Le trésor des quatres couronnes
Original title: El tesoro de las cuatro coronas
- 1983
- Tous publics
- 1h 37m
IMDb RATING
4.1/10
818
YOUR RATING
A group of adventurers are gathered together to retrieve some mystical gems which are in the possession of a deadly cult.A group of adventurers are gathered together to retrieve some mystical gems which are in the possession of a deadly cult.A group of adventurers are gathered together to retrieve some mystical gems which are in the possession of a deadly cult.
Featured reviews
When I was a kid, I saw this movie and I loved it. I thought it was one of the best movies I'd ever seen. Ten years later, I picked it up at the video store to take another look.
Ouch.
OUCH!
This is a bad movie! Really bad! Cheesy, badly dubbed, almost everything is done badly. Love those wires on the "floating" key! The climax is hilarious!
One good thing about the movie: Ever reliable Ennio Morricone gives the movie a good score.
Ouch.
OUCH!
This is a bad movie! Really bad! Cheesy, badly dubbed, almost everything is done badly. Love those wires on the "floating" key! The climax is hilarious!
One good thing about the movie: Ever reliable Ennio Morricone gives the movie a good score.
J.T. Striker (Tony Anthony) is an adventurer / fortune hunter hired by his associates Edmond (Gene Quintano) and Professor Montgomery (Francisco Villena) to get his hands on the legendary Four Crowns, which when obtained can make a person all powerful. This he has to do because diabolical religious cult leader Brother Jonas (Emiliano Redondo) is using them to control his mindless flock. To accomplish his task, J.T. gathers together a bunch of his old friends: the weary old Socrates (Francisco Rabal), the drunken Rick (Jerry Lazarus), and the super sexy Liz (Ana Obregon).
You know you're in trouble when the opening "Star Wars" style crawl is sorely lacking in any sort of punctuation. This basically amiable movie, rushed into production in order to cash in on the success of the previous Cannon Group 3-D feature, "Comin' at Ya!", is entertaining in spurts. Its extreme crudeness and cheesiness (one can clearly see the strings that are manipulating objects) could have been forgiven if only the movie had more energy. It moves along much too slowly, and there's overkill in terms of exposition. The acting from most of the cast is pretty bland. The filmmakers thrust as many objects into the camera as they can.
Helping to uplift "Treasure of the Four Crowns" (starting with that title, it's all too obvious which hit movie was a big influence on this one) to a degree are its WTF moments, its admittedly amusing opening set piece that goes on for over 20 minutes without dialogue, its absolutely priceless climax, and a wonderful, stirring Ennio Morricone music score that truly deserved a better movie.
This just isn't as much fun as this viewer would have liked.
Five out of 10.
You know you're in trouble when the opening "Star Wars" style crawl is sorely lacking in any sort of punctuation. This basically amiable movie, rushed into production in order to cash in on the success of the previous Cannon Group 3-D feature, "Comin' at Ya!", is entertaining in spurts. Its extreme crudeness and cheesiness (one can clearly see the strings that are manipulating objects) could have been forgiven if only the movie had more energy. It moves along much too slowly, and there's overkill in terms of exposition. The acting from most of the cast is pretty bland. The filmmakers thrust as many objects into the camera as they can.
Helping to uplift "Treasure of the Four Crowns" (starting with that title, it's all too obvious which hit movie was a big influence on this one) to a degree are its WTF moments, its admittedly amusing opening set piece that goes on for over 20 minutes without dialogue, its absolutely priceless climax, and a wonderful, stirring Ennio Morricone music score that truly deserved a better movie.
This just isn't as much fun as this viewer would have liked.
Five out of 10.
Ok this movie is a ripoff of Raiders of the Lost Ark, and yes it's a very cheap movie, filmed with the worst lens, and film stock they could find, and yes you can see the strings, and yes lots of things don't make sense, but if you just watch it and try not to take it seriously it's actually pretty good.
The first 22 minutes of the movie is a bizarre take on the opening scene of Raiders of the Lost Ark, filled with traps, birds, dogs, ghosts, and lots and lots of fire. Yes none of it makes sense, but it's also kinda awesome, and there isn't a single line of dialogue the whole time which makes it even better.
After that people do start talking and we are given the basics of the plot, where are protagonist, whose name is JT Striker, is tasked with retrieving two of these four crowns from an evil cult leader who plans on using them four evil. Then along with four other accomplices Striker infiltrates the cults castle compound.
Now the movie is actually acted fairly well, and as a heist movie it's pretty good, it's only with the supernatural stuff does the movie go really off the rails. But even where it gets weird and crazy it's enjoyable for the simple WTF factor. Things are flying at the screen, there's fire everywhere, and yes you can see all the strings but it's still awesome.
The movie is fun if you just let it be fun and not expect much out of an Italian knockoff of Raiders of the Lost Ark.
The first 22 minutes of the movie is a bizarre take on the opening scene of Raiders of the Lost Ark, filled with traps, birds, dogs, ghosts, and lots and lots of fire. Yes none of it makes sense, but it's also kinda awesome, and there isn't a single line of dialogue the whole time which makes it even better.
After that people do start talking and we are given the basics of the plot, where are protagonist, whose name is JT Striker, is tasked with retrieving two of these four crowns from an evil cult leader who plans on using them four evil. Then along with four other accomplices Striker infiltrates the cults castle compound.
Now the movie is actually acted fairly well, and as a heist movie it's pretty good, it's only with the supernatural stuff does the movie go really off the rails. But even where it gets weird and crazy it's enjoyable for the simple WTF factor. Things are flying at the screen, there's fire everywhere, and yes you can see all the strings but it's still awesome.
The movie is fun if you just let it be fun and not expect much out of an Italian knockoff of Raiders of the Lost Ark.
I remember this movie coming on numerous times on HBO and Cinemax when I was a kid and I watched it every chance I could. I know now that it was a cheesy movie and if I watched it again it would probably be not as good as I remembered, but I did like it when I was a kid. Sure most 3-d movies do the hokey sticking stuff in your face routine, and this movie is no different, but I still enjoyed it. Even though during one scene of the movie you can see the string on the "flying" key. The parts I enjoyed most are the first and last parts of the movie. The lead guy in the first part has to get through various traps to retrieve this key thing. I always love boobey traps. The middle just consists of him recruiting people to help retrieve the two crowns. Then it is like a spy movie as they break into some cults palace that has numerous traps. And yes there were only three crowns, one only had paper, the other two had gems, the forth one supposedly was broken by someone who tried to open it without the key. I don't think this was in the original foriegn version. I think it was mentioned only because Treasure of the Three Crowns just doesn't have the same type of ring to it. In the end many of the characters die, and perhaps they get the stones or not...I would say but I don't want to spoil the really dumb ending.
My review was written in January 1983 after a screening on Manhattan's UES.
"Treasure of the Four Crowns" is topliner-producer Tony Anthony's failed attempt to emulate the adventure and fantasy of "Raiders of the Lost Ark" in 3-D format. Public interest in depth pictures (spurred by Anthony's previous "Comin' at Ya!" film) should assure good openings, but eye-taxing visuals and weak story values spell trouble in building a wider audience.
Sharing "Comin' at Ya!"'s problem in over-emphasizing gimmickry, "Treasure" often resembles a Silent Era trick film, stringing together 3-D gags art the expense of continuity and narrative. After the obligatory "Star Wars" serial-styled intro crawl, credits sequence presents the wording on a different plane from the action, creating focusing problems for the viewer. First 20 minute of the picture are sans dialog, as adventurer Stiker (Tony Anthony) undergoes an incoherent series of perils in a Spanish castle in order to fetch a magic key.
Delayed exposition establishes a quest byh Prof. Montgomery (Francisco Villena) to recover two ancient crowns containing golden balls that hold the powers of good and evil, fashioned by the visigoths. Striker organizes a "Mission: Impossible"crew to retrieve them from European relligious cult leader (hailing from Brooklyn) Brother Jonas (Emiliano Redondo): the prof's assistant Edmond (Gene Quintano), a drunken mountain climber Rick (Jerry Lazarus), circus strongman (now clown) Socrates (Francisco Rabal) and his trapeze artist daughter Liz (Ana Obregon).
Final 40 minutes of the picture detail the team's assault on Jonas's fortress, executed with fine physical action scenes, pyrotechnics and stunt work.
Problem is that the filmmakers include too frequent an array of negative parallax shots, that is, objects photographed to appear rapidly moving off the screen into theatre space. Combination of fast cutting and rapid movement of objects does not allow one's eyes to easily adjust to the changes in stereo convergence. Result is strain, fatigue and another setback in the effort to make 3-D a viable, standard filmmaking tool.
On the plus side, "Treasure" has effective sets and many pleasing depth shots amidst the flashy ones. Aerialists performing in a circus look good in 3-D, as do exploding miniatures and other fireworks. Hampered by inadequate dubbing the cast performs well physically, with no discernible doubles during the exciting hanging-from-the-ceiling caper to steal the crowns.
Special effects are hokey, with Anthony's spinning head and subsequent good/evil makeup when he gets the crowns' power proving to be laughable. Action is carried by solid sound effects and an alternately driving or romantic Ennio Morricone score.
Numerous raid on "Raiders" include Obregon's sassy intro to Anthony, which echoes Karen Allen's greeting to Harrison Ford, large flaming balls rolling after Anthony; a mist-filled trunk instead of ark holding the key and a silly finale with flamethrowers emanating from Anthoy's hands at the baddies. Instead of getting mad at this imitation, hopefully George Lucas and/or Steven Spielberg will make their own 3-D adventures and thereby validate the process.
"Treasure of the Four Crowns" is topliner-producer Tony Anthony's failed attempt to emulate the adventure and fantasy of "Raiders of the Lost Ark" in 3-D format. Public interest in depth pictures (spurred by Anthony's previous "Comin' at Ya!" film) should assure good openings, but eye-taxing visuals and weak story values spell trouble in building a wider audience.
Sharing "Comin' at Ya!"'s problem in over-emphasizing gimmickry, "Treasure" often resembles a Silent Era trick film, stringing together 3-D gags art the expense of continuity and narrative. After the obligatory "Star Wars" serial-styled intro crawl, credits sequence presents the wording on a different plane from the action, creating focusing problems for the viewer. First 20 minute of the picture are sans dialog, as adventurer Stiker (Tony Anthony) undergoes an incoherent series of perils in a Spanish castle in order to fetch a magic key.
Delayed exposition establishes a quest byh Prof. Montgomery (Francisco Villena) to recover two ancient crowns containing golden balls that hold the powers of good and evil, fashioned by the visigoths. Striker organizes a "Mission: Impossible"crew to retrieve them from European relligious cult leader (hailing from Brooklyn) Brother Jonas (Emiliano Redondo): the prof's assistant Edmond (Gene Quintano), a drunken mountain climber Rick (Jerry Lazarus), circus strongman (now clown) Socrates (Francisco Rabal) and his trapeze artist daughter Liz (Ana Obregon).
Final 40 minutes of the picture detail the team's assault on Jonas's fortress, executed with fine physical action scenes, pyrotechnics and stunt work.
Problem is that the filmmakers include too frequent an array of negative parallax shots, that is, objects photographed to appear rapidly moving off the screen into theatre space. Combination of fast cutting and rapid movement of objects does not allow one's eyes to easily adjust to the changes in stereo convergence. Result is strain, fatigue and another setback in the effort to make 3-D a viable, standard filmmaking tool.
On the plus side, "Treasure" has effective sets and many pleasing depth shots amidst the flashy ones. Aerialists performing in a circus look good in 3-D, as do exploding miniatures and other fireworks. Hampered by inadequate dubbing the cast performs well physically, with no discernible doubles during the exciting hanging-from-the-ceiling caper to steal the crowns.
Special effects are hokey, with Anthony's spinning head and subsequent good/evil makeup when he gets the crowns' power proving to be laughable. Action is carried by solid sound effects and an alternately driving or romantic Ennio Morricone score.
Numerous raid on "Raiders" include Obregon's sassy intro to Anthony, which echoes Karen Allen's greeting to Harrison Ford, large flaming balls rolling after Anthony; a mist-filled trunk instead of ark holding the key and a silly finale with flamethrowers emanating from Anthoy's hands at the baddies. Instead of getting mad at this imitation, hopefully George Lucas and/or Steven Spielberg will make their own 3-D adventures and thereby validate the process.
Did you know
- TriviaPosters credited the 3-D process used in the film as "Supervision" and "Wondervision". Both of these processes are fictitious, the actual camera system was the Marks 3-Depix Stereospace Converter.
- GoofsThe super-sensitive floor is a key plot device, but when a hat is dropped on it, the alarm doesn't go off.
- ConnectionsFeatured in Electric Boogaloo (2014)
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Treasure of the Four Crowns
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- ESP 2,000,000 (estimated)
- Runtime1 hour 37 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content
Top Gap
What is the Mexican Spanish language plot outline for Le trésor des quatres couronnes (1983)?
Answer