how to fight against the ninjas. Together with three equally adept pals, Shao Tien-hao goes looking for revenge.

With all manner of cool weaponry, and superbly choreographed fighting throughout, all taken to crazy extremes by director Cheh, Five Element Ninjas is a seriously enjoyable movie, with a satisfyingly brutal finalé that sees all of the ninjas being kicked, punched, sliced, diced and literally torn limb from limb by Shao Tien-hao and his buddies. Anyone who doesn't find this a whole lot of fun should forever be forbidden from watching any film with 'ninja' in the title.

Thanks to Netflix, I've finally had the chance to take in some Shaw Brothers movies and see what all the fuss is about them, this movie included. It's a pretty enjoyable martial arts exercise overall; if you like the 1970s to early 1980s style of Hong Kong martial arts, you'll certainly like this one. That's not to say that it's perfect, however. The script does have a few patches that while I won't say are boring, do come off as kind of padding and may have you mildly urging the movie to get on with it. Also, the basic story is one that has been told in dozens of other martial arts movies. But with the inclusion of ninjas, it definitely has a fresh element to liven things up. Indeed, the scenes with the ninjas have enough nuttiness (not to mention well choreographed and exciting action) to make it worth sitting through the parts that are routine or a little slow. The production values are also pretty solid for this kind of movie, even though it's clear that the "outdoor" sequences are actually on a soundstage. Definitely give this movie a look if you're craving some martial arts action with a little silliness.

The Garrish colors add to this awesome action flick. The choreography is beyond superb (almost no wire use, no stupid CGI, Joel Silver not in presence.) King Fu films are like gene Kelly films or Fred Astaire films- you watch them for the beautifully choreographed moves. The Kung Fu here is among the best of all kung fu films (not classic fung fu films--ALL Kung fu films) The crap Hollywood is spewing now and calling kung fu is just their shallow brainwashed doctrines of how anything that doesn't encompass CGI or a woman for PC reasons is cheap. This is a must for your King fu collection.

Cheh had a long and colorful career as one of the top directors at the Shaw studio but by 1982 his stock had fallen as trends moved away from the period costume kung fu action films he was so fond of. While fellow kung fu film director, Liu Chia Liang was still able to pull off hits, Cheh was perhaps getting too quirky and obvious with his favorite themes of heroic men in revealing outfits, gruesome fights and few if no women in the story. A few films followed in this year with one released the next, but none rival Five Element Ninjas. Cheh was out of the Shaw studio by 1983 and working in low budget Taiwanese cinema he never was able to achieve anything remotely near his past successes. This is his swan song at the Shaw studios,

The plot is absolutely silly and full of absurdities even for your average Chinese made Ninja film. It's as if Cheh saw the competition and said, "Oh yeah? Well watch this!". Except for Venom star Lo Meng, the cast is composed of Shaw second stringers but that doesn't mean the action is anything less then excellent. This film has the best fight scenes in a Cheh film since "The Crippled Avengers" of 1979. Everyone is fighting with weapons in mass fight scenes that are incredibly choreographed. Unfortunately, many production credits are not translated and I don't know who was the genius behind the fight scenes. Lo Meng is the only one doing open hand fighting and he fights a samurai in the first extended fight scene! Granted the samurai sword skills on display are from outer space but it goes with the absurd nature of the entire movie. So much of this film is wacky that it's a waste of your time to recount it. It's as if everything you'd expect from a late Cheh film (good and bad) was turned up to "11" including the pace.

Bloody and nuts. Just the way a good Cheh film should be. See it.

'Five Element Ninjas (1982)' is a Kung fu flick about a martial arts school whose best fighters win a tournament and, in the process, cause a Japanese opponent to commit Seppuku. The man's fellow fighters send a letter to one of his allies back in Japan, an ally who just so happens to be a master ninja and leader of the eponymous five element ninja clans. Naturally, the ninjas make their way to China to avenge their fallen friend, and their mysterious martial arts skills prove to be very challenging to overcome. That's the basic set-up, even if the synopsis spoils a lot more of the narrative, and what follows is a nuts-and-bolts - but no less effective for it - revenge thriller with sequences of sometimes startlingly brutal combat and an unexpectedly nihilistic vibe. The five element ninja factions all use different methods to defeat their foes. For example, the gold ninjas use copper (?) hats to blind their opponents, the wood ninjas disguise themselves as trees, the water ninjas hide (you guessed it) underwater, the fire ninjas cloud the battlefield with smoke before striking with flaming swords, and the earth ninjas attack from beneath the ground. Each clan has several more tricks up its sleeve, but their common theme is to surprise and disorient their opponents before they viciously carve them to pieces. There are also regular ninjas who can silently infiltrate even the most heavily guarded of places, and they strike with ruthless efficiency using claws and iron fists and daggers and all manner of deadly instruments. They aren't interested in fighting fair and it's this that gives them their greatest advantage over the more traditional Chinese martial artists comprising the film's heroic side. Even though it is essentially a China vs Japan affair and there is an undercurrent of Ninjutsu being less honorable than Kung fu, the flick doesn't really feel interested in the kind of jingoism so often present in its peers (some martial arts movies are literally anti-Japanese propaganda pieces). It isn't really interested in the political implications of its premise, more so in pitting two different styles of combat against each other and making a broad but indicting statement about vengeance - and even violence - in general (one of the characters, after murdering someone who has recently wronged them, says to himself: "I didn't do anything wrong... did I?"). It's arguably uninterested in making any kind of statement at all, but its unwillingness to compromise on its focal violence speaks volumes in itself. This is sometimes downright nasty and it has no semblance of mercy to it. It also has a fairly unusual pacing that puts a lot of emphasis on the things building up to the hero's desire for revenge, rather than on the training process required to achieve it (which still appears but is much shorter so that the following segment can surprise us with the techniques the lead has learned in order to counter the various strategies of the five element ninjas). After a pretty full-on opening movement, the picture slows down significantly to introduce and focus on a kind of femme fatale character, and this somewhat humdrum segment is clearly the weakest. It's narratively important, but ever-so-slightly dull. It doesn't help that the soundtrack features an incredibly repetitive motif that builds and reaches its crescendo literally on a loop as if it's emphasising several major reveals that all occur within minutes of one another. In reality it's used to highlight things like opening a window or delivering a note, and its overused so much that it's genuinely annoying. Despite these issues, though, the film is a lot of fun when it gets out of its own way and does what it's best at: highly choreographed ultraviolence. With a colourful, almost cartoony aesthetic and a willful shunning of reality (it makes excellent use of reversed footage), the movie depicts its impressive combat as frantic, urgent and splattered with blood. Although it still tends to seem more like a painful dance than a duel (not a complaint), the film is considerably more vicious than a lot of its peers and is unafraid to showcase its brutality in shades of gleefully saturated red. People are stabbed, slashed, disemboweled and literally pulled apart, and it's all glorious. It's all in good fun (for us) and makes for some really memorable set-pieces soaked in bodily fluids and punctuated by out-of-place smiles of victory. Overall, this is a highly enjoyable and suitably silly martial arts movie that features some notable moments of gore and a strangely bleak atmosphere that's actually slightly haunting in retrospect. It's good stuff.