Tootsie

Among some cross-dressing romance movies, 'Tootsie' has the most organized and simplest development. According to a few others I've watched, stories that can happen from cross-dressing are more than enough, but writers try to add more happenings, stories, comedies, turning movies unnatural and artificial. However, 'Tootsie' stays focused on Michael and Julie's love story. The story itself is not original or fresh; you've heard it a few times. However, out of those stories, 'Tootsie' feels most original.

Michael, an unemployed actor in New York, takes desperate measures by dressing up as a woman called Dorothy Michaels and gets a job at an TV soap opera, where he falls in love with Julie. But how to tell her that he is actually a man...?

Winner of 3 Golden Globes ( Best movie comedy/musical, best actors Dustin Hoffman and Jessica Lange ) and one Oscar ( Best actress Jessica Lange ), "Tootsie" is a small masterpiece of intelligent comedy, full of emotions, love and interesting observations about the relationship between women and men.

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The situations are deliciously written. Just take the scene where Dorothy is auditioning for the role in the TV soap opera but is turned down because she is "too soft". Her response is gold: "Yes, I know what you want! You want some gross caricature of a woman to prove some idiotic point, like power makes women masculine, or masculine women are ugly...! Well, shame on you, you macho sh*t a**!" When later asked from the producer if she was just acting when she said that or if she was natural, she responded: "Which answer will get me the job?" Needless to say she got the job that instant, and a special place in my heart. But the best scenes are the ones where Dorothy is constantly improvising on the set, like when she was supposed to say to a woman who was beaten up by her man to take a therapy, but instead decided to tell that she would never let a man raise his hand on her( and then she threw a vase of flowers into the wall! ). Wonderful fun! Billy Wilder would be proud!

Dustin Hoffman is pure genius, more as a woman then as a man, as are Terri Garr and Bill Murray, before his critical fame with "Lost in translation" and "Broken flowers". "Tootsie" is quite simply a classic all the way through!

Grade: 10/10

Tootsie (1982)

**** (out of 4)

Michael Dorsey (Dustin Hoffman) is an unemployed actor who is told by his agent (Sydney Pollack) that there's no one in the country that will hire him due to his attitude. Dorsey, seeing this as a challenge, decides to dress as a woman calling herself Dorothy Michaels and gets a job on a soap opera where he strikes up a relationship with one of the stars (Jessica Lange) on the show. As more and more pressure begins to mount, Michael must decide how to get out of the woman's outfit and reveal the truth.

TOOTSIE is in my opinion one of the greatest comedies of the decade and I'd go even further and call it one of the greatest comedies ever made. There are so many wonderful things in the film and it works on so many levels that it's almost shocking when you look back at the film and see how wonderful it is. Not only does the "comedy" of a man dressing as a woman work but the film is more than just laughs as it hits on what it means to be an actor struggling to get work but there's also a lot of heart to the film and there's certainly many underline themes dealing with the differences between men and women.

There are a lot of great things in this movie but there's no question that the true magic belongs to Hoffman who turns in one of his greatest performances. It's rather amazing to see him work here because he's basically got two different characters that share certain things but in the end they have to be separate characters. What impressed me the most was how believable he was as the female character. Not only does the supporting characters have to be able to believe he's a woman but the magic comes because when you see Hoffman as the woman, you believe it to. I think it's somewhat fitting that during the closing credits the character gets separate credits as does Hoffman. I think his performance as the woman is so great that many probably would believe that a real woman was playing her.

The supporting cast is wonderful as well with Lange certainly deserving her Best Supporting Actress Oscar. She gives her character so much heart and pain that you can't help but root for her. Dabney Coleman and Charles Durning are both terrific in their roles as is Teri Garr who is downright hilarious as a somewhat psychotic friend. THen there's Pollack who is simply great as the agent. Bill Murray gives one of his greatest performances here because the story itself is quite out there yet his dry one-liners are just so hilarious that you can't help but have tears running down your face.

Again, the film works perfectly as a comedy but it's so much more than that. The relationship between Dorothy and her co-worker is very believable and the various twists that happen in the plot seem real and they're never forced. The comedy comes in a very natural way and the realistic characters seem real and not something faked or made up. To me TOOTSIE is a flawless movie that manages to get funnier the more times you see it, which is something hard for a comedy to do.

There is so much more to this film than Dustin Hoffman running around in a dress trying to act like a woman. Tootsie is one of the most intelligent comedies I've ever seen. It is perfectly cast, well-layered, and full of surprises.

Dustin Hoffman plays Michael Dorsey. He seems to know everything about acting except how to stay employed as an actor. In an early montage we see him auditioning for numerous plays where he is either too old, too young, too short, simply not the right guy for the part, or in some cases impossible to work with. We also see him trying to teach his craft to some young wannabe actors, and working at a restaurant to pay the bills. After a hilarious argument with his agent, he is simply told "No one will hire you!" The very next shot has Hoffman in drag walking down the street to an audition for a soap opera part his friend (Terri Garr) was unable to land. So intent is the chauvinistic director (Coleman) on casting a woman that looks tough enough for the part of a hospital administrator, Hoffman is denied without so much as a reading. He responds with a hilarious tirade that opens the door to his television career. Hoffman lands the part, and is soon winning over fans all over the country.

While Hoffman finds it wonderful to be working regularly, his personal life is understandably put to the test. He alienates Garr, is constantly made fun of by his roommate (Murray) and falls in love with one of his co-stars (Lange) who of course cannot learn his secret or he's out of a job. Things are further complicated when two older men fall in love with him. It would be pointless to try and describe some of the awkward situations he finds himself in. You must see the movie to experience them for yourself.

The film is so well-cast it's incredible. There are so many fine actors at work here that it almost becomes a contest of who can steal the scene first. Murray gets his share with his improvised lines. His lamenting of the state of his plays during a party scene will have you howling. The icing on the cake was director Sydney Pollack agreeing to play Hoffman's agent. They only have a few scenes together, but they are the film's best.

Tootsie is head and shoulders above other films I've seen that deal with men in women's clothing. Mrs. Doubtfire for example was all slapstick without much heart. In the end it tried to redeem itself in that department and just got way too sappy. Tootsie also wisely holds back in the feminism department. Although Hoffman's Dorothy Michaels is clearly a woman who inspires others to stand up for themselves, he is advised to tone it down by Pollack in one scene. Hoffman feels his Dorothy character should be doing specials and giving advice and whatnot, but Pollack reminds him, "You have NOTHING to say to women, Michael." In other words, you're lucky you've gotten away with the stunt up to this point, now you should be looking for a way to get out.

Overall Tootsie is wonderful experience. It made a fortune when released, and is still very relevant today. Don't miss it! 10 of 10 stars from the Hound.

Possibly the best gender comedy of all time! Everything in this baby clicks: A script that is both clever, endearing and realistic in its depiction of the emotional transformation within Michael Dorsey, incredible acting performances (with Dustin Hoffman, Terri Garr and unbilled Bill Murray as standouts) and a great soundtrack that adds volumes to the mood of the film.

This is a 10! Watch it!