Tootsie

Possibly the best gender comedy of all time! Everything in this baby clicks: A script that is both clever, endearing and realistic in its depiction of the emotional transformation within Michael Dorsey, incredible acting performances (with Dustin Hoffman, Terri Garr and unbilled Bill Murray as standouts) and a great soundtrack that adds volumes to the mood of the film.

This is a 10! Watch it!

It's strange how seeing a man dressed up as a woman always seems to be funny and popular with the audiences. Milton Berle helped make television with skits like this on his early 1950s show. It works here, too, with Dustin Hoffman applying the makeup and playing the role to the hilt.

Helping Hoffman is Jessica Lange in, by far, her most attractive role. I'm not particularly a fan of hers but she looked spectacular in here, almost like Marilyn Monroe.

This was a popular film because the humor was good and the two leads did a nice job, and people like a good romance story, too. Hoffman, like him or not, is a fabulous, able to play so many diverse roles. He's an amazing actor.

Sometimes overlooked is the big-name supporting cast which includes Dabney Coleman, Teri Garr, Bill Murray, Chares Durning and Geena Davis. The latter was making her screen debut in here!

This isn't as "cute" as it was 25 years ago but it sure was a justifiable bit hit back in the early '80s.

Remember when comedies used to be actual movies with actual stories with actual points and the funny just flowed out of them, instead of just a flimsy excuse to string together jokes and funny scenes and stock situations? Yeah, me too. What happened?

If you're in the mood for a great movie that will get you to cough up a boatload of honest laughs, then you ain't gonna do better than TOOTSIE. You are not going to find a better written, acted, and directed comedy anywhere. There are plenty as good - but none better. This is a career highpoint for all involved, and when "all" includes names such as Sydney Pollack and Dustin Hoffman, you know that's a sentiment that carries some significant weight.

And it just reaffirms the old adage that every single comedy should have Bill Murray in it.

There is so much more to this film than Dustin Hoffman running around in a dress trying to act like a woman. Tootsie is one of the most intelligent comedies I've ever seen. It is perfectly cast, well-layered, and full of surprises.

Dustin Hoffman plays Michael Dorsey. He seems to know everything about acting except how to stay employed as an actor. In an early montage we see him auditioning for numerous plays where he is either too old, too young, too short, simply not the right guy for the part, or in some cases impossible to work with. We also see him trying to teach his craft to some young wannabe actors, and working at a restaurant to pay the bills. After a hilarious argument with his agent, he is simply told "No one will hire you!" The very next shot has Hoffman in drag walking down the street to an audition for a soap opera part his friend (Terri Garr) was unable to land. So intent is the chauvinistic director (Coleman) on casting a woman that looks tough enough for the part of a hospital administrator, Hoffman is denied without so much as a reading. He responds with a hilarious tirade that opens the door to his television career. Hoffman lands the part, and is soon winning over fans all over the country.

While Hoffman finds it wonderful to be working regularly, his personal life is understandably put to the test. He alienates Garr, is constantly made fun of by his roommate (Murray) and falls in love with one of his co-stars (Lange) who of course cannot learn his secret or he's out of a job. Things are further complicated when two older men fall in love with him. It would be pointless to try and describe some of the awkward situations he finds himself in. You must see the movie to experience them for yourself.

The film is so well-cast it's incredible. There are so many fine actors at work here that it almost becomes a contest of who can steal the scene first. Murray gets his share with his improvised lines. His lamenting of the state of his plays during a party scene will have you howling. The icing on the cake was director Sydney Pollack agreeing to play Hoffman's agent. They only have a few scenes together, but they are the film's best.

Tootsie is head and shoulders above other films I've seen that deal with men in women's clothing. Mrs. Doubtfire for example was all slapstick without much heart. In the end it tried to redeem itself in that department and just got way too sappy. Tootsie also wisely holds back in the feminism department. Although Hoffman's Dorothy Michaels is clearly a woman who inspires others to stand up for themselves, he is advised to tone it down by Pollack in one scene. Hoffman feels his Dorothy character should be doing specials and giving advice and whatnot, but Pollack reminds him, "You have NOTHING to say to women, Michael." In other words, you're lucky you've gotten away with the stunt up to this point, now you should be looking for a way to get out.

Overall Tootsie is wonderful experience. It made a fortune when released, and is still very relevant today. Don't miss it! 10 of 10 stars from the Hound.

Tootsie (1982)

**** (out of 4)

Michael Dorsey (Dustin Hoffman) is an unemployed actor who is told by his agent (Sydney Pollack) that there's no one in the country that will hire him due to his attitude. Dorsey, seeing this as a challenge, decides to dress as a woman calling herself Dorothy Michaels and gets a job on a soap opera where he strikes up a relationship with one of the stars (Jessica Lange) on the show. As more and more pressure begins to mount, Michael must decide how to get out of the woman's outfit and reveal the truth.

TOOTSIE is in my opinion one of the greatest comedies of the decade and I'd go even further and call it one of the greatest comedies ever made. There are so many wonderful things in the film and it works on so many levels that it's almost shocking when you look back at the film and see how wonderful it is. Not only does the "comedy" of a man dressing as a woman work but the film is more than just laughs as it hits on what it means to be an actor struggling to get work but there's also a lot of heart to the film and there's certainly many underline themes dealing with the differences between men and women.

There are a lot of great things in this movie but there's no question that the true magic belongs to Hoffman who turns in one of his greatest performances. It's rather amazing to see him work here because he's basically got two different characters that share certain things but in the end they have to be separate characters. What impressed me the most was how believable he was as the female character. Not only does the supporting characters have to be able to believe he's a woman but the magic comes because when you see Hoffman as the woman, you believe it to. I think it's somewhat fitting that during the closing credits the character gets separate credits as does Hoffman. I think his performance as the woman is so great that many probably would believe that a real woman was playing her.

The supporting cast is wonderful as well with Lange certainly deserving her Best Supporting Actress Oscar. She gives her character so much heart and pain that you can't help but root for her. Dabney Coleman and Charles Durning are both terrific in their roles as is Teri Garr who is downright hilarious as a somewhat psychotic friend. THen there's Pollack who is simply great as the agent. Bill Murray gives one of his greatest performances here because the story itself is quite out there yet his dry one-liners are just so hilarious that you can't help but have tears running down your face.

Again, the film works perfectly as a comedy but it's so much more than that. The relationship between Dorothy and her co-worker is very believable and the various twists that happen in the plot seem real and they're never forced. The comedy comes in a very natural way and the realistic characters seem real and not something faked or made up. To me TOOTSIE is a flawless movie that manages to get funnier the more times you see it, which is something hard for a comedy to do.