Le joujou

Me and my sister used to watch this when we were children and we loved it. In fact, the last time I saw it I was only 8 years old, but I remember why I enjoyed the movie. I was too young to understand the adult politics but trust me this is a wonderful film for kids to watch. If I was to watch it now it will not be as powerful, and I may not even enjoy it. The point is this was a film made for children, and as this is the case only a child, or an adult who watched it and remembers it as a child are able to accurately review and justify it. Pryor's performance was superb and it shows how diverse he was being able to star in a children's film and manage to be so convincing and never patronises the film by under-performing.

This film can be enjoyed by children due to it's obvious subject matter. But it also has a subtheme about racial and class divisions. Depending on the scene, the film's racial connotations range from depicting the use of blacks in subservient positions, to blatantly expressing that people can still sell themselves or be bought out of desperation.

This is simply put, a fun, charming movie about a boy (Scott Schwartz) who decides to make Richard Pryor his toy for a week while he visits his powerful father Jackie Gleason. Simple gags, jokes and life lessons are what this movie is all about. It should be noted that Schwartz, who also played "Flick" in A Christmas Story went on to co-star in non-sexual roles in hardcore XXX films, then did a XXX scene himself, virtually destroying any chance for a comeback as an adult actor.

It's nearly a shot-by-shot remake of the French masterpiece (Le Jouet - 1976). So much for saying I think!

The comparison isn't for the sake of the American movie, since that movie didn't change anything. They kind of translated the French movie to American the way they translated "Le Jouet" into "The Toy" ("The Toy" is what "Le Jouet" means in English!). The only added thing was a storyline about racism which suited (Richard Pryor)'s character, and harmonized with the motif; as if slavery still exists, making the poor as the rich people's toy.

But overall nothing could reach to the original's special pace, or exceptional personality. For example, in (Le Jouet), the rich man's villa was dark, and the silence worked powerfully more than the talking. Here, forget any of that. Instead, they leaned to weak and cheap tricks like repeating the domino's fall, showing off the stepmother's body, and aiming at the adult joking (there was a purposed kick out of hearing the boy says dirty words!).

(Pryor) filled it with his own buffoonery, and some funny lines, however couldn't capture the serious sense of the story, dealing with the movie as a toy itself. He was a golden star at the moment, so maybe they left him do whatever he wants. Or maybe that's the taste of his comedy anyway. (Patrick Williams)'s music was very cute, but not up to (Vladimir Cosma)'s tender memorable score of the original. And nothing can imitate (Le Jouet)'s end, which's one of the most touching and expressing cinematic endings I've ever seen.

Director (Richard Donner), with the 2 scriptwriter, lacked the French director (Francis Veber)'s smart touches while he was transforming his own short story into feature film. Yes, (Donner) made it fairly, but it's still one of his most spiritless movies that lacks the personal touch. He was executing more than creating at this break between the end of the 1970s' (Superman)'s movies, and his movies at the mid-1980s: (Ladyhawke), (The Goonies), and (Lethal Weapon).

Have watched the original or not, this one is good, fresh and solid as an afternoon movie. In fact, its good condition is a proof of the original's beauty. Though, it's obvious that (The Toy) couldn't be as unique as (Le Jouet). I believe this is the habit of Hollywood that loves to "toy" with older movies, or TV shows, making them mostly easier and slighter!

When I was a kid I actually loved this movie, but now that I'm a man, I'm kinda horrified by "The Toy." A rich white man buys a black man for his spoiled son? Or at least rents a black man for his son. And they take baths together? Yikes! I love Pryor, but I have to assume he took this gig for the money to feed his notorious crack habit. Moral of this movie? If you're a rich white man you can buy a black man for your son. Can you imagine the firestorm of protest if this movie came out today? And oh yeah, the kid became a real life porn star!!!