Témoin à Charge

In 1954, when the efficient but bitter and stubborn barrister Sir Wilfrid Robarts (Ralph Richardson) returns to his office in London recovering from a heart attack, he is invited to defend Leonard Stephen Vole (Beau Bridges), who is the prime suspect in a murder case. Leonard is a former soldier that fought in World War II and is married with his beloved German wife Christine Helm Vole (Diana Rigg). He is unemployed and accused of seducing and murdering the wealthy middle-aged single woman Emily French (Patricia Leslie) to inherit 80,000 pounds. His unique alibi would be the testimony of Christine, which would not be accepted by the court, since she is his wife. Along the trial, Christine is surprisingly called to testify in court by the prosecution, when secrets about their lives are disclosed.

"Witness for the Prosecution" (1957) is another remarkable movie of Billy Wilder and one of the best about trial. Based on the play of Agatha Christie, the plot is perfectly tied-up without any flaw in the screenplay, which has many plot points and witty lines in a perfect combination of the caustic and sarcastic "British humor" with crime, drama and mystery. Despite being a good remake with great cast and performances, I do not understand the purpose of shooting frame-by-frame the masterpiece of Billy Wilder. The last time I had seen this film was on 14 June 2003. My vote is seven.

Title (Brazil): "Testemunha de Acusação" ("Witness for the Prosecution")

Everyone who has seen both versions will compare. Well, Charles Laughton and Tyrone Power in my opinion are better than Ralph Richardson and Beau Bridges. Charles Laughton simply is very funny. Tyrone Power performs a more shady character. But Diana Riggs is excellent, while Marlene Dietrich, much to my surprise and disappointment, is quite woody. The story in both versions are very alike. Though I haven't read the book, I assume they remain both quite close to it. So preference depends on the acting. I don't have one. I quite enjoyed both. The strength of the story is proved by the fact, that one can enjoy it even with knowing the real meaning of all the twists and turns.

While this TV remake of the classic 1957 Billy Wilder film can't hold a candle to the original, it's fun if taken on its own. It's well cast and has a beautiful period feel. And let's face it, any chance to see Diana Rigg is a welcome one!!

This is a fine adaptation of one of Christie's best known works. When people rate and compare this I wonewoif they're comparing the Dietrich film, or the text. Let's face it the text is so short that the play lends itself so well to development and interpretation. It is one of her most ingenious plots, and relies on convincing characters.

This features, for the most part excellent performances, Ralph Richardson steals the show, closely followed by Diana Right, who manages to make Christine as cold as ice. Pleasance and Hiller are also fine.

The problem for me comes from Beau Bridges, whom was wildly miscast, lacking the emotional depth required to make Leonard convincing. I would have loved to see Simon MacKorkindale in the role, he had so much charm.

Some great scenes, some wonderfully dramatic moments, particularly the theatrical finale. I'd rank it third after, firstly 1957's classic, and secondly the BBC's deliciously dark adaptation from 2016.

A very enjoyable watch, 8/10

This is Dame Agatha at her best. I also have the 1957 original, but I gotta tell you this version is far better! Credit Diana Rigg for that, she steals the show and gives a towering performance.

The film starts when Janet is on her way back to the house(Wendy Hiller)She hears two people-she sees one of them-but can't see the other-it's a man. She goes upstairs-then she hears screams and crashing about. She goes down stairs to find a middle aged woman dead.

That's the set up. What follows is a series of plot twists. Leonard Vole(Beau Bridges) Is arrested for the crime and is brought to trial. The Barrister Sir Wilford Robarts(Ralph Richardson)is asked to take the case.

Is Leonard Vole Guilty? Be prepared for one of the most surprising endings in a mystery! It's shot in the arm from Agatha Christie! Oh, Agatha How could you?