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We of the Never Never

  • 1982
  • G
  • 2h 14m
IMDb RATING
6.9/10
493
YOUR RATING
We of the Never Never (1982)
Period DramaBiographyDrama

Jeannie Gunn faced being the only civilised woman in an uncivilised land. A story of personal triumph about one woman who reached out in a hard, hostile, prejudiced world and managed to find... Read allJeannie Gunn faced being the only civilised woman in an uncivilised land. A story of personal triumph about one woman who reached out in a hard, hostile, prejudiced world and managed to find love.Jeannie Gunn faced being the only civilised woman in an uncivilised land. A story of personal triumph about one woman who reached out in a hard, hostile, prejudiced world and managed to find love.

  • Director
    • Igor Auzins
  • Writers
    • Peter Schreck
    • Mrs. Aeneas Gunn
  • Stars
    • Angela Punch McGregor
    • Arthur Dignam
    • Martin Vaughan
  • See production info at IMDbPro
  • IMDb RATING
    6.9/10
    493
    YOUR RATING
    • Director
      • Igor Auzins
    • Writers
      • Peter Schreck
      • Mrs. Aeneas Gunn
    • Stars
      • Angela Punch McGregor
      • Arthur Dignam
      • Martin Vaughan
    • 12User reviews
    • 7Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win & 5 nominations total

    Photos20

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    Top cast26

    Edit
    Angela Punch McGregor
    • Jeannie Gunn
    Arthur Dignam
    Arthur Dignam
    • Aeneas Gunn
    Martin Vaughan
    Martin Vaughan
    • Dan
    Lewis Fitz-Gerald
    Lewis Fitz-Gerald
    • Jack
    John Jarratt
    John Jarratt
    • Dandy
    Tony Barry
    Tony Barry
    • Mac
    Tommy Lewis
    Tommy Lewis
    • Jackaroo
    Donald Blitner
    • Goggle Eye
    Mawuyul Yanthalawuy
    • Rosie
    Cecil Parkee
    • Cheon
    Sibina Willy
    • Bett Bett
    Tex Morton
    • Landlord
    Kim Chiu Kok
    • Sam Lee
    Brian Granrott
    • Neaves
    Danny Adcock
    • Brown
    John Cameron
    • Jimmy Dodd
    Jessie Roberts
    • Nellie
    Christine Conway
    • Judty
    • Director
      • Igor Auzins
    • Writers
      • Peter Schreck
      • Mrs. Aeneas Gunn
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews12

    6.9493
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    Featured reviews

    9edgeofreality

    Moving portrait of a lost time

    I found this a very beautiful film, with charismatic leads and a very realistic portrayal of outback hatdships, the predicament of the aborigines, and the fleetingness of life amidst death. It looks great and has a good romantic score. I felt for this couple, shared their hopes and their losses. My only gripe is that I may have watched a cut version, as there seemed to be a few jumps in time, and not enough of the interesting background characters
    10jessiep1

    A great film!

    This is an excellent film based on true experience in a harsh environment. So much better than most of the films of today. We need more of this type of film. It is not a feel good film only either as it is based on facts. True aborigines are fantastic people and it is a pity more and meaningful assistance wasn't provided way back then. They were a skillful and talented race from which we could have learned much and should have been treated with much more dignity. If only they had been incorporated in the decision making of how they would liked to have been treated things for them today might be different. The acting in the film is great and the casting excellent. The beginnings of some of the earlier acting careers of later familiar faces is great to witness. The comradeship and values (apart from those towards the aborigines) of the time is something that is not always evident today.
    7sol-

    Allure of the Outback

    Agreeing to live with her cattle rancher husband in the Australian outback circa 1900, a young woman finds her preconceptions and views on the world at large changed in this iconic drama, based on actual events. Having never lived outside the suburbs and finding herself with no Caucasian female company at all, 'We of the Never Never' at first seems predictable with lead actress Angela Punch McGregor undergoing many trials and tribulations adjusting to her new life. The plot soon thickens though as she befriends the local Indigenous Australians and finds herself at odds with her Caucasian companions (including her husband), who treat the Aborigines as second class citizens. Particularly compelling are the maternal instincts that swell up inside her as she bonds with a young Indigenous girl without strong parental figures in her life. The question then arises of whether she actually has the girl's best interests at heart by taking her away from her family and basically trying to adopt her. Further questions of inference arise with an Indigenous man who she tries to force to take medicine, and it is all endlessly engaging as we witness a character with more moral fibre than those around her wrestling with whether or not her generosity is in fact beneficial. The less said about the strained relationship with her husband and Arthur Dignam's hardly remarkable performance the better, but this is Punch McGregor's film all the way with a special mention to the breathtaking majestic landscape photography that makes the outback seem more alluring than ever.
    10frequency-2

    Australia before Hollywood

    "We of the Never Never" is a rare film. A near-epic made by and starring people from Australia. I can't really say whether no Hollywood people were involved, but it doesn't seem so.

    Most Americans will have a some trouble understanding dialogue here and there. I have spent time in Oz and N.Z. and I didn't catch some of it. Just another reason why it's a true Australian production.

    And it's quite upfront for 1982. The interaction/friction between Aboriginals and Whites is not most of the film, but a large part of it.

    But to see it is to see something uniquely Australian, IMHO. Got to read the book!
    8princy

    Outstanding Australian Movie

    A remarkable movie about a woman overcoming sexist and racial prejudice in outback Australia. McGregor is very convincing as Jeannie Gunn as she battles constantly to be seen as an equal amongst the menfolk on the station on which she lives with her husband. The fight seems a losing battle however as the views held by the men (regarding both women and indigenous people) are hard to overcome.

    Anyone outside of Australia who is interested in an accurate portrayal of the early relations between Australian Aborigines and white Australian's then this movie is for you.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The remains of Mrs. Aeneas Gunn, and several other characters featured in the book and movie, are buried at the Elsey Cemetery. Jeannie Gunn is buried in Melbourne, but there is a memorial next to her husband's grave, which reads: ''IN loving memory of the 'Little Missus' JEANNIE GUNN Born. June 5th 1870. Died. June 9th 1961.''
    • Goofs
      The city of Darwin is mentioned several times, but Palmerston was not renamed Darwin until 1911. This was the official change but it was common to refer to it as Port Darwin or Darwin long before this.
    • Connections
      Featured in We of the Never Never: Behind the Scenes Gallery (2004)

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    Details

    Edit
    • Release date
      • November 4, 1982 (Australia)
    • Country of origin
      • Australia
    • Official site
      • Umbrella Entertainment - Sunburnt Screens
    • Languages
      • English
      • Aboriginal
      • Chinese
    • Also known as
      • Land hinter dem Horizont
    • Filming locations
      • Katherine, Northern Territory, Australia(environs)
    • Production companies
      • Adam Packer Film Productions
      • Film Corporation of Western Australia
      • General Television Corporation
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • A$3,200,000 (estimated)
    • Gross worldwide
      • $13
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 14 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 2.35 : 1

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